The Modern Deep Left Quartet

Fiesta

20 Fucking Years Of Planet E: We Ain't Dead Yet

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Cobblestone Jazz - India In Me

Makam - Girls Night

Time folds upon itself like a living geometry, where shadow and light, order and chaos, converse in a dialect older than memory. Moments stretch and compress, revealing hidden patterns that vibrate beneath perception. Within these invisible laws, existence pulses: a sequence of thought and energy where every silence is measured, every movement reflects eternity. The cosmos whispers its algorithm, and the mind, willingly or unwillingly, learns to follow the rhythm of infinity.

Chronos Geometry

Waves of Memory 562_mix

Summer Rain

Buy Vinyl & Digital: bit.ly/uv033bc

Release Date:
Bandcamp: 26.10.2015 (Vinyl & digital)
All other stores: Vinyl 06.11.2015 & Digital 09.11.2015

After opening up his heart with his wonderful solo debut album last spring, it was about time that Joel Alter’s “Heart” gets a proper remix treatment. None other than fellow Swedish countryman Jesper Dahlbäck adds some spice to the intimate affair that is “22 Hours” under his “The Persuader” moniker. His take is a spooky yet compelling peak time bomb. Dorisburg transforms “Everlasting” into a funky and Acid-driven ride that is hard to resist. On top, you’ll get the Original mix of “Mecca” spread over a whole 12” side and a Discoid version as a digital bonus.
The wonderful artwork was created by Joakim Heidvall.

Buy Vinyl & Digital

Joel Alter - Everlasting (Dorisburg Remix)

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I’d like to share with all of you this very first edit I made a very few years ago that I’ve been playing it ever since. It’s my deeper version of a great track from STL - “From a distance”, released on Smallville Records.  

Free download from my bandcamp page! https://julianperez.bandcamp.com/

Comment, like and repost here if you dig it ;) happy new year to all!!

From A Distance (Julian Perez Edit)

Aril Brikha Berghain

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

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Martin Buttrich

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