Stacey Pullen - Any Which Way (Martin Buttrich Red Mix)

Various Artists - Balance
SATYA012

satyarecs.bandcamp.com/album/balance

Balance

Universal Language

Buy on Bandcamp

Electricano - Universal Language

George Fitzgerald - Mother (Lukea Edit)

The ice is thawing and the club scene hibernation is drawing to a close. As a warm welcome we present Nesstor’s second entry to YION: ‘Salt’, which included not only his finely crafted original heavy organic tracks, but also re-imaginations by Pinewood. Be excited for an excellent EP full of fresh ideas.

Salt Ep

Nesstor - Salt (Pynewood Remix)

Reto Erni - Close Desires (Mihai Popoviciu Remix)

Collaborator 002 is Guti. 
OUT NOW ON BEATPORT - http://pro.beatport.com/release/new-game/1757795
PRE ORDER ON VINYL - http://www.juno.co.uk/products/martin-buttrich-guti-dj-tennis-new-game/616437-01/

Download 

Martin Buttrich & Guti - New Game (Collaborator Series 002)

Buy on Beatport

Kevin Toro & Martin dp - Main Rules (Original Mix)

Play Groove Recordings - Legit Trip - I Can (Original Mix)

Number eighteen on San Francisco’s Manjumasi showcases a pair of deep, groovy productions from the Miami-based Postrel brothers, m.O.N.R.O.E. + Adisyn. The title track “Acid Mating Call” is a deep, seductive tune with an absolutely hypnotic melody. Despite the soft and gentle tone, this one is irresistible on the dance floor. Next up is “Terminal Bliss,” which showcases the darker side of this duo’s sound, with a more melancholic groove punctuated by deep chords, with a mystical melody that floats off in the distance, alluring but just out of focus.

The first remix comes from UK veteran producer Martin Iveson aka Atjazz. His “Galaxy Aart Remix” of Terminal Bliss is an incredibly lush and ethereal take on the original. Galaxy describes the tone of this remix well, with a super spaced-out vibe and a wide soundfield that washes over the listener. Luscious percussion fills out the mix, with a simple but beautiful vocal hook anchoring the humanity of this mix.

Rounding out the package is a remix of Acid Mating Call from Ultrastation, the new techno collaboration between Cosmic Force and Nuno Dos Santos. Their remix puts the Acid in this Mating Call, a late-night techno stomper with swirling dubbed-out reverbs and delays layered over staccato synth stabs, and a trippy synth breakdown that breaks into pieces just before returning to a potent, powerful groove.

Follow: @m-o-n-r-o-e @adisynmusic @atjazz @ultrastation
Like: www.facebook.com/manjumasi
Cover art by Nathan Kanner: www.instagram.com/nkanny/

Acid Mating Call EP

m.O.N.R.O.E. + Adisyn - Acid Mating Call

Martin Buttrich - Mischievous Pixie

White surface ( Original ) - Nils Hess

With three decades of dance music heritage to his credit, and a passion for music that is as infectious as his grin, it comes as no surprise that DJ and Producer Nils Hess knows a thing or two about getting the party started. Nils Hess label owner of Eukatech Records which started in 1996 and become Independent Record Label of the year in 2001 at the Muzik Magazine awards and is also a monthly resident of Supernova, the monthly club /promotion night at the Egg London King Cross. 
It is great to see Nils Hess making music again this time for Martine Record’s this track seems to have all the finest ingredients to get a dance floor moving. With a hook that entices you into the musical journey and the acid line which has a grin bigger then an Acid smiley, and with the vocal so lush, focusing on a white Surface and people making Love, what more can you ask for. Enjoy..

White surface (Siblings remix) - Nils Hess

Yet another awesome remix from the Siblings team, “White Surface” takes you to an epic musical odyssey throughout fat bass line, captivating samples and technical sound effects. Definitely another killing tune made with the Siblings unique avant-garde style.

That one is to drop when the dance floor is reaching his high temperature peak! Boom!

Don't be shy ....and give us some feedbacks .. Feels good after a finished job ...

Out soon....

White surface (Siblings remix) - Nils Hess mp3

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.