❤️🩵❤️🩵❤️🩵💫wooooow

the final march

Orbital - Clockwork Orange Theme (live)

Mikeandtess

Free Download

A&S - it seems to hang on (mikeandtess edit 4 friends)

Out Now: https://lnk.to/CRMLP20YR5

Full Album: https://orcd.co/CRMLP20YR

Damian Lazarus celebrates 20 Years of his world-renowned Crosstown Rebels imprint with a special album  project of unreleased cuts and fresh remixes, featuring material from Black Coffee, Maceo Plex, Art Department,  Dennis Cruz and many more. 

Ringing in a major milestone in style, 2023 will see Lazarus and Crosstown mark  the 20th Anniversary of the label with a series of celebratory projects unveiled in the lead-up to summer, with ‘CR20 The Album’ set for  release on 12th May 2023.  

“20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet - releasing  music to the world and making people dance. That dream was Crosstown Rebels, and this year we are 20. Over these years, I have  forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most  colourful characters in dance music. Crosstown Rebels is more than a record label, it is family. 

So 2023 will mark the label’s 20th Anniversary. This is an opportunity for the Crosstown Rebels family, a global community of  artists, DJs and creatives, and the label’s myriad of followers to celebrate this momentous milestone. There will be parties and  events around the world. A killer compilation of exclusives and special remixes, a beautiful coffee table book, a short film, and a  special launch event are planned to bring together the sights and sounds of the label’s unique and influential history. There’s lots to  share, announce and reminisce. 20 years young.” - Damian Lazarus. 

Opening the package, Lazarus’ own 2020 collaboration ‘Into The Sun’ with regular Crosstown vocalist Jem Cooke is given a cosmic rework  by Johannesburg’s Major League DJz, while Jamie Jones’ slick ‘Paradise 2011’ is stripped back and given a new lease of life by the  hypnotic and heady sounds of Art Department. Opening the B-Side, Dennis Cruz brings his percussive Latin-infused signature sound  palette to Chilean musician and producer Pier Bucci’s ‘Hay Consuelo’, before Audiojack’s ‘Feel Good’, another standout collaboration  alongside Cooke, is taken into synth-led territories as Michael Mayer reaches for an evolving bed of captivating tones. 

The second half of the project brings more excellently remixed material, both new and old, with GRAMMY-winning DJ/producer Black Coffee  turning his hand to the label’s first release of 2023 in Made By Pete and Zoe Kypri’s emotive ‘Horizon Red’, unveiling reworked melodies and  sparkling keys as he delivers an interpretation of a track which has featured as a staple in his sets. Next, the project welcomes Adam Ten &  Yamagucci’s playful yet off-kilter and wonky ‘The K Dance’ which unveils itself as a production perfect for those late night hours and early  afters, before Ellum boss Maceo Plex’s ‘Together (2011 Mix)’ brings another lost production to the mix with a driving and zipping ride through  sugary synths and soaring leads. To close, Tibi Dabo turns his attention to Guti & Dubshape’s absorbing ‘Every Cow Has A Bird’, delivering a  nimble minimal-led trip through lush pads and crisp percussion to round things out in style.

Guti & Dubshape - Every Cow Has A Bird (Tibi Dabo Remix)

Window Shopping EP

The Song

I love these two crazy dudes, they're a little like me in a way, and they made some killer tunes in the 80's. Like this one =) The original John Luongo remix ran at 9:35 but it was really difficult to play out as the drums kept running all over the place. I managed to keep the first 16 bars of this edit pretty constant at 122 BPM and the end lead-in and break as well - it's a wee bit long at 12:23 (ha ha) but it's good for those times when you need a smoke break (given the way most clubs and bars are these days...heh) pardon the scratchy bits in the drop....

Footnote: Neil & Stephen are still releasing music today: http://www.blancmange.co.uk/

Blancmange - Blind Vision (Rango's 'Epic-Smoke-Break' Edit)

Jazz house track by Bolden. - Would appear to be jazz. (Instrumental version)

Would appear to be jazz. (Instrumental Version)

Written and produced by Udo Scharfenberg and Christian Bartusch in 2012, additional remix and production by Daniel Paul from Cabinet Records

ChUd - Intro (Daniel Paul Remix)

Listen and download: https://bar25music.lnk.to/YE1CFYP

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❤️ Bar 25 Music Dynamic Link 👉 https://bar25music.lnk.to/home

Listen to our Spotify Playlists:
🪩 Organic House: https://bar25music.lnk.to/ZLvO6YtS
🪩 Best of Deep House: https://spoti.fi/46sfdQC
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🪩 Ethno Deep House: https://spoti.fi/3ZOPLCa
🪩 Downtempo Chill: https://spoti.fi/3LTZtgV
🪩 Best of Indie Dance: https://spoti.fi/3tzrfc3
🪩 Greatest Hits: https://spoti.fi/3trKILX

Listen to our YouTube channels:
🔥 Bar 25 Music: https://www.youtube.com/@Bar25Music
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🎬 Bar25 Cinema Movie & Soundtrack:
👉 https://bar25music.lnk.to/bar25movie

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Credits:
Label: Bar 25 Music
Release Date: 01.07.2016
Catalog No.: BAR25-039
Artist: Benno Blome & Hopperider
Release: Father Of Birds
Release Type: Single
Medium: digital
Territorry: ww

Tracklist:
01 Benno Blome & Hopperider - Father of Birds (Original Mix)
02 Benno Blome & Hopperider - Father of Birds (Fish Eye Collective Remake)

The festival summer is just ahead, which is why we are doubly thrilled to present you our new release “Father of Birds” by Benno Blome & Hopperider. The original track “Father of Birds” has all you need to enchant a sunny day: catchy melodies and a driving rhythm. Fish Eye Collective has supplied the remix to complete the package. The original track “Father of Birds” is featured on the new compilation series “Kaleidoskop”, beginning with this release by Benno Blome.

Father Of Birds

Buy on Beatport

Benno Blome & Hopperider - Father Of Birds (Original Mix)[BAR25-039]

http://techdeephouse.com/

Todd Terje - Snooze 4 Love (Dixon Remix)

Martin Buttrich - Back It Up

Martin Buttrich - Enough Love To Hate It

J'Adore

Unus Emre - J'Adore (Original Mix)

dOP - Kisses

Domino Remixes

Domino (Frankey & Sandrino Remix)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Enough Love To Hate It

Martin Buttrich

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