when I’m travelling I always love to listen to those lush and smooth classic progressive sounds…will you join me on this journey?

this is progressive paths - part six

01 - Ryukyu Underground - Seragaki (Sunrise Mix)       
02 - Heads Of State - Debauchery (Weekend World Remix)
03 - Attica - Cyber Girl (Mara Vocal Mix)
04 - Camp & Leutwyler Present BCML - More
05 - PQM feat. Cica - The Flying Song (X-Press 2 Song Of The Machine Remix)
06 - ZGR - Zero Hours (Perry O'Neil Mix)
07 - James & Truman - Hear Me (Dub)
08 - Francesco Farfa meets The Pleasure Team - The Search (Sleep-Walker Mix)
09 - Brother Brown - Star Catching Girl (Darren Emerson Underwater Remix)
10 - Replicant - The Conspiracy (Stewart Rowell Remix)
11 - Justin Scott Dixon - Pure (Voyager's Six Speaker Remix)
12 - The Arcane - The Warrior
13 - Rex Mundi - Developed
14 - Van Bellen - 20/20
15 - Sourmash - Atlantic Shores (Flange & Swain Remix)
16 - Pat Foosheen - Forests of Azure
17 - Futurecast - Life On The Edge
18 - Mindstar - Soundtrack
19 - Nic Vegter - Artificial Intelligence (V-Mix)       
20 - Rouge - Jingalay (Berrocca Remix)
21 - Zagros & Pacific - The Grand (Harry Lemon Remix)
22 - Piece Process - Adrenalin
23 - Mark III - Watermark (Club Mix)
24 - Kama Arts - Crucial Experience
25 - Jaya - No Mas
26 - Steve Gibbs - 0600 HRS
27 - Medicine Man - Lustral
28 - State Of Mind - Slide (Southside Mix)

progressive paths - part six

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Born in the hot summer of 1979, I grew up in the center of The Netherlands. At the age of 12 I discovered the wonderful new genre of House music. Still a schoolboy, I used all my pocket money to buy cassette tapes of famous Dutch house compilations like Move The House, Turn up the Bass & House Party. In the following years several new subgenres emerged, in which the melodic ones were my favourites. That means lots of Eurodance, and instead of the popular Dutch Hardcore, I chose for German Rave and Hardtrance. That combination of powerful beats with lots of melodies was golden and formed my music taste.

Some years through genres like Dream House, Club Trance and the famous Pizzicato house followed and the first Trancemaster! CD’s were collected. And then the year 1999 came, I discovered a strange imported English mix compilation called Gatecrasher:Wet
It contained a wonderful combination of trance tracks from all over Europe. At that moment I started to save some money for buying my first turntables. When I bought my first 2 belt drive turntables and a basic mixer a new world opened. The world was far less international so it was quit a challenge to get those gems from abroad. In 2005 this trance addiction was expanded with producing my own tracks with the then brand new FruityLoops software. Exploring all ranges of trance music my production portfolio is very diverse, like all the different music styles I like to play. 

Being a bedroom producer and DJ for many years my collection grew to about 2500 records ranging from deep progressive house to hardtrance. Around 2007/2008 vinyl records stopped being the main medium for electronic music and things were getting all digital. Missing the fun part of buying and spinning part of records, together with a changing sound of trance made that spinning music was not on my highest rank anymore. But although not too active, this was the period that I discovered harmonic mixing, which still forms the base of all my mixes. By combining the harmonies of different tracks, my mixes are full of homemade mash-ups and by using the harmonic mixing wheel I try to make one continuous journey through harmonies.

In these years my turntables and record collection were gathering dust. I still followed the trance scene sideways and made an occasional mix (with Virtual DJ) or track. In 2018 something changed. I decided to go to a trance festival again after 15 years, so me and my friends made a trip to Luminosity Beach Festival 2018. I was overwhelmed by the fact that this scene was so much more alive than I expected. Especially the fact that there were so many DJ’s that still played those classic trance tracks. Inspired by those sets I decided to upload some of my older mixes on my SoundCloud page for all those classic trance lovers. 

In the past 4 years I created my own themes for my mixes, some modern ones but lots of classics. For example my yearbooks in honour to those golden years of trance. My Exhibition of Classic Trance does reflect my personal taste the best, those mixes are always more than 3 hours to ensure a complete journey through different styles of trance. My personal favourite series is Hidden Treasures, which completely consists of all those hidden gems from back in the days. Of course I love the obvious classics, just as much as all trance lovers, but mixes with only the well-known classics are sometimes a bit exchangeable. With these hidden treasures I can let people discover tracks they never heard of and be more unique. It’s my pleasure to provide you all with a broad range of trance music.

Back to my own name - Old Skool Oakenfold fan  - I play trance yet apparently thats now called prog/etho/house but the 140 stuff mainly blows

Spacey progressive/melodic house and techno with experimental touch (inspired by vasts of space)...
Supported so far by some great artist like:

Adriatique, Armin Van Buuren, Alexander Bien, CJ Art, Claude VonStroke, Dubfire, Don Diablo, Leandro Murua, D19, Jim Star, Global Dance Session, Terry Grant, Roger Sanchez, Solomun, Shmitty, M.A.N.D.Y,  Paco Osuna, SLAM, Rebekah,  Richie Hawtin, Gayle San, Lucio, Stacey Pullen, Ian Osborn, Todd Burns, Mark Eg, Raveline, Darkmode, Robert Grand,  Reinier Zonneveld

Labels:
Deepersense Music
Landscapes Music
PolyAmber Records
Old SQL Recordings
Cential Music
Hypnotic Room

progressive paths - part six

Marnix Mulder