SE ORIENTE RAPAZ

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.


Biography of MiraeBliss:
MiraeBliss (미래블리스) – a star born under the sign of dreams and happiness. Born on December 21, 1990, in Seoul, and now residing in Tokyo, MiraeBliss embodies a perfect fusion of two worlds: the vibrant electro beats of the metropolis and the deep heritage of Korean culture. Away from the spotlight, she is an independent artist, a free spirit navigating life with a dreamy soul, captivated by sensations and the simple pleasures.
Her music, a blend of atmospheric electro and alternative pop, is an invitation to escape into a parallel universe, where every note tells the story of a world yet to be discovered. Passionate about exploring love, happiness, and freedom, MiraeBliss writes and composes her songs with the intention of celebrating the beauty of the moment, while also addressing deep, personal subjects.
She has never been one to follow the crowd. Since childhood, she’s always identified with the fluidity and simplicity of art, especially in the realm of electro. She started producing her own music in her room, playing with sounds and beats, drawing inspiration from her love of the color blue, a symbol of peace and depth.
Though often solitary, her music is a universal cry of love, a bridge between cultures, between East and West. MiraeBliss also collaborates with many DJs and artists worldwide, adding her unique touch to exciting collaborations. Her influence grows each day, and she continues to pave her path with one mantra in mind: live in pleasure, simplicity, and love, while moving toward a bright future.
The name MiraeBliss reflects her future filled with happiness (Bliss) and dreams (Mirae), a future where everything is possible, where beauty is found in every simple and pure detail of life.


ABSTRACT (ft. MiraeBliss)

After trials and tribulations, a moment of liberation. The track opens with airy synths and evolves into a euphoric crescendo a rare moment of peace in Dark Earl’s journey.

SEDNA 0.1

Now, you can breathe freely (Remastered)

A reimagined requiem. Said Benjebli’s haunting words are reborn through vocoders, static textures, and digital lament. Sacred and cybernetic, it’s the album’s emotional core.


FOOLISH PROPHET

“Est-ce possible” is a love song caught in the in-between. Anissa Boualem drifts through uncertainty with soft vocals and lo-fi textures, like a question left hanging in warm night air. It’s about almosts, maybes, and moments we let slip. A song for late evenings, when silence says more than words.

Titre : Est-ce possible


[Couplet 1]
Est-ce possible, qu’on se croise, sans rien se dire ?
Juste des regards, un soupir… puis repartir ?
Est-ce normal, de vouloir s’aimer sans promesse ?
Sans futur, sans détour, ni même une tendresse ?

[Pré-Refrain]
On s’touche pas, mais j’le sens, ton cœur bat sous la table.
Tu souris, mais t’es flou, comme un rêve instable.

[Refrain]
Est-ce possible… d’aimer sans y croire ?
D’te laisser partir sans vouloir te revoir ?
Est-ce possible… que ce soit ça l’histoire ?
Deux inconnus, qui s’effleurent dans le noir…

[Couplet 2]
Est-ce un jeu, ou bien pire, une fuite maquillée ?
On s’embrasse du silence, on joue à s’oublier.
J’te connais à moitié, et pourtant t’es en moi,
Comme une idée tenace, qui n’me lâche pas.

[Refrain]
Est-ce possible… d’aimer sans y croire ?
D’te laisser partir sans vouloir te revoir ?
Est-ce possible… que ce soit ça l’histoire ?
Deux inconnus, qui s’effleurent dans le noir…

[Outro – parlé, douce ironie]
Ou peut-être qu’on s’est aimés… juste au mauvais endroit.

Est-ce Possible

6. That Moment (2:34)
One minute of silence stretched into a track. Field recordings, detuned piano, and sax murmurs. It’s a memory frozen in static.

That Moment

With sEx, DA-PHONK continues to defy form and function. The track, it’s an obsessive loop, drenched in repetition and dark minimalism, feeding on energy rather than melody.
The instrumental feels endless, as if it were designed to be stuck in a memoryless mind, pulsing into oblivion. Layered over this are cryptic vocal elements, slightly alien, heavily filtered, and never fully human.
Then comes the twist: a short, jolting final segment made from fragmented TV soundbites about the word “sex” reminding us how distorted, empty, and reprogrammed human intimacy has become in a media-saturated world.
This is not a love song. This is a coded message from another dimension, dressed in black and red.
Turn it up. Loop it. Lose meaning. DA-PHONK just dropped the most human track ever made by machines.

Battleworld takes its pulse from Marvel’s fractured multiverse, a realm where worlds collide, merge, and fight for survival. Earth-616 channels this chaos into dark minimal techno: metallic rhythms, echoing kicks, and hypnotic grooves that feel like stepping into a cosmic arena, where every beat is a battle and every drop a decisive strike.

Hala

A gun with no bullets. Words fragmented into syllables, scratched into frenzy, swinging between industrial trap and cyber-dark minimalism. The finale explodes in philosophy.

Three Bullet Theory

Far-Di-Kha-We Freestyle

With Rockability, aZzma rewrites the rules of freedom in rock form. The grunged version drips with sweat and distortion, carried by pounding bass and jagged guitars. Her vocals move between whispers and screams, shaping the track into a rebellious statement. It’s dirty, alive, and entirely hers.

Lyrics :

Intro 
- Hey Jimi, they still playin’ it safe out there?  
- Safe is dead, mama, safe is six feet under.

Couplet 1 
In the 50s they dressed so neat, 
Tied their shoes, kept their beat. 
Families framed like TV screens, 
Smilin’ faces, plastic dreams.
Then the 60s came, brushed in paint, 
Love was loud but still so quaint. 
Pretty art in Sunday clothes, 
But freedom whispered, “break those codes.”

Refrain  Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 2 
70s hit with smoke and fire, 
Psychedelic fuel took us higher. 
Good acid, truth in every chord, 
We tore the cage, we cut the board.
Whiskey lips and freedom’s kiss, 
Stage was holy, pain was bliss. 
Screamed my soul till the lights went blind, 
Left the neat and clean behind.


Pont Plug the fuzz, light the night! 
Drink the blues, burn it right!  
Music’s mad, but music’s true, 
Rockability / it bleeds through you.

Refrain Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 3 
I saw the 90s crawl in the street, 
Concrete beats, no shoes on their feet.
Raw and real, the underground rose, 
But the ghost of the 70s still knows.

Now the 2000s polished the flame, 
Slick machines, but never the same. 
The spirit’s a shadow, chasing the past, 
Cause the wildest fire was the 70s blast.

Refrain final Rockability / set me free, 
Wild and dirty, that’s the key. 
Rockability / don’t you see? 
The 70s live eternally. 


Outro  
“Freedom ain’t polite, honey.”  
“Turn it up till it bleeds.”  
“And ride the storm, forever.”

Rockability

Rockability (Grunged Version)

Already a known piece in Dark Earl’s world, “Purple Atlas” finds its place in the album as a map of shadows. Breakbeat pulses collide with ambient layers and darkcore weight, charting an imaginary terrain.

FOOLISH PROPHET

Mars Tech Records