Arcadia Music es un nuevo sello discográfico independiente creado por el compositor y productor Pablo Cebrián. Con apenas un año de historia a nuestras espaldas, tenemos un objetivo claro: ser la plataforma que nuestros artistas necesitan para hacerse un hueco en la escena musical de este país y, quizá, también en la de otros. La principal filosofía de Arcadia es que los músicos a los que lancemos no estén presionados por las exigencias de una industria en crisis, sino que, además de ser capaces de crear con libertad, sean ellos mismos los que se beneficien de sus propios esfuerzos. Por eso, más que una discográfica, nos consideramos una familia.

Arcadia Music is a new independent record label founded by songwriter/producer Pablo Cebrián. With less than a year since we began, our goal is clear: being the platform our artists need in order to find a place in the Spanish music scene and, hopefully, in other countries’. Arcadia’s main philosophy is that the artists we release should not be under pressure because of the requests of an industry in crisis, but should be able to create freely and benefit from their own efforts instead. That’s why we don’t consider us a label as much as a family.

Banda de Santa Cruz de Tenerife (2003-2007), originalmente formada por Nani Martín (bajo/voz), Álvaro J. Calero (guitarra/coros), Fran Frechín (batería) y Alejandro David González (teclados/coros). Posteriormente, y tras la marcha de Nani Martín, entraron a formar parte del grupo Óliver Guerrero (voz) y Patxi (bajo).

My work explores the relationship between the universality of myth and life as performance.
With influences as diverse as Kierkegaard and Francis Bacon, new synergies are distilled from both orderly and random layers.
Ever since I was a child I have been fascinated by the theoretical limits of the zeitgeist. What starts out as vision soon becomes finessed into a manifesto of distress, leaving only a sense of undefined and the prospect of a new order.
As shifting forms become distorted through diligent and personal practice, the viewer is left with an insight into the inaccuracies of our era.

I've worked as a drummer in Libido, as a keyboard player in Almas de Goma and Marquee Moon, and I've collaborated on studio and live with bands like Mento, La Vieja Morla, Aloperro or María Villalón.

The thing sounds because of::
MOTU MIDI Express 128, Berhinger Ultrapatch Pro PX-2000, Genelec 8020 A, Behringer BCF2000, Yamaha - MG124 CX, Bluebird Blue

My junks:
Workstation Yamaha Motif 6 Classic, synths Yamaha CS50, Moog Minimoog Voyager Performer Edition (with VX-351), Oberheim OB-Xa, DSI Mopho, Roland Juno-106, Casio VZ-10M, Korg Monotron, Monotron Delay and Monotribe, drummachine Korg Electribe ER-1, controlled by Yamaha KX-25

Other instruments:
Hohner Student 32 and acoustic guitar Aria.

Marquee Moon - Band is following