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AR MIN 11

Best of Year Six

Bubble Heat

Emika 'Count Backwards' (Radio Edit) - new single on <a href="http://bit.ly/gh1jvI">iTunes</a>
Andreya Triana 'Far Closer' (Radio Edit) - FREE DOWNLOAD!
TOKiMONSTA'S remix of Daedelus 'Tailor-Made' - FREE DOWNLOAD!
Speech Debelle & Bonobo 'Sun Will Rise' - from <a href="http://bit.ly/fvghxG">Ninja Tune XX Vol. 2</a>



Ninja Tune XX

Sun Will Rise

Speech Debelle & Bonobo - Sun Will Rise

Karl Karlson - Parallax (Original Mix - Re-Edit) \\FREE

Reposted ❤️:

Our beloved duo @Madota is back on Saisons with their first original EP. A project that embodies a pivotal chapter for them after a long time apart on different sides of the world. After experiencing humanity on pause from different coordinates, Behnam and Mehran finally reunited in Berlin, picked up the energy where they left off and dove straight into the studio with a new approach to their creative process.

In the light of everything happening in their motherland of Iran, they feel more called than ever to celebrate their heritage. In this 2-track EP, you can feel Madota’s roots. It’s a voyage into their past that taps into the energies and the stories of where they come from…and it only feels like the beginning.

'Roobah' is playful with colorful roots. The duo created this track from blending piano pieces of Emahoy Tsegué-Maryam Guèbrou - an Ethiopian nun who they grew up to love, mixed with Ahmad Shamloo’s audio recreation of "The Little Prince". The audio tapes and CDs of Shamloo’s work became illegal after the Islamic Revolution.

The result of this sonic painting is a celebration of both stories in a deep and jazzy groove with warm soulful harmonies. Dusty and playful. An ode to life and freedom.

'Del' is the darker and deeper track of the pair. The groove is rooted in a dense and weighed down rhythm coupled with shreds of dusty pianos. Behnam’s voice guides the story, singing 'Del' which means ‘Heart’ in farsi. The lyrics come from an old persian poem that goes something like:

O heart, if you love
Seek comfort
In the heart of day and night

The track embodies Madota’s overflow of emotions that come up in reviving their relationship with their roots while also honoring the courage of their people in their fight for freedom.

A part of the proceeds from this release will go to support families in Iran.

Zan Zendegi Azadi ☮︎

We hope you resonate as much as we do!

- - -
More Info: https://saisonsmusique.lnk.to/Madota-Delroobah
Music composed and mixed by Madota
Artwork by Saisons Musique
Drawing by ANANI
Persian textures provided by WorldOfMaya.ca

Download / Stream

Madota - Roobah (Original Mix) [SAISON021]

Buy on Beatport

Bermio - Osiris

Tømas Sinn, Subgate - Black And White

Maxi Alvarado - Odyssey

Sukeru X GEWOONRAVES X Zentryc - Industrial Darkness
Free Download: https://hypeddit.com/thefinesttechno/sukeruxgewoonravesxzentrycindustrialdarkness

Artists: https://soundcloud.com/gewoonraves - https://soundcloud.com/sukeru-sukeru - https://soundcloud.com/zentryc
Release Title: Industrial Darkness
Release Date: 2024-02-05

Sukeru
Soundcloud: https://soundcloud.com/sukeru-sukeru
Instagram: https://www.instagram.com/sukerumusic

GEWOONRAVES
Soundcloud: https://soundcloud.com/gewoonraves
Instagram: https://www.instagram.com/gewoonraves

Zentryc
Soundcloud: https://soundcloud.com/zentryc
Instagram: https://www.instagram.com/zentryc

The Finest Techno
Soundcloud: https://soundcloud.com/thefinesttechno
Bandcamp: https://www.thefinesttechno.bandcamp.com
Youtube: https://www.youtube.com/thefinesttechno
Instagram: https://www.instagram.com/thefinesttechno
Facebook:  https://www.facebook.com/thefinesttechno.official

Industrial Darkness

FREE DOWNLOAD

Free DL | Sukeru X GEWOONRAVES X Zentryc - Industrial Darkness

DJ-tool i did somewhere this year, decided to put it up here as free download. For those who'd want to play it; enjoy :)



Streetdrummer

Karl Karlson - Twinfeeler (Original Mix)

For release number twenty-three on San Francisco’s Manjumasi, label co-founder Mark Slee returns with a new EP, his first original showing on the imprint since its debut release, his Nocturne Belle EP in 2016.

The Grapeseed EP features three original tracks, all with deep and mysterious elements that have become a marker of Slee’s production style, as well as the broader Manjumasi label sound. First up is Grapeseed, a haunting number built around a deep gliding bass riff with echoing bell melodies. The second track is Westvine, again featuring gently modulated bell elements in the lead, while dialing up both the shuffle and groove on a much more syncopated low-end. Finally, we have Bitter Flower, which uses a super deep groove to set the foundation for classic synth elements with a modern twist. Acid-lines echo through the sonic space, alongside a nod to the classic M1 organ texture.

Alongside the originals is a diverse collection of outstanding remixes from highly respected producers. First up is Berlin’s Acid Pauli, who turns in an incredible deep and minimal interpretation of Westvine. Here the focus is on solid bass and little organic details that grow gently through the mix, like tendrils into a brick foundation. Next is Seattle-based Jeff McIlwain, aka Lusine, who pulls the tempo of Grapeseed down to a very mellow 100bpm, the perfect pace for a deep bass burner that works its way steadily through an intense slow-mo crescendo. Finally, Birmingham’s Tom Flynn takes aim more squarely at the dancefloor, with a proper ripping take on Bitter Flower. Driving synths and arpeggios recall the energy and euphoria of classic progressive house, but Tom’s touch employs a more modern and sophisticated sound palette, expressing both melancholy and intrigue.

Follow: @mcslee @acidpauli @lusine-official @tomflynnmusic
Like: www.facebook.com/manjumasi
Cover art by Nathan Kanner: www.instagram.com/nkanny/

Grapeseed EP

Mark Slee - Westvine

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.