ATM003 / Charlie - Spacer Woman 
Written by: M. Cavalieri - G. Stefani

A1: Rework by Valentino Kanzyani feat Iury Lech
B1: Rework by Dana Ruh

Distributed by Goodymusic Production Srl
(P) Autum Records (a division of Goodymusic Production Srl)
P & C 2021 Goodymusic Production Srl
Illustration by Krayon

A1 Charlie - SPACER WOMAN Rework by Valentino Kanzyani feat Iury Lech

Ricardo Villalobos - Wispa

20 Fucking Years Of Planet E: We Ain't Dead Yet

Full Clip

Matt John "The Bleep Factory" Side B (Holographic Island 003) 

to buy on beatport:
https://www.beatport.com/de-DE/html/content/home/detail/1/beatport#app=5f2&amp;a486-index=3

Matt John - "The Bleep Factory" Side B (Holographic Island 003)

Cobblestone Jazz - India In Me

Horizon

Horizon (Extended Mix)

My Way

Spotify: open.spotify.com/playlist/675H1xyCn7VgLDUZvN2hLC
Demos: routineespresso@gmail.com
Submit Music: www.submithub.com/playlister/routine-espresso

Teiko Yume - Savanth

The wallpaper had peeled off the walls of the grand entry hall, revealing the damp wood of the palace's framework. Over time this place had become an empty shell, the exterior now covered in dark green ivy. Once upon a time people had journeyed from across the country to visit this wonderful residence for elegant parties, the kind that were beyond imagination. A spectacle, a fun fair, a place where general debauchery was encouraged and no secrets left the building. Now this place had been forgotten, merely a distant memory that may have always been a dream. 

Following releases on Lobster Theremin and Jungle Gym, Russian producer Marco Lazovic lands on Prague via Sydney label Beef Records. Influenced by 90s rave and breaks, Lazovic has crafted four electro cuts. Tel Aviv DJ and producer Olsvangèr flips Eklektic Disco into a groove-driven house cut that's going to do the business on the dance floor.

Ocean Voyage

PREMIERE: Marco Lazovic - Eklektic Disco (Olsvangèr Remix) [Beef]

Acid Test

Test 1

Exclusive: Omar Santis - Cameo Appearance (Iron Curtis Remix)

After his A T.D.L.D Joint EP in 2014 and his Needs EP from 2016 Tokyo-based producer Omar Santis returns for the third time to Karakul, Phonica's sub-label for deeper House approaches. The artist's latest EP on label, Thursday Night Funktion, is a reference and dedication to the Omar's Tokyo club night Funktion, namely also based on the Funktion One soundsystem, which takes place at Oath in Shibuya. Coming with altogether four orginals, even though Cameo Appearance is a digital bonus track only, and Iron Curtis' remix for the latter named digital track. The Berliner, having a preference for proper House music – whether it's deep, soulful or with a disco-ish note – comes in with a multi-facetted take that contains darker chords, breakbeats and milling around vocal snippets, all highlighted by a lush and stalwart bass line and again creates a take that showcases his signature or trademark sound elegantly and in a sophisticated manner.

Omar Santis' EP Thursday Night Funktion was released on Karakul onn July 31st, 2020.

Buy the EP
Phonica: https://phonicarecords.com/product/omar-santis-thursday-night-function-inc-iron-curtis-karakul/167341

Artist & label information
Omar Santis: www.facebook.com/omar.santis.3// @omarsantis // www.instagram.com/omarsantiss 
Iron Curtis: www.facebook.com/ironcurtismusic // @iron-curtis // www.instagram.com/ironcurtismusic
Karakul: // @karakulrecords

Visit & follow Torture the Artist at:
www.torturetheartist.net
www.facebook.com/torturetheartist
www.instagram.com/torture_the_artist
www.twitter.com/TorturingArt
www.youtube.com/torturetheartist

Thursday Night Funktion

Cameo Appearance (Iron Curtis Remix)

Buy here

EXCLUSIVE; Omar Santis - Cameo Appearance (Iron Curtis Remix) [Karakul]

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.