Still one of my favorites! Like the kids voice sample, gives it atmosphere.

Stacey Pullen - Any Which Way (Martin Buttrich Red Mix)

Audio Junkies deliver an extraordinary reinterpretation as part of the upcoming release on Manitox and we’re proud to host the premiere.

With its pulsating waves and powerful rhythm section, the remix immediately captivates, guided by a fascinating leitmotif that is both precise and emotionally resonant. Every element feels purposeful - perfectly placed, perfectly balanced.
More than just a remix, this is a reflection of Audio Junkies’ introspective and ever-evolving musical journey. A beautifully crafted piece, built for deep moments on discerning dancefloors.

Artist: https://soundcloud.com/audio-junkies
Label: https://soundcloud.com/manitoxlabel

Buy on Beatport

NWD PREMIERE | Avar Garden - Highkey (Audio Junkies Remix) [Manitox]

Berlin Hypnotic House XVII - Move Club Mix

Martin Dawson & Glimpse 'No One Belongs Here More Than You' Crosstown Rebels

Martin Buttrich -  I'm Going There One Day

Martin Buttrich - Hoochie Mama

https://www.SoISaidToTheMonster.wordpress.com

Superpitcher - Rabbits in a Hurry

Buy on WTM

COCO CLASSICO

Reaching No 2 in Deep House on Beatport in 2008.

Kevin Griffiths 'Cantona Kung Fu'

► Buy Maher Daniel - A Heart That Beats You (JADE (CA) Remix): https://www.beatport.com/release/a-heart-that-beats-you-ep/2660754

Renowned international craftsman Maher Daniel returns to No. 19 Music with a fantastic new EP that also comes with standout remixes from Art Department, plus label regular JADE (CA). Daniel has been building his own vinyl only label, The Other Side with a series of slick releases that come after other outings on the likes of Circus, 8Bit and of course No.19 Music. He has taken his label to showcases everywhere from the Caribbean to Beirut and always cooks up infectious club sounds in the studio. Alongside this he has a vinyl only edits series called Creature that has consistently sold out upon release. Aside from his production and DJ work he is a central figure in the industry and has a long standing history with the No.19 crew. Here he opens with the excellent ‘A Heart That Beats You’ which is utterly captivating across ten minutes of sleek minimal house. It’s a deep track with rubbery drums and spooky synth designs that hook you in and never let you go. Steamy vocals layer in another element that makes it all the more standout. ‘Hidden Messages’ is another expertly intricate track with slippery synths and drums, minute little effects and drum fills and a restless groove of which Villalobos would be proud. The first of the remixes comes from label boss Art Department, who is enjoying a superb run of releases of late, including standout records for Cassy’s Kwench and The Martinez Brother’s Cuttin’ Headz label. His version of ‘A Heart That Beats You' is a superb late night house cut with warm, colourful chords and a soulful vocal that build the tension until the whole thing drops and sets the club alight. Canadian DJ/producer JADE (CA), a long-time friend of the label, then steps up. Deep, dark bass lines accompanied by solid hi hat patterns sink you into a state of hypnosis and make for another one of this fine talent’s trademark tracks.

A Heart That Beats You

PREMIERE: Maher Daniel - A Heart That Beats You (JADE (CA) Remix)

Lee Jones - Closed Circus (Mark Henning Remix) (Cityfox 2009)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - I'm Going There One Day

Martin Buttrich

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