Out on all platforms this Friday 7th May :)

Calabasa - Who's The Blacksheep 

Label: @oddpleasuresmiami
Release: ODP005

ODP005

Download!

Who's The Blacksheep (ODP005)

Basti Grub - Cats & Dogs (Martin Buttrich Remix)

Pornbugs - Limon (Mihai Popoviciu Remix)

Poema De La Noche

Lost.Act - Poema De La Noche (Calabasa Remix)

Beatport

Nic Fanciulli vs &ME - Feel It

Asylum _ Einzelkind & Christian Burkhardt

Early Bird (Mihai Popoviciu & David Delgado)

https://definitive.lnk.to/DEFCLAS017

Kate Simko reworks ‘House For All’ on Definitive Recordings. Landing on 14th February 2025, the remix sees Blunted Dummies timeless track reimagined with Simko’s signature groove.

Kate Simko reimagines the timeless 1993 House anthem ‘House For All’ by Blunted Dummies on Definitive Recordings, infusing it with her Chicago-influenced sound. Known for her unique blend of electronic and live instruments with Classical, Jazz, and House influences, Simko infuses the original’s stripped-back, euphoric essence and anthemic vocal chant with a pulsing electronic edge. With breaksy overlays, a dynamic House beat, and a hypnotic visceral breakdown synth line inspired by Jamie xx, she delivers a modern twist on the beloved classic, keeping its core message intact through both sound and lyrics.

Kate Simko’s ‘House For All’ remix drops via Definitive Recordings on 14th February 2025.

https://definitiverecordings.com

House For All (Kate Simko's Switch It Up Remix)

if you wanna be informed about Nick Curly´s new releases, dates and more
check his "official bandpage".

http://www.facebook.com/nickcurlyofficial?sk=app_178091127385


Nick Curly - new town stranger - Cocoon Recordings 2009 (Vinyl only)

Artist: Mihai Popoviciu
Title: Backsoul
Label: Intacto Records (INTAC035)
Vinyl & Digital Release: 10 October 2011

TRACKLISTING:
A: Backsoul
B1: I lead you
B2: Ain't no more
 
BACKSOUL: Beats slide forward, then pulsate back while the organic deep trippy vocals warmly propel you to a good place.

I LEAD YOU: Get deep and dirty with this energiser, packed with digital riffs and vocals to move you. 

AIN'T NO MORE: Smooth and deep for some leisurely lovin' and funkin' on the dancefloor in the early morning hours. 
 

Mihai Popoviciu - Ain't No More [INTAC035]

One could say, &ME is following quite big footsteps when naming the A1 on his new keinemusik-release “Purple Rain”. On the other hand: Prince’s shoe size might measure a decent 4,5. That’s not even big enough to collect the plaster that will crumble from the ceiling after igniting this very floor epiphany. With this tune, &ME is following the path of reduction and straightness, he already opened with his preceding releases. We’ll find explicitness in its lyrics, claps as gratifying as in an enduring spanking session and a carpet of white noise that could be modeled after the addressed rain shower or maybe even after a smearing broom, that’s clearing the traces of sweat and the juice of arousal “Purple Rain” most definitely will leave on the dancefloor.
With “Glaced” on the flipside, &ME is taking three minutes to build it up spectacularly, just to change plans abruptly and throw it into another, quite unexpected direction. The then occurring and ongoing bassminiature won’t leave your head for some time to follow, that’s for sure. Let alone your legs. 

&ME - Purple Rain

Tripmastaz AKA Andrew Guyvoronsky debuts for Cadenza Lab with the ‘Blossomz’ single; a trio of heady club cuts that typifies his hypnotising house sound and knack for the perfect groove. 

Originating from Moscow’s music scene, and slowly emerging as one of the more renowned Russian producers to influence global labels, Andrew has released music for Richie Hawtin’s Minus imprint, DJ Sneak’s own Magnetic Records, as well as other appearances on Cécille Records, Desolat and Shanti, all proving fantastic platforms for his minimal sound and guided musical expressions. 

Aside from his productions, Tripmastaz who runs his own label, 74 Records, has also held a residency at the impressive rooftop party Techno Gipsy since 2013, a further accreditation to his career as a Producer and DJ. With an illustrious remix career to match, collaborations with DJ Sneak have pushed him toward close affiliations with the House Gangster Movement and the funky side of house music so clearly important to his work. 

Lead track, ‘Blossomz’, opts for a captivating percussive groove, whilst vocal samples are put through the wormhole to create rhythmic effects; fans of Mountain People/Sasha Dive will lap up this vibe for sure.  ‘Sublimely Relieved (Cuban Linx)’ raises the energy level somewhat; a snaking bassline slithers around the crisp drum pattern seductively, as light keys sprinkle over the dubby house sound.  A ‘Bass Dub’ is also offered up, offering an alternate take to round off the release with added weight.

Blossomz

Buy Bandcamp

Tripmastaz - Blossomz (CAL031) [teaser]

Legendary original from Jelly For The Babies, released back in 2012., in few days became a part of Beatports Top 100 progressive house originals. Now, after few re-editions, "Johannesburg" gets its deep edition, with the remixes from Daniel Meister and Dmitry Stelmakhov!

Johannesburg Deep Edition - The Purr

Johannesburg Deep Edition

Download

Jelly For The Babies - Johannesburg (Daniel Meister Remix)

RESIDENT ADVISOR podcast no. 323 - tINI - august 2012

Martin Buttrich - Mischievous Pixie

Davide Squillace & Martin Buttrich - Mishima

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

\/ \/ \/ MY OTHER SET \/ \/ \/
http://soundcloud.com/makhan14/swaggajackah

Martin Buttrich - Mischievous Pixie

Martin Buttrich

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