A pulsating opening. Metallic synths bleed into crushed drums, like a warning from a forgotten AI. This is the ignition: industrial, hypnotic, and burning like neon blood.


Based on collaborative song writing in the early 80s and a few studio projects over the years. We are reunited to create new projects after taken a longer break.

Update:
In the summer of 2022, my dear old friend Mick and longtime musical companion died of cancer.

I have agreed with him that I will continue to run our site in his spirit. Our amazing, unique music will live on forever.

Morten Jeamland 
July 2, 2022





Hey hey, my my
Rock and roll can never die
There′s more to the picture
Than meets the eye.
Hey hey, my my.*

*By Neil Young


Mick loved listening to Rory Gallagher, Ten Years After, David Lindley, Neil Young and Alan Stivell.
He let this wonderful music flow into our songs. 
So we gave our music a new genre, which we called "Desert Psycho Fusion Blues Rock".


Updated May 17, 2023
Morten Jeamland


Mick Bolt:  vocals //rhythm guitar & lead guitar//furious slide guitar// 6- & 12- string acoustic guitar & keyboards


Morten Jeamland:  lead vocals & harmony & backing vocals//bass & double bass // keyboards//additional electric guitars//sitar//6- & 12- string acoustic guitar//drum programming// recording//mixing & mastering// producer//sound design//near field recording

Cover design by Jeamland & Bolt
©1982-2025 Jeamland Music Production

I'm a singer, songwriter & artist from Vancouver, Canada. Thank you for stopping by for a listen! I hope you find something to enjoy and thanks to all my SC friends.

All music and images protected by law.

Restless, rebellious, and fiercely independent, aZzma Beh is not just a musician she’s a force of nature. Born in Turkey but raised in California, she has spent over three decades carving her own path in the music industry, refusing to conform to mainstream expectations. Raised by a mother who was both an artist and an activist, aZzma grew up surrounded by raw creativity and a deep sense of defiance against injustice.
She never knew her father, only carrying his name like a ghost of an untold story. But rather than seeking answers in the past, she poured everything into music writing, composing, and producing her own songs. Her journey has been one of relentless independence, navigating the underground and alternative music scenes while collaborating with artists across the U.S., Europe, and Africa.
Her music is a collision of pop, rock, indie, and alternative energy, often infused with electronic elements when working with DJs who seek a voice as haunting as it is powerful. Unlike industry-made artists, aZzma chooses her collaborations carefully, preferring projects that carry meaning, rebellion, and raw emotion.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

Grooveclowd is a Band from Australia. Kimberley Galpin Keys/Synths Mixing, Nathan Good Keys/Bass and Vocals and Eleyan Di Palma Vocals Keys/Synths / Venus Abalero Guitars/ Bass Mixing-- Grooveclowd wanders in and out of Genres.Trax avaiable for
purchase on Bandcamp.  Now Trax available on Spotify Deezer and Apple 
Grooveclowd uses Magix.
Grooveclowd email grooveclowd@gmail.com
Facebook page Grooveclowd

I enjoy producing upbeat tracks spanning a range of pop styles. I really hope you have fun listening to them. I write my tracks using GarageBand and hopefully I am improving my writing, arranging and production skills. I do not use AI in any of my compositions.

RED

Mars Tech Records