Simple Tunes - Part 1

E - Part 1

House / Techno & More - part 3

De lijst - part 2

Heligoland

Paradise Circus (Gui Boratto Remix) [feat. Hope Sandoval]

Taken from the new EP ‘Salamander’

Out now on vinyl and digital

Decks: bit.ly/13rxvit
Juno: bit.ly/16tzoaE
DJ.de: bit.ly/188FYGY

'Salamander’ Tracklist

A-1. Salamander

A-2. Moon Ride

B-1. Beautiful

B-2. Lazy Bones


Daniel Steinberg - Lazy Bones

Stoned Autopilot / Oblique

Stoned Autopilot (C2 Version)

GusGus - Crossfade (Maceo Plex Mix)

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam’s stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo’s that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks each, consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode’s core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Dustin Zahn - The Unfailing Light - Drumcode - DC128

Can you believe it? Fall of 2014 marks the 20TH ANNIVERSARY of YOSHITOSHI, the seminal record label founded by Deep Dish in 1994. To celebrate, we are bringing the classics back, remastered and with new remixes from an amazing group of heavy hitters from all corners of the dance world.

Given that Yoshitoshi’s roots are ingrained in house music, it’s only fitting to start the #YoshiClassics campaign with Eddie Amador’s “House Music”. A true Yoshitoshi classic released in 1998 that went on to become a global phenomena. The hypnotic rhythm and infectious “Not Everyone Understands House Music” has become the preach anthem for generations of dance music lovers.

Already played by the likes of Carl Cox, Sharam and many more..

#YoshiClassics

Eddie Amador - House Music (Uto Karem Remix) [Yoshitoshi Recordings]

Out Now:
iTunes - bit.ly/DuskyLTO
Beatport: bit.ly/bp-love-taking-over

Vinyl
Juno : http://www.juno.co.uk/products/dusky-love-taking-over-ep/539996-01/
Phonica : http://www.phonicarecords.com/product/dusky-love-taking-over-ep-17-steps/123508
Redeye : http://www.redeyerecords.co.uk/vinyl/53685-17steps001-dusky-love-taking-over-ep
Deejay (De) : http://www.deejay.de/Love_Taking_Over_Ep__151209

The Next Step (Autumn Winter Tour - Extended Four Hour Sets): 
www.duskymusic.com

www.duskymusic.com
www.facebook.com/Duskymusic
www.twitter.com/Duskymusic
www.instagram.com/duskymusic

Love Taking Over EP

Inta (Original Mix)

iTunes

Had a play around with this Seekae jam

www.facebook.com/flumemusic
www.flumemusic.com
@seekae
www.facebook.com/seekaemusic





Seekae

Seekae - Test & Recognise (Flume Re-work)

One of two tracks we did with the musicians of the Dortmunder Philharmonics.

Super Flu & Dortmunder Philharmoniker - Volkwein

Whomadewho - Heads Above (Maceo Plex Remix)

Noir Music favourite Olivier Giacomotto blesses us with another stunning EP on Noir Music and this time he teamed up with legendary Kiko who has been one of France biggest underground names for years where he has been djing and producing music since 1990.
2 true talents put their minds together and give us this excellent 2-tracker. Beautiful Place is the melodic and dark track that picks up nicely from Olivier Giacomotto's recent success “Bipolar Star”. Reckless is pure club heaven with its straight up and relentless groove. Classic floor functional stuff to keep the dancefloor's burning.

Kiko & Olivier Giacomotto - Beautiful Place (original Mix)

With his last EP offering on Keinemusik, &ME displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. You would think, such an universal and inexhaustible tune as this very “After Dark” can only be a lucky hit. But no, he’s knocking out the classic material just like that. Another example? Catalog number KM028, his brandnew “Trilogy” EP.
The titletrack on A initially places a synth arpeggio behind a kick that in dryness is hardly to excel. The beat of "Trilogy" is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &ME even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. Sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd.
On the flipside, “Woods” is living up to its name from the very beginning. Woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. And once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. Add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a B-side that’s actually more of an A-competitor.

Buy at Beatport

&ME - Woods (KM028)

Just you and your consciousness, enjoy :)

Solomun - Cloud Dancer (Manuel Turs Syphon Drum Mix)

Last Time

The Inevitable End

Here She Comes Again

What I Might Do

What I Might Do (Club Mix)

Parfait Tirage b/w La Ballade de Jim

La Ballade de Jim

Loom

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.