Taken from "Chinese Whispers" the Rumors Sampler.
Out Now on Rumors on Digital & 12"

Beatport: bit.ly/siaconnec

Juno: http://bit.ly/chnwhspjuno
Phonica: http://bit.ly/1ySrm9x
Deejay: http://bit.ly/1xlmEpu

Konrad Black & Martin Buttrich - Siamese Connection (Preview)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Demonische Geest..
Tell the world a little bit about yourself. The shorter the better ?
Like WTF for real ?
WAS Gona upload my fucking memoirs...
Fully crushed.

COLOURS 8 track i grew up on(the 70s 8 track+ the old 1st 8 track recording music)that’s all you need when done well(not easy)You see the most clever thing about MUSIC is it’s individuality,it touches each person in their OWN WAY 😁.I LIVE FOR GOOSEBUMPS 😉 old skool HOUSE ACID TECH from in the day to today🤪 + DUB(syndicate)DnB DUB step + 70s/80s greats 🤯...........😁it’s ALL GOOD !!!!,live for music people it never lies to you !!!😁👍.I HOPE !!!! i give you ideas 💡 to explore 😁👍.
Headphones on,eyes closed and see the colours 🎼 has to offer.

In the name of Art / Au nom de l'Art

CONTACT, PROMO, BOOKING: djamsinthehouse@outlook.com

### Eclectic Electronic Music ###

A French music and dance lover who at the age of 11 started practising classical ballet, going onto jazz, contemporary and hip hop styles before discovering house music and becoming the crazy dancer she is today. 

DJ AMS fell in love with techno a few years ago after the French festival 'Family Piknik'. Since then AMS has embraced the electronic scene, spending a lot of time hanging out with friends in cool clubs, and rocking on at epic after parties!

"Its all about good vibes, I'm a French Ambivert, Nyctophile, who wants to share her world and Bangers with you, my music will tell you more than I ever will."

I am connected with music from the youngest years, my consciousness and subconsciousness and superconsciousness pushed me in the same direction all the time. Never full-time, always in my spare time and heavily hobbistically. With longer breaks and returns. Time was slowly moving forward and the taste for exceptional sounds was developing with every minute of listening or creating my beats and loops. A few years ago I got a proposal to release some of my tracks, which today you can find on Beatport and of course Spotify. It was a very positive experience, after so many years without professional approach and work, such a big turn in my hobby.

I'm slowly approaching 40, someone will say that half of my life is behind me, I insist that at least 1/3. I want to learn how to create music that heals not only the soul, but also the body directly. We live in incredible times, science slowly reveals what was hidden from us. Already today we know frequencies that can reverse cancer cells. The revolution is just around the corner. People will go to concerts to heal themselves, listen to recordings to improve the dynamics of the body or cure certain viruses. This is my goal, I hope that there will be good souls to help me in this by giving me faith and support in what I do and will do in the future. 

Support ❤️ beatport 

★ SOULMATE | 2018-04-23 by Capital Heaven 
https://www.beatport.com/release/soulmate/2260723

★ TRIBAL MODE | 2017-02-27 by Capital Heaven
https://beatport.com/release/tribal-mode/1934278

★ PROTOTYPE EP | 2016-10-10 by Capital Heaven
https://beatport.com/release/prototype-ep/1856999

Second profile https://soundcloud.com/sebglow/tracks

DEEP INTO SOUND
P.R And Podcast Host @ VOLUME         D.J @PRODUCER
https://www.instagram.com/volumervk/
https://soundcloud.com/volumervk