Release Date: 22.07.2013

Artist: Pele & Shawnecy
Titel: Chrome Digits EP
Release: COR12106 
Release Medium: 12", Digital

Tracklist: 

(A) Can't Wait / (B) Can't Leave /  (digital only) You And Me

Cocoon Recordings welcomes Pele & Shawnecy for his Cocoon 12" debut. Without any doubt the Rosenheim resident is one of the fastest rising names in Germany. The bavarian tech-house-hero has built up an impressive reputation over the last two years. His driving and testosterone loaded productions and remixes can be found in many top notch dj-sets and charts. Pele is a master of kicking tech-house and his style of incorporating chords and vocals create real peaktime highlights. There is no escape when the sound of Pele kicks in on your PA system!

 

SHAWNECY native Persian, who shows musical fully controversial direction. Michael Jackson's hip, he sings and dances for various chart and show acts, and also working as a choreographer and dancer. Both together started to produce music end of 2010 when Shawnecy moved from FFM to Rosenheim.

 

Their first 12" for Cocoon Recordings is no exception here. With "Can't Wait" they deliver the next peaktime highlight just in time for this years summer season start. Merging house and techno this one should make fans of Harvey McKay, Santos and Guy Gerber happy which makes it a perfect release for us. The Flipside "Can't Leave" slows down a bit and looks more at the deeper side. While "Can't Wait" is a proper peaktime monster "Can't Leave" should work out great on the next afterhour and keeps the party going and going. The right sound to welcome the sun after a hot night... change your sneakers for flipflops and check your mirrorshades and let's start dancing to the beat and bassline of "Can't Wait".

 

The digital bonus track "You And Me" seems to be a dub version of "Can't Leave" at first glance. However the more you hear it to more it starts to progress into an unique and very hypnotic track. One of these tunes that don't let you leave the floor and you wish it would go on and on forever. "You And Me" would be a perfect track to make it into a locked groove at the end of your vinyl... well, if it wouldn't be digi only ;)

Pele & Shawnecy - You and Me (Cocoon Recordings 106)

Stacey Pullen - Any Which Way (Martin Buttrich Red Mix)

if you wanna be informed about Nick Curly´s new releases, dates and more
check his "official bandpage".

http://www.facebook.com/nickcurlyofficial?sk=app_178091127385


Nick Curly - new town stranger - Cocoon Recordings 2009 (Vinyl only)

Fossil [Minimal Groove Concept]

A standout cut from the Ballroom Records catalogue, Muskat by Matakan is now featured in TEN: The Archive Series, Pt. 5 — a chapter celebrating the more melodic and house-driven side of our sound.

Defined by warm grooves and emotive atmospheres, the track highlights the refined, melo side of Ballroom’s Melodic House & Techno identity.

Enjoy listening!!!

TEN: The Archive Series, Pt. 5

Muskat

No Train To Akasaka EP

No Train To Akasaka

UR - Transition (Mihai Popoviciu Bootleg) | Axel Boman - Cinquenta [Without Wax Mashup]

Buy it here --> beatport.com/release/little-helpers-320/2232643
*Two weeks later in all other shops
Stream full tracks on YouTube --> https://www.youtube.com/user/littlehelpersrec

Kevin Toro & Vanguardist - Little Helper 320-3

Martin Eyerer - a cherry blossom (Benny Grauer Remix) (BluFin 095)

Gorge is currently in top shape! His last two EPs on 8Bit and Oliver Schories new label Pracht, reached number 1 in the Beatport Deep House Charts. Now he's back on Still Hot with another bomb.
Beyond Flatlines is a deeply groovy, beautifully built up track that will be released just in time for the upcoming open air season. To top it all off, the legendary live act Der Dritte Raum contributes a massive remix. Hypnotic, playful and powerful are words synonyms with the remix as it is crafted for peak time Festivals.

Beyond Flatlines EP

buy here

Beyond Flatlines

Davide Squillace & Martin Buttrich - Mishima

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Stacey Pullen - Any Which Way (Martin Buttrich Red Mix)

Martin Buttrich

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