My Stoned Autopilot reprises of 'Wild Slide' by Better Lost Than Stupid are out nowwww! Stream/download: https://skint.lnk.to/wildsliderepriseWE

Stoned Autopilot - Wild Slide (Reprises)

2021Q1

Lovers Lounge

Different style

When the Lights Go

Through The Floor

Sound & Rhythm

Heat Beat

Phone Call Meltdown

Free Download

Touch Sensitive - Arnold's Theme

First spanish song aha, love to all my Latinos 

Follow Cuco:
Website: www.loverisaday.com/​
Facebook: smarturl.it/CucoFB​
Instagram: smarturl.it/CucoIG​
Spotify: smarturl.it/CucoSpotify​
TikTok: hyperurl.co/quecau

Amor de Siempre

***Free Download*** on my bandcamp - https://emilrottmayer.bandcamp.com/track/evade
Spotify - https://open.spotify.com/album/3G2THg3prPvpwJRuo17tUT?si=PhC73b3NRsSYqmp5s3ENgw
bandcamp - https://emilrottmayer.bandcamp.com/
Electronic Gems - https://www.youtube.com/watch?v=3EzNIkUmqIA

Evade

Download

Evade ( Free Download )

01 Goldie's Road

the debut ep of @channeltres
gm145
out now on GODMODE

buy/stream: http://godmode.lnk.to/channeltres-ep
watch the 'jet black' video: https://www.youtube.com/watch?v=9LTbpBwn7Dw
watch the 'controller' video: https://www.youtube.com/watch?v=EtNIMvyEIQA

contact god at godmodemusic dot com

more info on the release:

Artist: Channel Tres
Title: Channel Tres - EP
Label: Godmode
Release: 27 July 2018

Channel Tres

Channel Tres grew up in the Compton neighborhood of Los Angeles. His voice is effortlessly deep, as if Barry White didn't realize he was Barry White. "Controller", Channel's debut single on Godmode (Yaeji, Shamir), took classic Detroit house and reimagined it with the surly attitude of West Coast rap. Pitchfork, NPR, Gorilla vs. Bear, BBC Radio 1, Spotify, Apple, and KCRW were early champions, along with Australia's esteemed Triple J radio, who put "Controller" in full rotation.

In advance of his self-titled debut EP (out July 27 on Godmode), Channel blesses us with "Jet Black", another taste of his unorthodox union of four-on-the-floor and Compton. The song is an oozy ode to the blackest of black, over a ferocious modular synth instrumental that takes cues from industrial and early electro. "I never reply when you hit me/ I'm off the grid you can't get me" – it's hard not to feel invincible when this one plays. The video, directed by cult filmmaker Anthony Sylvester, captures Compton at its most contorted, where barbershops double as churches, where liquor stores become after-hours raves.

EP tracklisting, full credits, and more info below. For all inquiries contact Talya Elitzer at god at godmodemusic dot com.

Tracklisting

Channel Tres
Channel Tres - EP
Godmode
GM145

01 St Julian (Intro)
02 Controller
03 Jet Black
04 Topdown
05 Glide

Song Credits

St Julian (Intro)
written by Channel Tres, Nick Sylvester (BMG), Aaron Childs, and Matthew Sainvil

Controller
written by Channel Tres and Nick Sylvester (BMG)

Jet Black
written by Channel Tres, Nick Sylvester (BMG), Alan Wilkis (Spirit), and Eli Tillman

Top Down
written by Channel Tres, Nick Sylvester (BMG), Roy Jacobs (BMG), Matthew Sainvil, and Emmanuel Ricketts

Glide
written by Channel Tres, Nick Sylvester (BMG), and Matthew Sainvil

Performance Credits

St. Julian (Intro)
vocals by Channel Tres
background vocals by Sainvil
guitar by Aaron Childs
clouds + sub by Nick Sylvester

Controller
vocals by Channel Tres
drums, drum machine, electric piano, and Intellijel synthesizers by Nick Sylvester
saxophone by Dan Rome

Jet Black
vocals by Channel Tres
whispers by Geena Fontanella
drum machine, mellotron, sampling, and intellijel synthesizers by Nick Sylvester

Top Down
vocals by Channel Tres
background vocals by Sainvil
ooh by Amanda Flowers
drum machine and bass programming by Channel Tres and Nick Sylvester
mellotron, sampling, intellijel and dsi synthesizers by Nick Sylvester
tambourine by Nick Sylvester

Glide
vocals by Channel Tres
background vocals by Sainvil
drums, drum machine, bass, intellijel and dsi synthesizers by Nick Sylvester

Production Credits

All tracks recorded, mixed, and produced by Nick Sylvester at Godmode Studios, Los Angeles, CA
Assistant mixing by Sacha Mendel and Robert Szmurlo
Mastered by Sarah Register at SRM, Brooklyn, NY
Executive produced by Talya Elitzer

Cover photo by Yazz Alali

Instruments Used

MFB Tanzbär, Intellijel Atlantis, Intellijel Rainmaker, Make Noise Phonogene, Make Noise Echophon, Make Noise Erbe-Verb, Ayotte Drums, Wurlitzer 200A, Moog Sub37, Soundtoys Crystallizer, Soundtoys Echoboy, Soundtoys Little Alterboy, Soundtoys Human Saxophone Jr., Fender Stratocaster, Mutable Instruments Clouds, Mu-Tron Bi-Phase, Delta Labs Effectron, Roland JC40, DSI Tempest, Intellijel Morgasmatron, Intellijel Noise Tools, Mellotron, Logic EXS24, Intellijel Plonk, Native Instruments Kontakt, human hands, human voice, accidental air conditioner hum and other fortuitous sound bleed.

Channel Tres

Topdown

Channel Tres - Topdown [GODMODE]

bandcamp - https://emilrottmayer.bandcamp.com/

Elevate on Spotify - https://open.spotify.com/album/3G2THg3prPvpwJRuo17tUT?si=b3VF9128QTyF2S3jDSlb_A

Electronic Gems - https://www.youtube.com/watch?v=_7oamwmSvfM

Detached EP Vinyl -https://eyewitnessrecords.bandcamp.com/album/detached-ep

Elevate

Send It is the second single off the forthcoming release SYZYGY 02.

Send It

Send It Ft. Lafa Taylor

Follow MEMBA:
@MEMBA
twitter.com/membamusic
www.facebook.com/membaofficial
www.instagram.com/memba.music/

Strider

Stream

Artwork by: https://www.instagram.com/jeroenvosgraphics/
Spotify: https://open.spotify.com/track/3wlxcdGzzqNrrOeTbw3Reg?si=Ttc0pfeFS-eIskmoTzX11w

Enter

My Stoned Autopilot reprises of 'Wild Slide' by Better Lost Than Stupid are out nowwww! Stream/download: skint.lnk.to/wildsliderepriseWE

Without the Feeling - Reprise

Alto - Reprise

The Sky Is Too Low - Reprise

Inside - Reprise

Back From The Desert - Reprise

Boys & Girls - Reprise

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.