Instrumental tracks that will be featured on the upcoming album - Atlas.

Atlas Instrumentals

I've been working on this loop-based piece that I wrote for a dear friend's daughter called Kâinat. 
It turned out more melancholic than I intended, but Kâinat means universe in Turkish so she can take it :)
The melancholy comes from the micrtonality introduced by the slide guitar.

Everything recorded by myself, turned into an in-studio video as well: https://youtu.be/QeZMMrEcnkk

If you liked this piece, you can get backing tracks
for practice or build up purposes at: https://linktr.ee/mumasmusic​ under mumasloops. Would be nice to see what you come up with :)
Peace!

Für Kâinat

That magical time of year here in Sweden, when the blue lingers on after sunset, all the way to midnight.
The wind is still now, and the springtime trees and birds are quiet.
A cat sits in the tall grass, watching the dusk, about to start her night-time exploration.

Springtime Dusk- original piece

Lyrics: Karuna Sangam, Liam Schramm
Music: Karuna Sangam, Aditya Ballal, Carley Mullin, Danielle Slavis
Production and mixing: Matias VanOrder Gonzalez
Mastering: Maggie Maser
Artwork: Suryateja Gavva

Vocals and guitar: Karuna Sangam
Piano: Aditya Ballal
Bass: Carley Mullin
Drums: Danielle Slavis

Lyrics:
There was a creek behind the house where I was born
Hidden away behind the bushes and their thorns
I'd look out my window and I'd watch the rustling of the reeds
And wish that the current would take me where it leads

And wash me away
Deep into the bay
Think I might drown in all the
Things I cannot say

Oh I'd sit and weep over the father I never had
And I'd sit and scream over the one that I did
And as time came to pass I let it harden in my heart
And I'd run through the bushes and try not to fall apart

Oh wash me away
Deep into the bay
Think I might drown in all the
Things I cannot say

There was a creek behind the house where I was born
I'd fantasize about it when my hope was worn
Oh, what do you do when fear is all that you know?
Is there anything left after you try to let go?

And let it wash you away
Deep into the bay
Fill up the ocean with the
Things you cannot say

Oh wash me away
Deep into the bay
I'll fill the silence with the
Things I cannot say

Wash Me Away

Maxshh's latest album (and first for EIS), "Bonus Flowers" is due out September 24th on cassette/digital.

Maxshh - The Stone And I And Everybody

A recent mix of my mostly unreleased music as part of the third installment of "Knee Deep In The Bool" <3

Massive thanks to @dr00pyyy for creating and organising this genius virtual concert, @cosy (Reid) for hosting the event, the server, and webpage, and @likort for streaming and uploading this event!

https://www.youtube.com/watch?v=wClFGXpLnrE&ab_channel=Likort

KNEE DEEP IN THE BOOL 3 SET: Agane

Here is my take on this wonderful poem by W.B. Yeats...

'The Song of Wandering Aengus'

This is the title track of This Is The Kit's album BASHED OUT produced by The National's Aaron Dessner.

This Is The Kit is the much beloved musical project of Kate Stables, born in England and based in Paris, though the heart of their musical community remains in Bristol, UK. Bashed Out is her band’s third album, the result of an extended period collaboration with the record’s producer Aaron Dessner (Sharon Van Etten, Local Natives). Dessner--the co-founder of the Brassland label--is best known for his work in The National and, indeed, the backing band he gathered for Bashed Out combines the talents of This Is The Kit’s touring members (Rozi Plain, Jesse Vernon, Jamie Whitby-Coles), alongside a number of session players drawn from the Brooklyn music scene: Bryce Dessner, Thomas Bartlett (Doveman, The Gloaming), Matt Barrick (The Walkmen) and Ben Lanz (Beirut, The National) all made key instrumental contributions.

As notable as the band, however, is front woman Kate Stables, whose voice hearkens back to the classic singer-songwriter era--her distinctive, cutting vocals up front in the mix. It’s a self-confidence gained since her previous album, 2011’s Wriggle Out the Restless, which made her band a minor institution in the United Kingdom, especially on the radio which has embraced the group. This Is The Kit has received across the board support from BBC 6 DJs Lauren Laverne, Radcliffe & Maconie, Marc Riley, Cerys Matthews, and Mary Anne Hobbs--receiving further play from BBC Radio 1’s Huw Stephens, Jen & Ally, and Phil Taggart. "Wonderful wonderful stuff," said DJ and Elbow frontman Guy Garvey, before arguing their last album should have made the Mercury Prize shortlist.

On Bashed Out, the band continue their musical evolution into a synesthetic, shape-shifting entity—rooted in folk but encompassing elements of psychedelia, alternative rock, and electronic textures and sensibilities. The Line of Best Fit has called Kate's and TITK and "essential fixture of British folk music for the past 10 years…one of a handful of truly innovate songwriters working with the British folk template today."

Bashed Out

This Is The Kit: "Bashed Out" single

Detta är ett av två föredrag på ett öppet möte som Arbetarmakt arrangerade i Stockholm den 13 maj 2025 under temat Seger åt den palestinska motståndskampen. Som antiimperialister stödjer vi inte bara palestinierna i egenskap av offer, utan också som en kämpande kraft som slår tillbaka. 

Rapporten från mötet kan du läsa på vår hemsida: https://www.arbetarmakt.com/2025/05/diskussioner-om-antiimperialistisk-strategi/

Vår syn på den palestinska kampen förklarar vi bland annat i den här texten: https://www.arbetarmakt.com/2023/10/seger-at-den-palestinska-motstandskampen/

#21 - Seger åt det palestinska motståndet

An appendage to the song "Wave In".
Composed, played and recorded by meself.
An extended version with my band at the time can be heard here:
https://soundcloud.com/marslan/wave-out-1?in=marslan/sets/waves-1

Wave Out - Original demo version

Inspired by Siddhartha by Herman Hesse.

All music and recording is Copyright © Mehmet Ali Arslan 2018.

Also on Spotify: https://open.spotify.com/track/0h3EVOYHOljtyMEqaQMMgu?si=dbdydFQ8TTqVT8GeMit6Hw

Atlas

In Search of Atman

In Search Of Atman

One of the interludes from the upcoming album.

Inspired by Jasper Høiby's wonderful Planet B (https://jasperhoiby.bandcamp.com/album/planet-b).

All music and recording is Copyright © Mehmet Ali Arslan 2020.

Ramadan on Planet B

To be released through Exploding In Sound Records on April 30, 2021

All songs written by Maia Sinaiko and Susanna Thomson

Guitar and vocals: Maia Sinaiko
Guitar and vocals: Susanna Thomson
Drums: Max Edelman
Bass: Timmy Stabler

Recorded at home by the band
Mixed by Cody Hamilton
Produced by Cody Hamilton and Sour Widows
Mastered by Carl Saff at Saff Mastering (Chicago)

Crossing Over

music by these two producers:
@leeeeeeee
and
@perserreich
BUY                    >> https://prrrrrrr.bandcamp.com/track/arf
WATCH (TRIP) >> https://youtu.be/Lmh49OgEFR4
you know the label but come on lets visit the shit website
www.prrrrrrr.de
www.soundcloud/prrrrrrr-records

visual

lee (asano+ryuhei) feat. persian empire - arf

Muma is the musician alter ego of Mehmet Ali Arslan, who delicately replants his Kurdish/Turkish roots in a landscape of rock with a breeze of jazz. Listening between the notes, the curious listener can trace Mehmet’s path through the eclectia of Radiohead, Esbjörn Svensson Trio, The Cinematic Orchestra, A Perfect Circle, Jaga Jazzist and Tool.

Here are some of Muma's demos/skethces/interludes/etc...

Für Kâinat

Muma

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