My Own Wolrd Vol.2

After Midnight

http://www.beatport.com/release/i-might-have-broken-ur-heart/1323305

VIDEO: http://youtu.be/gwxKH1XkNgo

Original version from the album CODON: https://itunes.apple.com/us/album/codon/id882221477

soundcloud :: https://soundcloud.com/FLAUNT-THE-MUSIC
facebook :: https://www.facebook.com/flauntlife
twitter :: https://twitter.com/flauntlife
website :: Flauntthemusic.com

Mastering by Glenn Morrison at Alpine Mastering

Flaunt feat. MyLyricalMind - I Might Have Broken Ur Heart [James Teej Remix]

Show B-dem atmos

Vinyl & digital release date: 27.10.2014

Pre-order the 12" here: www.water-gate.de/label/WG-Vinyl020.html

The first of a two-part package of exclusive material from the 17th edition in the Watergate CD series is from none other than the duo who commanded the mix, Pan-Pot. Making it even more special is the fact that both tracks are collaborations with two heavy hitting names in the industry from completely different sides of the musical spectrum: Slam and Vincenzo.

On the A side we see Pan-Pot and Slam do a techno burner with 'Conductor'. This shouldn't come as any surprise as both are well known for their heavy peak time club anthems. With driving hi hats, crisp snares and a thumping kick drum, the solid foundation is laid for the craftsmen to build the rest of their masterpiece and it begins with dark, reverb heavy stabs. Slowly a monotonous yet psychedelic tone takes grip and the stabs come again. This time more frequent and building in energy before getting to the break where the white noise grows and the tension builds. With just a few perfect elements it only takes removing a few pieces and then giving them back at the perfect time to instill a massive 'hands in the air' moment.

The flip side offers another vibe which rounds out the EP perfectly. It was in 2007 on the Pan-ORama album that we last saw Vincenzo and Pan-Pot together for 'Faces'. With 'Fiction Inc' we see both artists’ styles shine through. A warm deep sub bass grabs your attention while washes of glittery synths pan the background setting the stage for the lush key work that Vincenzo is synonymous for and the sinister bleeps that scream Pan-Pot. Finally the feature element reveals itself; a mix between dark and uplifting chords that resolve each cycle of the other elements finalizing in a cohesive, driving, emotional ride.

Pan-Pot & Vincenzo - Fiction Inc

Oufman 433

Apple: apple.co/2bO9bCj | Beatport: btprt.dj/2c6rWQi | Spotify: spoti.fi/2c9gsNJ

Pre-order 8-track: bit.ly/8-trackKDIS

www.facebook.com/KneeDeepInSound
www.facebook.com/cristophmusic

Cristoph - Closer (feat. Jinadu) (Dub)

Out Now on Digital & 12" Vinyl: TurboRec.lnk.to/crazydream
Release date: June 16, 2017

When Steve Lawler first sent us “Crazy Dream,” he told us that he had made the record “specifically with Turbo in mind,” thus sending us on a quasi-lucid journey down a rabbit hole of self-discovery from which we have only recently emerged. 

Most labels would simply talk up a nuts-to-the-wall floor-filler with a killer “White Horse” bassline from an acid house legend and be done with it, but the fact remains that if we forgo an opportunity to learn more about ourselves as dance music imprint, we are doing our fans a disservice whether they could possibly be expected to realize it or not. 

We hired a board-licensed Forensic Poet to parse the track’s lyrical references to nothing being “quite as it seems,” “feeling naked and confused,” and rising above “the push and shove.” What was he trying to tell us? The poet assured us that all it meant was that Lawler admires Turbo and thought the track would be a good fit, and that we should put our clothes back on, wipe the confused looks from our faces, and stop pushing and shoving one another because everything was exactly as it seemed. We paid him his $25 and did as we were told.

For the remixes, we took a track made especially for us and enlisted a diverse cast of Turbo All-Stars to spin it into a release for everyone, a proprietary practice we call "Human Alchemy: The Future of Generosity™.” Finland’s Jori Hulkkonen, Belgium’s Charlotte de Witte, and Argentina’s DJs Pareja trace a beautiful global triangle for lovers of acid bangers, stripped-down techno, and tripped-out weirdness, respectively. At Turbo, giving party people what they need is more than just a crazy dream. It’s a crazy reality.

Tracklist:
01 Crazy Dream (Original Mix)
02 Crazy Dream (Jori Hulkkonen Remix)
03 Crazy Dream (Charlotte de Witte Remix)
04 Crazy Dream (DJs Pareja Remix)
05 Crazy Dream (Instrumental Mix)

Out Now

Steve Lawler - Crazy Dream (DJs Pareja Remix)

Martin Buttrich - Stoned Autopilot

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.