SEDNA

This isn't

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.


Biography of MiraeBliss:
MiraeBliss (미래블리스) – a star born under the sign of dreams and happiness. Born on December 21, 1990, in Seoul, and now residing in Tokyo, MiraeBliss embodies a perfect fusion of two worlds: the vibrant electro beats of the metropolis and the deep heritage of Korean culture. Away from the spotlight, she is an independent artist, a free spirit navigating life with a dreamy soul, captivated by sensations and the simple pleasures.
Her music, a blend of atmospheric electro and alternative pop, is an invitation to escape into a parallel universe, where every note tells the story of a world yet to be discovered. Passionate about exploring love, happiness, and freedom, MiraeBliss writes and composes her songs with the intention of celebrating the beauty of the moment, while also addressing deep, personal subjects.
She has never been one to follow the crowd. Since childhood, she’s always identified with the fluidity and simplicity of art, especially in the realm of electro. She started producing her own music in her room, playing with sounds and beats, drawing inspiration from her love of the color blue, a symbol of peace and depth.
Though often solitary, her music is a universal cry of love, a bridge between cultures, between East and West. MiraeBliss also collaborates with many DJs and artists worldwide, adding her unique touch to exciting collaborations. Her influence grows each day, and she continues to pave her path with one mantra in mind: live in pleasure, simplicity, and love, while moving toward a bright future.
The name MiraeBliss reflects her future filled with happiness (Bliss) and dreams (Mirae), a future where everything is possible, where beauty is found in every simple and pure detail of life.


ABSTRACT (ft. MiraeBliss)

An electric maze where shadows race against neon light. The story of two souls finding each other in the pulse of a city that never sleeps, connected by wires, danger, and desire.

Midnight_Express

The Night Grid

Dark bass and street echoes meet airy flutes. Midnight whispers behind every turn.

Ikebukuro

A mantra on repetition. The subject is time itself, carried by monotony and chant-like delivery. Spoken-sing lines rise over ambient pads and upright bass heartbeat. Jazz-hop groove underlines the philosophy.

Blue

Oh time!

Guitar stabs and rock spirit inside a 140 BPM acid framework.

man on acid.

washington i'm coming.

i disappear. is a dark 140 BPM acid cut where sound folds into silence. Lyrics whisper about fading between echoes, strobe lights freezing time, and the descent into a space with no drop. Industrial textures meet minimal bass, leaving only traces, like ghosts inside delay.

i disappear.

The desert becomes forbidden ground. Footsteps erased by wind, secrets buried beneath endless sand.

Classified Dunes

Jennifer Lebon gives voice to À l’âge où l’on me range, a theatrical and sarcastic piece originally written for Anissa Boualem. Refused by others, it survived here as a rare, powerful statement of solitude and freedom.

À l'âge où l'on me range

“2068: Return the Earth” emerges as a stark cinematic vision, born from the union of Earth-616 and Zubida under the banner of 12.3 Khz. The track drifts in minimal dark techno textures, where metallic pulses and spectral whispers sketch a future both fragile and immense. Voices unfold like fractured prophecies: towers against soil, machines against roots, humanity confronted with its forgotten origin. In this radio version, every beat is a signal, every silence a fracture, as if techno itself becomes the language of those who came to reclaim what was once theirs. This collaboration is not just a track but a signal of what may grow into a full shared album, expanding the cinematic horizons of both artists.

2068: Return the Earth

Minimal but deadly, built on pounding 808s and ghostly chops.

This isn't

Mars Tech Records

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Soufiane Riani

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