Views From the Tree 

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The Electronic Advance is the captivating stage persona of Mathias Teichmann, a talented electronic music artist from Munich, Germany. With a deep passion for electronic music that began at the age of 13, Mathias has dedicated his life to creating and performing cutting-edge techno music.

The Electronic Advance is renowned for his dynamic live performances, delivering an electrifying fusion of Peak Time and Melodic Techno. His live sets seamlessly blend pounding beats, hypnotic basslines, and catchy melodies, creating an immersive sonic journey for his audience. With an innate ability to gauge the energy of the crowd, he crafts each performance to be a unique and unforgettable experience.

In addition to his career as a live act, The Electronic Advance is also a skilled producer and has released his music on renowned labels such as PhutureWax Records, BluFin Records, and his own label. As the owner of City of Drums Black Label, he has provided a platform for other up-and-coming artists to showcase and promote their music.

As a remixer, The Electronic Advance has collaborated with renowned artists like Tom Wax and Chris Maico Schmidt, reinterpreting their tracks with his unique style. His remixes showcase his feel for rhythmic structures and his ability to add a distinctive creative touch to the original tracks.

Earlier in his career, Mathias Teichmann performed under the name "No-Vation" from 1996 to 2000. During this time, he was signed to the record label Toxic Records and released a vinyl EP in 1999. These early experiences shaped his musical journey and laid the foundation for his later development as The Electronic Advance.

With his passion for electronic music, unique style, and extensive experience as a live act and producer, The Electronic Advance has established himself as a well-known name in the Melodic House & Techno - Techno Peak Time scene. His music combines catchy melodies, powerful beats, and hypnotic sounds that captivate listeners and keep them moving on the dance floor.

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