Thanks for all your comments and support on You Know (It's Like That) Pt. 2!

Written and performed by @angelakerfoot and Wou-Wou & The Wormling.

More info: http://bit.ly/1L6DexG

Strung (feat. Ang Kerfoot)

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

Oft times I can look at lyrics and get a tune or feeling/direction, these lyrics from John Eagle https://soundcloud.com/johnny_eagle I sat on for almost a year, the chorus giving most difficulty, my son gave me much encouragement such as "bluwww that's terrible dad" and my favourite, "you're actually going to post that!" :-) Anyway I got Jon https://soundcloud.com/jon-lock-5 onboard once I sketched out the song and he came back to me with bass and some lovely keyboards and some other sounds which I ditched in the end and added more guitar. I got Pete https://soundcloud.com/midipunk in and he seemed to like it a lot so we had a full band experience, though it was just me arguing with myself for the next month LOL anyway here it is. Pete has since dubbed me Sir Russ Master Turdpolisher, here at the Chaos Cookhouse we are happy with that :-)

Dedicated to Alex, the critic, of whom I expect great things :-) and to those who still try.....

Can We Remember? 

Can we remember
What they gave to the cause
Freedom of oppression
Freedom to forgive
But...can we ever forget?

Oh Marcus  
Oh Malcolm
Oh Martin
Where is our leadership now?
The world is bedlam
This we can't avow

The years pass by
And the times do change
Out little ones are blind
Still trying to find the range

Let's open their eyes
To all that is near
Let's open their eyes
In wisdom without fear

Oh Marcus
Oh Malcolm
Oh Martin
Where is our leadership now?
The world is bedlam
This we can't avow

Brothers and sisters are lost
In a range war that kills
There's no rest for mother
No rest at all
she just tryin’ hide what's ugly
by pulling over the covers

Oh Marcus
Oh Malcolm
Oh Martin
Where is our leadership now?
The world is bedlam
This we can't avow

John - Lyrics
Jon - Bass and Keyboards
Pete - Drums and "are we there yet"
Russ - Singing and Other Stuff
Extract from Martin Luther King's Mountaintop Speech

Russ Sinfield, Jon Lock, MidiPunk, John Eagle - Can We Remember

Challenge was to make one of my shorter songs with one of my longer lyrics, so I 'had' to craft it into an amalgam of 9/4 and 4/4 signatures. Thus, it may feel crazy on verses but I hope also catchy on refrains.

Letra / Translated lyrics:

Sólo pido no tener deseos (Ya no quiero imaginar)  /  I ask only not to have desires (I don’t want to imagine anymore)

¿Puedes explicarme qué es lo que me pasa?  /  Can you tell me what happens to me?
Señor, llévate de mí esta confusión.  /  Lord, take away this confusion.
Quítame el don de la inteligencia,  /  Take the gift of intelligence from me,
pues si no pensara tanto, sería feliz.  /  because if I didn’t think so much, I would be happy.

Siento que este mundo me es extraño,  /  I feel this world is strange,
estoy a disgusto con mis sentidos.  /  I get displeasure from my senses.
No puedo comprender su funcionamiento,  /  I cannot understand their functioning,
ni siquiera amoldarme a él.  /  nor even get used to it.

Sólo pido no tener deseos,  /  I ask only not to have desires,
ya no quiero imaginarme nada.  /  I don’t want to imagine anything anymore.

Esta situación siempre es pasajera,  /  This situation is always temporary,
pero se repite una y otra vez.  /  but repeats itself again and again.
Este malestar de cuerpo y alma  /  This discomfort of soul and body
me hace desear dejar de ser.  /  makes me wish to stop being.  

Pienso entonces en todos los que me quieren,  /  Then I think of all those who love me,
o al menos en los que a veces lo parecen…  /  or at least about those who sometimes seem to…
¿Por qué es tan difícil la coexistencia  /  Why is coexistence so difficult
en medio de una sociedad inteligente?  /  in an intelligent society?

Sólo pido…  /  I ask only…

No deberías dejar pensar a algo imperfecto,  /  You should not allow something imperfect to think,
sino limitarlo a cumplir su función social.  /  but limit it to fulfilling its social role.
Sólo quiero ser un engranaje más, señor,  /  I only want to be one more cog, Lord,
en tu rebaño de almas, sin preguntas.  /  in your flock of souls, without questions.

Esta vida que me has dado, señor,  /  This life you have given me, Lord,
me tortura, de modos insospechados,  /  tortures me, in unsuspected manners,
a buscarle un sentido a mis dudas,  /  to look for a sense to my doubts,
lo cual, tal vez, sea precisamente su fin!  /  which, maybe, is precisely its purpose!

Sólo pido…  /  I ask only…

ER43FI10 97-18

Sólo pido no tener deseos (Ya no quiero imaginar)

The last Song from our new Album 

Plastic seals rise upon the shore
We're ready to fly let the show begin
Bend the coasts we're already dead
Feed us with false hope until we're all drowned

And when it's done
We're all just skeletons and skins
Made from the same lies
Won't rise again
We had the chance to make it right
Failed from our own lies

Feed us greed feed us all the lies we're ready to line let the march begin
Bend the coasts we're already dead
Feed us with false hope until we're all drowned

And when it's done
We're all just skeletons and skins
Made from the same lies
Won't rise again
We had the chance to make it right
Failed from our own lies

Album 8 €

Rise Again

"Roll In Peace" by K19 @k19hadtodoit

https://www.looperman.com/acapellas/detail/11676/roll-in-peace-by-k19-by-k19-140bpm-trap-acapella

K19 - Roll In Peace (Caedmon Rigby Remix)

A short instrumental Victoriana mood piece composed on piano keys set to accompany Magdalen Green and Portrait Of Absinthe Minded Polly on the forthcoming album 'Short Stories From Magdalen Green'. It has some simplistic echoes of my favourite classical composers Erik Satie, Frederic Chopin and Philip Glass.

I once saw a short film time lapse of a flower growing from seed, to seedling, blooming and then withering. That's my thought behind this fairly rudimentary experimental piece, that it grows meekly, rises up to a full bloom and then descends slowly in notes and harmony before its ultimate end. It was a period of existence, a complete story, a time. 

The 1969 plays piano keys. Mixed and produced by The 1969. Additional mastering by John Marc Bimonte at Sharp Guy Productions.

Recorded July-November 2018.

A Time

When I heard Neli's beautiful vocals and open collab, I had to have a go.
Vocals and lyrics by Neli Coko
Produced and backing vocals by Nathalie B20. Love to all. Copyright Protected ©   https://soundcloud.com/neli-co-ko

Love Song  Ft Neli Coko ©

https://soundcloud.com/stranger69immune
↑↑↑My super favorite artist.
This song is so cool!! mix by Stranger's Immune.You must listen to it.
けんけん、ありがと〜！

赤い誘惑（Red Temptation-Tot. )sleepwalking mix by Stranger's Immune（不思議な免疫)

A SONG FOR LOVE - Re-Mastered Sept 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019/2020 All rights reserved.
Mastered by Soundcloud Sept 2020

I HAD THIS DREAM, IT WAS LONG AGO
A MEMORY, OF A LOVER SONG
I REMEMBER WHEN WE FELL INTO THE GRASS
AND AFTER SCHOOL IT WENT SO LONG

BUT IN THAT DREAM, THE WORLD WAS ONE
NO MEMORY, MAY'BE TIME STOOD STILL
I REMEMBER ROCK'N AND DANCING TO THE SHOW
AND EVERY WEEKEND WENT SO FAST

DON'T WAKE ME NOW I'M HEARING YOU
IF ONLY NOW, THE WORLD STOOD STILL
(break)
I FELT PEACE, IN MY HEART AND SOUL
A MEMORY, IN A SONG FOR LOVE
I ONLY HEAR YOU IN THE PHOTOGRAPH
AND TIME STOOD STILL THERE FOR SO LONG

DON'T WAKE ME NOW I'M HEARING YOU
IF ONLY NOW, THE WORLD STOOD

2019 PRO TOOLS

A SONG FOR LOVE

JOY RIDE

I think this track started 2 years ago. I remember talking about the vision with Jamie on the phone and then Jamie sent me a bunch of stems to choose from. I chose the standing bass and recorded my verse with a 90’s vibe in mind. I sent the track over to Russell to add some guitars, he sent that funk rock intro and riff back, and then I don’t know what happened after that? A bunch of other songs got made and the vision for this track expanded to include cutting my second verse and bringing Jon Lock in on vocals. Then the song sat again. Jon and I even started and completed And So You Say and Training Day after we had already got this song started. Since this track was visioned to be part of the first song on the set with Training Day, eventually it had to be completed. Wou-Wou then join in with his synths, rhythm guitar over Jon’s part, and some additional guitar over the first section. This gave the track the final fire it needed and Russell mixed and mastered it like a champ!

As always, massive thanks to Wou-Wou and Russell who have been regular collaborators on so many projects, on SoundCloud, Facebook, and Bandcamp. Wou and Russell will always be the core of my musical team. Thanks for being great friends! 
Big thanks also to Jon, who I have worked with on 3 songs now, with 2 more in the works already! 
And thanks to Jamie for all his patience, support, and for the completion of our second project together!   

This song goes out to all the music nerds, appreciators, and lovers with strong opinions. Keep those conversations going. I spent many, many years, going to the record store several times a week, hanging and talking with the staff, some who became good friends. 

Jamie Rhind: Standing Bass 
https://soundcloud.com/jamie-rhind
Jon Lock: Lyrics and Vocals
https://soundcloud.com/jon-lock-5
Wou-Wou & the Wormling: Guitar and Synths
https://soundcloud.com/wouwouandthewormling
Russell Sinfield: Guitar, Mixing and Mastering
https://soundcloud.com/russell-sinfield
Couch King: Lyrics, Vocals, Production, and Art

Lyrics 

Everything changes 
Nothing stays the same 
I used to hate it when my people would say it's a shame 
Stating that the games gone lame 
Claiming that today the music is wack 
At times I would refrain and take a step back
But most of the time I would counter attack 
Back in the day, we would say, Clever repartee 
When we were clowning around 
But now a days we taking the things a bit more serious 
Or maybe it's just me, see 
I ain't playing around as much as I used to be 
Conversations at a minimal 
It's not that I'm more critical or cynical 
It's that I am a more apathetic individual
I  just don't care 
Call me hypocritical 
I be like that's fair 
Yo
What happened to all the innovators, rhyme slayers, originality generators
You know
There really all still there
Back in the days we had to dig in the crates
Looking for the lessor known greats
I guess that's still the way it operates 
Hates a narrow minded state 
And It take effort to educate
So 
I’ma stay open and keep on diggin’ 
Vibin' on the sounds that I be hearin’ 
Yea 
And you know it's like that 
And you know and you know and you know it's like that 
Keep keep on, keep keep on
keep keep keep on

And you know it’s like that

Here comes the backup plan
The man without a name
Don’t want to be no star
Just musical acclaim 
Brush back those famous hats like children in the street
I’m gonna sing a bit while Couch King cracks the beat
Whoa baby now shake
Like momma told you now
Whoa baby now shake
Like this was made for
This is a slice of funk
USDA prime
Let it get to your head
You will feel fine
Poetry in motion
Images in time
Back beats and refined commotion 
Aged like fine wine 

Any you know it’s like that

Jamie Rhind, Jon Lock, Wou-Wou, Russell & the Couch King - You Know (It's Like That)

Just an Idea  floating around with .  For my Friend and mentor MG.
Music Gina Wood and  Featuring Jordan Powell

Fused

Hey, here is a new collab with @specialececilia my special partner in vibes!!   
Here is our album https://soundcloud.com/ricochet8888/sets/special-cecilia-rico-collabs
Enjoy 
Dx

Forward **Cecilia and Ricø ** House Dub

This track is inspired by flowery psychedelic swirly carpets and wallpaper of the 70s and an incident which happened on November 26 1977 and remains a mystery to this day when someone decided to share their extraterrestrial message with the world interupting the ITN televison news in southern England and calling himself Vrillon from the Ashtar Galactic Command it was early in the evening and a strange buzzing noise interrupted the newscaster Andrew Gardner. Only the audio was affected and the news reader was unaware that Vrillon from the Ashtar Galactic Command had interrupted the broadcast which is in a rough condition to say the least but i did some restoration and decided on a creative mashup from the best bits that are audible to convey the message which i feel is still relavant today in this original tripped out electronic space dub rock hop sci-fi cosmic psychedelic journey! Many thanks to Vrillon for the kewl vocals and inspiration! Peace! :D

....................................
Southern Television broadcast interruption:
https://en.wikipedia.org/wiki/Southern_Television_broadcast_interruption
....................................

Translation of full original words and order:

This is the voice of Vrillon, a representative of the Ashtar Galactic Command, speaking to you.

For many years you have seen us as lights in the skies. We speak to you now in peace and wisdom as we have done to your brothers and sisters all over this, your planet Earth.

We come to warn you of the destiny of your race and your world so that you may communicate to your fellow beings the course you must take to avoid the disaster which threatens your world, and the beings on our worlds around you.

This is in order that you may share in the great awakening, as the planet passes into the New Age of Aquarius. The New Age can be a time of great peace and evolution for your race, but only if your rulers are made aware of the evil forces that can overshadow their judgments.

Be still now and listen, for your chance may not come again.

All your weapons of evil must be removed. The time for conflict is now past and the race of which you are a part may proceed to the higher stages of its evolution if you show yourselves worthy to do this. You have but a short time to learn to live together in peace and goodwill.

Small groups all over the planet are learning this, and exist to pass on the light of the dawning New Age to you all. You are free to accept or reject their teachings, but only those who learn to live in peace will pass to the higher realms of spiritual evolution.

Hear now the voice of Vrillon, a representative of the Ashtar Galactic Command, speaking to you. Be aware also that there are many false prophets and guides operating in your world. They will suck your energy from you – the energy you call money and will put it to evil ends and give you worthless dross in return.

Your inner divine self will protect you from this. You must learn to be sensitive to the voice within that can tell you what is truth, and what is confusion, chaos and untruth. Learn to listen to the voice of truth which is within you and you will lead yourselves onto the path of evolution.

This is our message to our dear friends. We have watched you growing for many years as you too have watched our lights in your skies. You know now that we are here, and that there are more beings on and around your Earth than your scientists admit.

We are deeply concerned about you and your path towards the light and will do all we can to help you. Have no fears, seek only to know yourselves, and live in harmony with the ways of your planet Earth. We of the Ashtar Galactic Command thank you for your attention. We are now leaving the planes of your existence. May you be blessed by the supreme love and truth of the cosmos.
Subwav Therapy Room
https://www.subwav.com/
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4Sale

Vrillon - Ashtar Galactic Command

Here is the next track taken from my mini album e.p [the road ]
I feel this track is a bit of a milestone as i now have 100 songs on this platform ..for me music has never been about statistics or how many plays ive had its all about the creative process and its given me a channel to express my feelings and emotions i think true artists are life narrators and this songs kinda about my current state of mind but like life things are forever changing 
written and produced by Jim mystic manser nov 2019 

Took to many chances because i stand alone
Please dont judge or accuse me as i wander and i roam
When reality becomes a burden and scars to hard to bare
i gotta keep on moving to find the hear and there
my G.P.S  is broken and so is my L.O.V.E.
landscape filled emotions will be the death of me 
ive been fighting the addictions fighting all my life
in a world of contradictions balanced on a knife

my life your life
find me hold me
its a wild life uncaged but lonely
in a world thats phoney you find somebody new 
if you find my last location its a game of kiss and tell
i will send you all my best regards and hope your doing well

well i burned to many bridges just to get from A to  B
IT was a crazy situation but a damn fine place to be
sometimes you have to piss off the world to try and live your dreams
cause you dont know how long you got when it falls down at the seams

still looking for an answer i just got to believe
i guess i will take a leap of faith and hope to find release
sometimes life is a crazy maze or a room without a view
stuck in a hall of mirrors looking for something new

My Last Known Location

check out the track here...

https://soundcloud.com/user-968307504/the-pot-party-produced-by-jay-fehrman

The Pot Party (Instrumental)

The Light In Your Eyes

I've had the pleasure of working with Janine Levinson a few times now. In listening to her own tracks I've commented a few times how much she reminds me of one of my all time favorites, Laura Nyro. Anyway she graciously offered to do a cover of one of Ms. Nyro's tracks and I picked this one. She killed it, in my opinion and I got to have a great time filling in around her. Thanks Janine and Ms. Nyro.

If you don't already know Janine's wonderful stuff here's her page: @janinelevinson

Stoned Soul Picnic (cover and collaboration with Janine Levinson)

This is a 80s style electronic New Wave song. The synth sounds are analog made with Korg Volca Keys. Percussion were played with e-drum. Some e-bass and e-guitar sounds complete the soundscape. Thank you so much Cecilia for all your beautiful open collab songs. Again with a important message.

Open collab by @specialvocals 
Open collab site: https://soundcloud.com/specialvocals/

Original Version: https://soundcloud.com/specialvocals/aca-same-planet

Lyrics & Vocals: Special Cecilia 

Background Vocals: OMCB 
Music & Arrangement: OMCB

Cover Picture: Bild von Gerd Altmann auf Pixabay https://pixabay.com

SAME PLANET (We Want No More Tribal Wars)

TRIBAL WARS WE HAVE SEEN ENOUGH 
TRIBAL WARS WE DON'T WANT NO MORE
WE ALL LIVING ON A SAME PLANET
      
WANT EVERYBODY TO BE HAPPY 
STOP FUSS & FIGHTING
WE ARE ALL DIFFERENT, ALL COMPLEMENT
 ALL CHILDREN OF THE EARTH
 CHILDREN OF THE UNIVERS
 UNITE OUR LIGHTS 
 
WE ARE ALL DIFFERENT, ALL COMPLEMENT
 ALL CHILDREN OF THE EARTH
 UNITE OUR LIGHTS 
TO TRIUMPH OVER DARKNESS

THERE IS STILL WAY TO GO FOR A BETTER FUTURE 
KEEP GOING FORWARD
 WE CAN BE GREATER 
WITH TIME EVOLVING EVOLVING
WE ARE ALL DIFFERENT,
ALL CHILDREN OF THE EARTH

OMCB & Friends

Same Planet - Special Cecilia & OMCB

Hella Likes and Reposts and Playlists

I don't check messages here. Please only message me on my main page.

Thanks for all your comments and support on You Know (It's Like That) Pt. 2!

Couch King Likes to Repost