Gui Boratto - Arquipelago

matthias meyer /stimming - tout va bien / the anger (liebe*detail 023)

Matthias Meyer - Tout Va Bien

Window Shopping EP

The Song

Astral

Vibrate - Minimal Deep Tech Instrumental DJ

http://techdeephouse.com/

Todd Terje - Snooze 4 Love (Dixon Remix)

Martin Buttrich - Tripping In The 16th

Martin Buttrich - Enough Love To Hate It

Due to public demand we offer three nice edits of our own Dj Dixon taken from his "Temporary Secretary" Mix. He was lucky to get all single parts from the original tracks and with his scientific approach he recreated each tracks completely in a different way. So what is an edit and what is a remix? To get your own opinion on this topic you better check this record out!

Code 718 - Equinox (Henrik Schwarz Remix - Dixon Edit)

http://www.beatport.com/track/lovework-dj-t-remix/3564464?utm_campaign=bp_share&amp;utm_source=bp_share_facebook&amp;utm_content=bp_share_track&amp;utm_medium=bp_share_track_3564464

Black Light Smoke - Lovework (DJ T. Remix)

Beatport: http://bit.ly/2At6D7o

Dance music titan DJ T. returns to his spiritual home, Get Physical, with another vital two tracker.

DJ T. has had a busy year with many highlights. It’s taken him to standout releases on labels like Play It Say It as well as to clubs and festivals around the world. Always busy in the booth and studio plotting lines between the past and the present, between disco, techno and house, he was last on this label at the end of 2017 and now with two more tunes that once again show his class.
Things kick off with the excellent ‘Istanbul’, a hip-swinging, disco-tinged house track driven by a funk fuelled bassline. Cosmic keys twinkle above, and alien synths skew about the mix to bring energy and real dynamism to a floor filling groove that has genuine charm in its bones.

Second standout track ‘Sufi’s Dance’ is a slow-motion sizzler that twists and turns and takes you on a wild adventure. The loose afro drums are underpinned by a percolating bassline that never gives up and make it the sort of tantalising, playful tune that is destined to become a real club anthem this winter.

These are two terrific tracks that ooze character and a real understanding of dance floor dynamics.

http://www.getphysicalmusic.com/

Istanbul

DJ T. - Istanbul (Snippet)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.