Born and raised in the Bronx, NY, The Martinez Brothers are two of the most consistent and recognizable names in the world of house.  Stevie and Chris continue to push themselves creatively in the studio collaborating with global and Latinx artists such as Rauw Alejandro, Fuego, Rema and Tokischa. 

In 2023, we find The Martinez Brothers in a moment of creative renewal, kicking off an exciting new chapter in their illustrious career. They continue to cast a wide net with their collaborations, stepping into the studio with a new generation of artists like Eliza Rose, Tommy Genesis and Mochakk.  

The brothers are furthering their love affair with Ibiza in their second year residency at Hï Ibiza voted #1 Club in the World, after 10 years as residents at Circoloco, Ibiza. Paying homage to the isle that catapulted them to stardom, it was in Ibiza that they met Riccardo Tisci who brought them in to do the music design for his iconic years at Givenchy (2014-2015). 

Last year, the brothers headlined London’s hottest show of the year at Beams warehouse alongside Skepta, who debuted his first house music DJ set in his hometown.  Alongside this, they played the Met Gala afterparty hosted by Dua Lipa and at LOEWE’s Paula’s Ibiza pop up at the Sheats-Goldstein home in LA. 

In 2023 stage hosts include Kappa Futur Festival in Turin, Italy, Panorama Festival in Southern Italy, Eastern Electrics, London, Fabrik, Madrid, Audio Obscura at Amsterdam Dance Event and III Points Festival, Miami. 

The duo are avid sneaker collectors and vinyl record collectors, from all eras of Latin salsa, disco, funk, soul, jazz house and techno.

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Founder and A&R of @lifeanddeath, Manfredi Romano grew up tour-managing punk bands and organizing left-field music events in Italy around the turn of the Millennium. Having completed his studies in computer science at the University of Pisa, Manfredi went on to form DAZE, Italy’s first booking agency solely devoted to electronic music. Drawing on two decades of experience behind the scenes, Romano shifted focus  in 2010, establishing himself as a DJ in his own right. 

As a performer, Tennis valiantly showcases an astute ability to create intimacy in even the vastest of gatherings. As a respected producer, Romano consistently channels his past relationships with post-rock luminaries such as Godspeed You! Black Emperor, Tortoise and Fugazi into intricately-synthesised electronic constellations. Known for his Artist Management capabilities is responsible for breaking artists like Tale of Us, Mind Against and Carlita.

Fine chef and restaurant owner, Tennis splits his time between Paris and Miami, where he enjoys riding motorbikes, collecting vintage action-figures and building upon his vinyl record collection - which now numbers over eleven-thousand strong.

Electronic music label founded by Dixon & Âme in 2005.

A renowned DJ & producer, label boss and art creative, DAVIDE SQUILLACE'S career is constantly evolving as he brings his innovative ideas to the forefront, from music to art. A true renowned talent, his sound is an eloquent mix of techno, dance, indie, instrumental and downtempo beats.
DAVIDE SQUILLACE’s career title is constantly evolving. A label boss,
art creative and renowned DJ & producer in his own right, Davide has the
ability to express himself audibly and visually through the different
platforms he has created over the years. Since establishing his music
career over a decade ago, Davide’s dynamic sound continues to light up
and inspire dancefloors, spanning over many continents. Constantly
pushing the boundaries of electronic music, his sound is an eloquent mix
of techno, dance, indie, instrumental and downtempo beats. His side
project, Better Lost Than Stupid sees Davide collaborate with fellow
revered DJ’s: Martin Buttrich and Matthias Tanzmann. Also passionate
about art and culture, Davide established two creative brands and artist
collectives, This And That and Blender.

Bookings: 
WW- Future Artists -Salvatore Assante - bookings@futureartists.agency
South America: Arturo Ruiz - arturo@tboamerica.com
Italy: Oltre Bookings  - alex@oltrebooking.com
North America: rs@thebullittagency.com

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front. 

Both he and Moon Harbour have stayed true to the signature sound that first stood him apart. They never fail to bring new ideas to the dance floor and constantly evolve with the culture. Along the way, there have been countless seminal moments. From his early residency at Leipzig’s cult Distillery Club to his first releases on Steve Bug’s Dessous label and Freude Am Tanzen in 1998 and 1999 via the infamous Moon Harbour showcases at major events including Miami Music Week, Amsterdam Dance Event, Barcelona’s 'Off Sonar' and the leading clubs of Ibiza over the last 20 years. Furthermore he is an integral collaborative member of the super group, Better Lost Than Stupid, alongside Davide Squillace and Martin Buttrich. This ground-breaking trio performs all over the world from London, Ibiza, Miami to Dubai. Together they released the acclaimed full length album Wild Slide and accompanying remix album. 

Whenever he plays, Matthias locks his global audience into his winding and hypnotic grooves for hours on end, always ramping up the pressure and keeping dancers on their toes. He has consistently performed as a resident for almost 15 years at Ibiza's wildest and the most cutting-edge Circoloco party at DC10. He also plays in demand back-to-back sets with partner in crime Davide Squillace and is regarded as one of the favourite players at the infamous ANTS events at Ushuaia Ibiza. In between those regular gigs and picking up several DJ Award nominations, he is on a constant tour of the world's most celebrated clubs and events from Elrow to Solid Grooves to Music On. 

Founded in 2000 and followed by sub-label Cargo Edition in 2006, Moon Harbour Recordings has been a vehicle for much of his music over the years, though it has also been responsible for bringing through plenty of next-generation talents. Matthias Tanzmann has served up three solo albums on his own label - Restless in 2008, Momentum in 2016 and the far-reaching Round And Round album in 2019. Each one shows how he brings colour and narrative to his music through the careful layering of percussion and the teasing out of deft sound designs to make for moments of real dance floor drama. Whether working solo or in collaboration with the likes of Steve Bug, Black Circle or Daniel Stefanik, the key for Matthias is to never stop evolving, asking questions and exploring new ground. Furthermore as a keen contributor to the industry and passing on to the new generation, Matthias shared his vast knowledge with a unique production masterclass in collaboration with Mixmasters in Ibiza in 2023.

As a remixer, Matthias also brings an in-demand signature sound for the likes of Jamie Jones, Dennis Cruz, Moby or Booka Shada. His Remixes 2002-2012 compilation showcased his adeptness and adaptability, and he has further cemented his legacy as a definitive DJ with seminal mix CDs for revered series like Cavo Paradiso Mykonos in 2010, Circoloco in 2008 and 2011, fabric London in 2012, and several times for Moon Harbour.

What started as an obsessive hobby back in Leipzig became a globe-trotting profession. Importantly, though, Matthias Tanzmann has always retained the sense of fun and inquisition that motivated him back then. That shows in the tracks he continues to skillfully craft, whether deep and moody for cozy backrooms, or more raw and jacked up for the main room. From his sets to his productions via the music he A&Rs for Moon Harbour, Matthias Tanzmann blends a deep understanding of dance music dynamics with a burning desire to keep things moving forward.

The BPM Festival, which stands for “Bartenders, Promoters, Musicians” was created in 2008 as a post-New Year’s gathering of industry professionals and has grown to a 70,000+ global gathering of DJs, producers, revelers and industry professionals; a must for any music lover with a discerning taste for quality underground dance music. Over the last decade, BPM parties were hosted both day and night at multiple venues. In 2017, The BPM Festival announced expansions with events being held in September in Portimão, Portugal and Tel Aviv, Israel. Newly announced, BPM returns for its winter edition in its new home of Tamarindo, Costa Rica from January 15-19, 2020.

Better Lost Than Stupid are @matthias-tanzmann, @martin-buttrich & @davide-squillace. Our album Wild Slide is out now! https://blts.lnk.to/WildSlideFA

Management: leon.alexander@redlightmanagement.com
Bookings: shogan@wmeagency.com

Ryan Crosson & The Ridgewood Vanguard 

Out Now: https://lnk.to/RCTRV-WCOEBHWA

Martin Buttrich is following