Konrad Black & Martin Buttrich - Siamese Connection

Chicago-based producer Nestor Arriaga returns with “Opposite Directions”, a new EP that once again captures the infectious energy and uplifting spirit that have become his signature. With finely crafted grooves and an unmistakable sense of rhythm, Arriaga delivers tracks that radiate positivity and dancefloor appeal.
The EP is further elevated by two high-caliber remixes. Nicolas Duvoisin offers a powerful yet ethereal interpretation, layering hypnotic textures over a driving beat, while Vesy delivers a precision-engineered remix tailored perfectly for peak-time sets — crisp, dynamic, and undeniably effective.
“Opposite Directions” is a versatile and compelling release that bridges warmth and intensity with expert finesse. A must-have for selectors looking to energize their late-night sets with character and depth.

@nestorarriagamusic
@nicolas-duvoisin
@vesymusic

Nestor Arriaga - Opposite Directions (Nicolas Duvoisin Remix)

Find a Way

Mr. V - Jus Dance (Christian Nielsen Remix)(Perfect 118 BPM)

Martyn Elden St(Sebo K Watergate Edit)

DeepClass Records presents "Get Lost EP" by Michael Bessmertny, a.k.a. Deep Active Sound from Russian Federation. After his fantastic success from his tracks on the label He brings us a quality package with three original tracks of deep, bouncy late night house in 'Get Lost EP'. All of the tracks have loads of positive vibes and there is a kind of relaxing atmosphere to the tunes. It is a great sound that should be included in all the contemporary collections of deep house. Artist: Deep Active Sound Album: Get Lost EP Label: DeepClass Records Release Date: 27th Oct 2017 Web: www.deepclassrecords.com

Deep Active Sound - Get Lost

Martin Buttrich -  I'm Going There One Day

Martin Buttrich - Hoochie Mama

No.19 Music marks its 10th year in 2018 with a raft of incredible music set to propel the imprint to its 100th release by year end. As part of this celebration the label welcomes pioneering house producer Satoshi Tomiie for a very special new EP...'

Follow: @satoshitomiie

Resonant EP

Satoshi Tomiie - Bassline (Original Mix) [No.19 Music]

Veitengruber - Make You Crazy

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.