23 Seconds

India In Me

20 Fucking Years Of Planet E: We Ain't Dead Yet

Full Clip

Peter Lazonby  -  Sacred Cycles (Original Mix)

Makam - Girls Night

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- Club Mood Vibes | Your source for quality music since 2013 -

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◆ Artist: @digital_mess, @gleb_rubens
◆ Title: Sequencefield (Gleb Rubens Extended Mix)
📅 Release Date: 04/09/2025
🏷 Label: @purrfectionrecords
◆ Genre: Progressive House
◆ Buy: https://www.beatport.com/de/track/sequencefield/21271891

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Sequencefield (Gleb Rubens Extended Mix)

PREMIERE: Digital Mess, Gleb Rubens ─ Sequencefield (Gleb Rubens Extended Mix) [PURRFECTION]

Un voyage électro minimaliste.
Boucles hypnotiques, basse profonde, percussions claires.
Sons géométriques et épurés, taillés pour 2025.
Un espace sonore lumineux et brut, où chaque détail compte.

Elxctro

20070904

Trevino Eclipse

Original release: https://www.discogs.com/Skateb%C3%A5rd-Skateboarding-Was-A-Crime-In-1989/release/91544

Re-issued with Mental Overdrive remix: https://www.discogs.com/Skateb%C3%A5rd-Sgnelkab/release/1791198

https://open.spotify.com/album/0ewjlZbn7oTzglqujEDpUd

SGNELKAB

Released 09/02/18 https://acidmondays.bandcamp.com/album/universal-rhythm

R&S welcomes Acid Mondays for a 12" of lysergic house music that reaches far into the outer cosmos. 
Formed "somewhere in the 5th dimension” Acid Mondays is the cosmic coalition of fellow psychonauts Negghead (Dan Ward) and Lex Wolf (Alex Wolfenden).  

Repeated transformative visits to Ibiza culminated in landing regular slots at Circoloco where they have been testing this tune in the dance all Summer long. 

‘Universal Rhythm’, their latest interstellar dispatch and debut on R&S is their finest work to date. An anthemic paean to the cosmos that features an impassioned spoken word missive from shamanistic MC Shovell, impressively recorded in a single take, making the case for the universality of experience and oneness of all beings.  

Latin rhythms fuse with a driving Fender Rhodes lick (provided by JD73) and percolating cow bells to hypnotic effect. This calls to mind a combination of classic Carl Craig and Villalobos at his most playful. R&S new signing The Maghreban supplies a killer dubbed out take on the original that strips away the heavy kicks and pumps up the percussion, hurtling the synth pads to the fore that comes on like John Carpenter peaking on MDMA.

RS1801

Acid Mondays - Universal Rhythm

The EBM-indebted techno funk of James Welsh’s ‘Thread’ re-emerges from the industrial fog, evolved into three outstanding remixes by a trio of rising and established artists. Radio Slave adds shuddering percussion and filter to create an edit for devastating dancefloor effect. Lobster Theremin and Workshop alumni Ozel AB reimagines the track as an ethereal rave landscape, while FC Kahuna return to deliver a playful, digital-only take that recently featured as Lauren Laverne’s ‘Headphone Highlight’ on BBC 6Music.

Buy the 12" vinyl direct from Phantasy: https://lnk.to/jameswelshPH66RMX

VINYL
Thread (Radio Slave - Garten Remix)
Thread (Ozel AB Remix)

DIGITAL
Thread (Ozel AB Remix)
Thread (Radio Slave - Garten Remix)
Thread (FC Kahuna Remix)
Thread (Original)

PH66RMX

Thread (Remixes)

Thread (Radio Slave - Garten Remix)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.