deep tech tech deep

Buy/stream: https://kompakt.fm/releases/speicher_131

We’re kicking off the new year in style with a fantastic new double header by RAXON. This Egypt-born, barcelonese powerhouse has left his scent marks all over the place in recent years. He has developed an instantly recognizable sound and that’s no small feat in these times shaped by so much formulaic dullness. “Your Fault” sees our Catalan hot shot in an exuberant disco mood. Mind bending chord progressions foiled with Raxon’s trademark vocal stutters guarantee for wonderfully twisted hands in the air moments. With “Beskar” we’re entering Star Wars nerd territory. Jedipedia says, Beskar is a uniquely resistant iron that develops a wide range of properties - and colors - in the hands of skilled metalsmiths. Alright. Musically speaking, we’re dealing with a stealthy, funky as hell trance-not-trance juggernaut. 2024 is off to a good start!

Speicher 131

Your Fault

Raxon - Your Fault

Taken from "Chinese Whispers" the Rumors Sampler.
Out Now on Rumors on Digital & 12"

Beatport: bit.ly/siaconnec

Juno: http://bit.ly/chnwhspjuno
Phonica: http://bit.ly/1ySrm9x
Deejay: http://bit.ly/1xlmEpu

Konrad Black & Martin Buttrich - Siamese Connection (Preview)

Out 16th March via @ausmusic

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www.twitter.com/tomdemac

Smoke Stained Ivories

Guilty Measures

BROWNZUGAR - Afro House Session Miami (12)

A DEEP HOUSE MUSIC TRACK WITH ELEMENTS OF NY CLUB SCENE.

LOVE HAVING YOU AROUND(NY CLUB MIX)

♫ See more ♫:
http://www.deephouseamsterdam.com/london/full-premiere-dj-honesty-schillerkiez-burnski-remix

Hailing from Cologne, Hans Schaaf first release as Honesty was in 1995 via Space Teddy Recordings.

Since then Schaaf moved to Berlin, performing as part of an improv-jazz band named Gelee Royale, as well as focusing on producing club music under various monikers. Schaff’s best-known pseudonyms, such as Honesty, Honeydrop and a duo named Slope alongside Cabinet founder Daniel Paul, have collectively released on the likes of Room With A View, Cabinet and Sonar Kollektiv.

Burnski is by no means the fresh faced new comer he looks. Despite still being relatively young, he has actually been toiling away, building up an enviable discography and laying down fierce DJ sets for a whole decade and a half. Right from the off he began making a big impact with early releases and has continued to quietly but competently build up momentum ever since. The upshot of this is that he is now at the point where he is a mainstay on the underground scene around Europe and beyond.

As a DJ, Burnski aims to mix the old with the new, is still a passionate vinyl hoarder and spends plenty of time digging deep for sounds and styles a mile away from the ordinary: if he didn’t, he wouldn’t be able to boast regular gigs at places like DC10 in Ibiza, Fabric in London, Rex Club in Paris and Watergate in Berlin, all of which find him weaving together tracks that make you want to dance as well as making you feel something deep down inside.

In the wake of early, standout career hits, Burnski is now crafting darker, more stripped back and rawer output. Today, we premiere Burnski's hypnotic interpretation of DJ Honesty's 'Schillerkiez', featuring a low-slung groove and added vocal to the already infectious synth hook.

‘Schillerkiez’ EP is available on Vessel Records on 5th October 2015.

♫ See more ♫

Full Premiere: DJ Honesty - Schillerkiez (Burnski Remix)

Review :
http://recordeep.fr/review-paolo-rocco-lessi-s-havantepe-moment-of-serenity-bergamon06/

@rogergerressen
@havantepe
@berg_audio

Support&Buy

Premiere : Havantepe - Passing by (Roger Gerressen Remix) (BERGAMON06)

Martin Buttrich - Hoochie Mama

Martin Buttrich - Rocket

Martin Buttrich - Magic Market

Martin Buttrich - Fireball

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

Get it here

H&T04 Robag Wruhme - Wuzzelbud FF

Robag Wruhme - Lampetee (2009)

Martin Buttrich - Hamuda

Rare Dance Disc

Ketamine Boogie

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Rocket

Martin Buttrich

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