Tactonico o despertar 4.m4a

An electronic instrumental representing a pack of wolves pursuing their prey across the landscape.

The Pursuit

The morning after
Having broken rules to join
Other sincere hearts

::

Original music & haiku poetry by Bob Weathers

Breaking Rules

We've assembled an all-star crew of artists to remix an incredible original by Active Child. Everyone truly brought their A-game, and the results speak for themselves. Many timeless dance floor moments are sure to come from this release. MDK is a new project by someone responsible for some of the most iconic tracks in the past 10 years. The man behind it is none other than Matthew Dekay (@MatthewDekay). Joining him is another legend, known for his emotional and unique approach, someone taking a no-compromise approach to production and sound quality, a man that needs no introduction - @Stimming.

As chance would have it, a couple more of our dear friends wanted to join this project, upon hearing about it, quickly turning it into a mini-album. @Dave-DK's Pacific Ride is a melodic journey, while his stripped down Topanga Dub goes into darker territory. This one will be right at home in the desert or a warehouse, just the way we like it. @Pablo-Bolivar rounds things out with a serious four to the floor jam, alongside a nostalgic ambient version that serves as a perfect closer to this remix EP.

Original artwork by Jeff Sullivan.

Tracklist:
01. Active Child – Johnny Belinda (MDK Remix)
02. Active Child – Johnny Belinda (Stimming Remix)
03. Active Child – Johnny Belinda (Dave DK Pacific Coast Ride)
04. Active Child – Johnny Belinda (Dave DK Pacific Coast Instrumental)
05. Active Child – Johnny Belinda (Dave DK Topanga Dub)
06. Active Child – Johnny Belinda (Pablo Bolivar Celtic Soul Remake)
07. Active Child – Johnny Belinda (Pablo Bolivar Rainy Ambient Version)

Johnny Belinda Remixes

Active Child - Johnny Belinda (Dave DK Pacific Coast Instrumental)

www.facebook.com/evabe.dj
www.facebook.com/hafendisko
www.youtube.com/hafendisko
www.twitter.com/hfn_music
www.hfn-music.com/hafendisko

Eva Be has been a defining presence on Berlin’s music scene over the past 20 years. Being an integral part of the Sonar Kollektiv crew since the early days, her style has spanned multiple genres and moods, ranging from trip hop, dub, experimental electronics through to house and elements of techno. Here, after a couple of outings on Poker Flat Recordings, Eva joins hafendisko with three tracks that perfectly encapsulate her eclectic, funky style. 
This Is Be. E. ratchets up the tempo for a more direct reaction - Eva’s exceptional sound design provides a track full of flavour and nuance - while hitting hard enough to keep any dancefloor on its toes. 
The Way is a rolling dubby house track - the driving groove is coupled with trippy delays and drum fills. 
Elbows also experiments with echoes and space - a minimal groove supplies the basis for dubbed out spoken word vocals before a thick bass line kicks in.

This Is Be. E.

The Way

Eva Be - The Way

My Stoned Autopilot reprises of 'Wild Slide' by Better Lost Than Stupid are out nowwww! Stream/download: skint.lnk.to/wildsliderepriseWE

Overboard - Reprise

CP094: Lorenzo Dada - Very Personal EP

2. Very Personal (Clarian Remix)

CP094: Lorenzo Dada - Very Personal (Clarian Remix)

Levante

RAVE EN LA WEB guest mix by Mystery Affair
04 - feb - 2021
@hemysteryaffair

stream RAVE EN LA WEB here:
get.yotelco.com/HCpd9sxQmdb

RW002 - Mystery Affair

(Value 3.4) You Didn't Say Anything

Evil

Recognition

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.