Out now. Buy here: http://www.beatport.com/release/love-song/1370416

Asked to describe his music to a new listener one might falter. While it's true that there is a very specific sound at the core of his music, it is the fluid nature of Deetron's work that defines him as an artist. Yet there is one word that can be used to sum up this dynamic musical mind and the polymorphic sounds that he has mastered - Maverick.

His second album "Music Over Matter", which was released on Music Man end of last year, finds Deetron in a unique, transitional phase. The vocal element of his music coming to the fore, with his 2nd album he proves that there is no substitute for substance and skill, putting music firmly back in the frame is the message, and how poignant to today's tumultuous industry.

For the new single 'Love Song', Deetron calls on the vocal talents of oddball techno superstar Seth Troxler. Steve Bug brings his Traffic Signs alias back to life for the remix, and adds an instrumental version too. Without a doubt an irresistible package for any DJ.

TRACKLIST
1. Deetron feat. Seth Troxler - Love Song (Steve Bug Traffic Signs Remix)
2. Deetron feat. Seth Troxler - Love Song (Steve Bug Traffic Signs Instrumental)
3. Deetron feat. Seth Troxler - Love Song

http://www.deetron.com/
http://www.musicmanrecords.net/
http://www.facebook.com/musicmanrecords
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords

Love Song

Deetron feat. Seth Troxler - Love Song (Steve Bug Traffic Signs Remix)

exclusive | Phil Evans - Eazin' | Freizeit Records

There’s a certain grace in consistency - and few embody it quite like Phil Evans. As the founder of Pager Records, he’s quietly shaped the sound of contemporary House with a signature blend of warmth, precision, and forward-thinking groove. Over the years, Evans has turned Pager into a breeding ground for refined producers such as Vitess, Christian Sarde, and Tiago Walter, but "E-Motions" feels like his defining statement: a double LP that doesn’t just compile tracks, but unfolds as a full-scale listening experience - equal parts club weaponry and emotional introspection.

The A-side closes with “Eazin”, a tribal-tinged Deep House cut that merges shimmering synths with hypnotic percussion. There’s a loose, organic flow reminiscent of Pacific State’s Balearic mystique, yet the production feels wholly contemporary - crisp, detailed, and alive. It’s a reminder that Evans doesn’t copy moods; he modernizes them. “Eazin'” captures that late-morning dancefloor serenity - all motion, no tension.

Buy the LP: https://www.yoyaku.io/release/phil-evans-phil-evans-e-motions-freizeit01lp 

Artist & label information
Phil Evans: @philevans_sc // https://www.instagram.com/philevans_ig
Freizeit Records: @freizeitrecords // https://www.instagram.com/freizeitrecord

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

Buy the LP

exclusive | Phil Evans - Eazin' | Freizeit Records

Dark, hypnotic deep and minimal techno with cinematic flair, driving sub-bass, sharp synth arpeggios, and eerie violin and clarinet layers built for the club.

Devildance

DJ Dozia - Pop Culture (KiNK Mix)

Former Bar25 resident, acclaimed DJ and producer and Sender Records boss Benno Blome is back with a brand new EP that features two of his originals and two fine remixes from Okain Haus and Mihai Popoviciu.
Benno Blome is a boundary pusher who always diversifies with each new release and every DJ set. He has put out great EPs like Braitbendnoodles and the opulent after-hour head-movie "Eramina" and here impresses with a deep and infectious house sound. 
Opener Abotha is a nice and steamy cut with soulful pads layered up over soft rubber beats. Little melodic hooks pull you in and vocal murmuring add a steamy sense of human emotion. 

Romanian Mihai Popoviciu has had great success either solo or with the likes of Jay Bliss and has released on labels including Fear Of Flying, Hudd Traxx, Bang Bang and Diynamic. His remix here is slightly more uptempo and slick, with simmering and shimmying chords rolling over the face of the infectious beats. 

Also remixing is Frenchman Okain, who is a Fabric and Watergate regular and who puts out music on BPitch Control, Cadenza and many others. His version of Abotha is more tech, stripped out and freewheeling, with airy hi hats and thin synth lines meandering about to really hypnotise mind, body and soul. 

Benno’s other original is LED, another syrupy, gloopy, perfectly soft and inviting, warm and romantic house groove with gentle synth stabs, smeared pads and lots of late night soul in its bones. Great vocals again act as a nice human hook and it doesn’t take much to imagine the floor going wild for this one. Once again then Benno Blome proves he is a talented producer with many great ideas and more than the skills to pull them off.
www.facebook.com/timehaschangedrec

Benno Blome - Abotha (Mihai Popoviciu Remix)

Traumer - Classroom

Martin Dawson & Glimpse 'No One Belongs Here More Than You' Crosstown Rebels

Martin Buttrich - Tripping In The 16th

Martin Buttrich -  I'm Going There One Day

No.19 Music marks its 10th year in 2018 with a raft of incredible music set to propel the imprint to its 100th release by year end. As part of this celebration the label welcomes pioneering house producer Satoshi Tomiie for a very special new EP...'

Follow: @satoshitomiie

Resonant EP

Satoshi Tomiie - Bassline (Original Mix) [No.19 Music]

Glenn Underground - There is A Time

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.