A: Mark Broom & Brothers’ Vibe – “Mind/Feeling” (youANDme EDIT) – [2015 Master]

Cat: CUTZ#5

Releasedate: 16.02.2015 

Infotext:
CUTZ#5 features one classic youANDme EDIT of Mark Broom vs. Brothers’ Vibe which was a big club hit back in the days. We realized that this timeless track was not available anymore and that’s why we decided to re-release it again with a better mastering by Markus “Gaetano” Müller at Perla Audio.

Mark Broom Vs. Brothers Vibe: "Mind/Feeling" (youANDme EDIT) / CUTZ#5

Available my new releae on Houph label, thanks to all for the support! enjoy it!

Traxsource

Deephope - Retry (Original Mix) [Houph]

chris llopis Mustard

the courtesan club

Haiti Appeal Project

Doiicie A

Martin Buttrich - Back It Up

Martin Buttrich - Hoochie Mama

Martin Buttrich - Song Six

Martin Buttrich - You Must Be This High

John Tejada - Paranoia

CONNECT WITH: @joytoy

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Pets welcome new friend Joyce Muniz to the menagerie! 

Brazil-born/ Vienna-based and bad to the bassline bone; Joyce’s cuts on the likes of Gigolo, Gruuv, Exploited and 2020 Vision have established a pedigree for uncut house grooves since she levelled up from DJ to producer in 2010. Ten years deep in the craft, every record shows a new side to her. Especially these…

‘Glass Mistress’ sets the stark, stripped-back tone for the collection. Writhing and flexing in some late night 80s neon dungeon, there’s an added sense of barbed tech noir as the stern processed vocals stalk around a rifle-like arpeggiated bassline. ‘Trapped’ follows. The darkest track of the collection, there’s a strong stench of 90s warehouses and fields in the middle of nowhere as a big bass riff does all the talking. Heads down, hands up, this captures the essence of the music that’s brought us all together in the first place.

Finally ‘Naughty Party’ maintains the togetherness but in a much more mischievous way with a classic electro-style bassline, synth-tom percussion hits and eerie chords. Naughty by name, heavy by nature; Joyce has delivered something special right here.

Glass Mistress

Joyce Muniz - Trapped

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Song Six

Martin Buttrich

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