❤️🩵❤️🩵❤️🩵💫wooooow

Lungo Mare

Carthage

Simultaneously with the announcement of our 15th Watergate-Compilation, we are also proud to present the number 15 of our vinyl series.

The man behind the black wax is Mathias Kaden, whose exclusive track now finds its new home in our label catalogue - with "Fin" he literally marked the end of his compilation which was released in this year's summer. The track warms up with an aesthetically-stumbling beat pattern, gathers speed attended by rattling hi-hats and suddenly turns into a smooth piano-break. After this grace period the allround-tool unfolds its full force and tramps down on the dancefloor.

No less a figure than Josh Wink contributed a remix to this bomb. The Ovum-Records boss interpreted "Fin" in his habitual freethinker-attitude as a hypnotic-house track in a totally new context. Dopey bleeps wriggle through the drums and leave woozy traces in the audiences' heads.

"Fin" appears on January 20 on vinyl & digital. The digital EP also contains the exclusive tracks from Rodriguez Jr. and Christian Burkhardt from Mathias Kaden's Watergate 14 compilation.

Preorder 12"

Rodriguez Jr. - Nausicâa (digital exclusive)

drumpc_jam

Mesmerize

Groj "Love You Do" (Traum V199) available at
Beatport https://goo.gl/20yJNi
iTunes https://goo.gl/DTbUaY
Traxsource http://goo.gl/FMSOsu
Junod Download http://goo.gl/f4itiJ
Whatpeopleplay https://goo.gl/AwtZn7

Release Date 06th May 2016

See video clips at YouTube - https://www.youtube.com/playlist?list=PLf4vXE-5-YtHpKLJfkuVgyNzRcFmkjUAk

See more at Traum webpage
http://www.traumschallplatten.de/traum/traumv199/traumv199.html

Love You Do

Groj - Love You Do (Traum V199)

permvac 157-1 Tuff City Kids "Tell Me/R-Mancer Remixes" out now

Tuff City Kids "R-Mancer" Roman Flügel Happy Gerdy Remix

Martin Buttrich - Enough Love To Hate It

Autarkic - I Love You, Go Away // The Remixes (Digital/Hand stamped Limited Vinyl)
OUT 4.5.18


Autarkic's productions found their place somewhere crossbreed between casual home listening and banging dance floor tunes, for which his incredible live sets are notorious for. The way he's able to turn a simple house tune into a dark, wavy trip almost reminds one of a magic trick.

To remix Autarkic, with his tunes so on point, that is hard enough. Nevertheless, four brave people dared to do so. Who else would have been ready to take on the challenge than Red Axes & Simple Symmetry?

This is the battle of the duo's and everyone's invited to watch.
First released on digital and a limited edition of hand stamped records are coming in the near future.


Tracklisting
A Bongos & Tambourines (Simple Symmetry Remix)
B1 Giberish Love Song (Red Axes Remix)
B2 Wipe the Shame feat. Xen (Red Axes Remix)

Autarkic - Bongos & Tambourines (Simple Symmetry Remix)

'It’s that time of year again when Cocoon Recordings serves up the next instalment of their legendary letter compilation series...'

Read More: https://whenwedip.com/2019/08/premiere-stimming-cocoon/

Follow: @stimming // @cocoonrecordings

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Cocoon Compilation S

Premiere: Stimming - The Gift That Never Stops To Give [Cocoon Recordings]

IV42 - Secret Weapons EP - Part 5

Release:
11.02.13 Vinyl record at MTN Shop - www.mutingthenoise.com
25.02.13 Record store & digital release date worldwide

Mastering by Bo Kondren at Calyx
Design by Innervisions

Produced by:
1. Konstantin Sibold
2. Culoe de Song
3. Jon Charnis
4. Mario Basanov

Released by Innervisions
Release/catalogue number: IV42

Distributed by MutingTheNoise


IV42 Konstantin Sibold - Madeleine

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Enough Love To Hate It

Martin Buttrich

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