Stacey Pullen - Any Which Way (Martin Buttrich Red Mix)

Poema De La Noche

Lost.Act - Poema De La Noche (Calabasa Remix)

Peace Division - Eh Oh Um [Tsuba030]

thodoris triantafillou and cj jeff feat chris tatchell - not only u (original mix)

Jacob Phono & Jens Bond - Hal 9000 [AREA047]

I Could Be The One (Frenchy Edit)

like that!

like that - thiago & guru mstr

Pirupa - Trust (Gregorythme Remix)

Collaborator 002 is Guti. 
OUT NOW ON BEATPORT - http://pro.beatport.com/release/new-game/1757795
PRE ORDER ON VINYL - http://www.juno.co.uk/products/martin-buttrich-guti-dj-tennis-new-game/616437-01/

Download 

Martin Buttrich & Guti - New Game (Collaborator Series 002)

This is the remix record of the great album burning boats (normoton 32) by the electronic indie project pupkulies & rebecca (Wolf + Lamb or Acker Rec.). On side A you will find a wonderfull 12 minutes remixtrip by Masomenos and on side B there are some different remixes by youANDme (Platzhirsch) and Someone Else (Foundsound).

Pupkulies & Rebecca - Burning Boats (Masomenos Remix)

Number eighteen on San Francisco’s Manjumasi showcases a pair of deep, groovy productions from the Miami-based Postrel brothers, m.O.N.R.O.E. + Adisyn. The title track “Acid Mating Call” is a deep, seductive tune with an absolutely hypnotic melody. Despite the soft and gentle tone, this one is irresistible on the dance floor. Next up is “Terminal Bliss,” which showcases the darker side of this duo’s sound, with a more melancholic groove punctuated by deep chords, with a mystical melody that floats off in the distance, alluring but just out of focus.

The first remix comes from UK veteran producer Martin Iveson aka Atjazz. His “Galaxy Aart Remix” of Terminal Bliss is an incredibly lush and ethereal take on the original. Galaxy describes the tone of this remix well, with a super spaced-out vibe and a wide soundfield that washes over the listener. Luscious percussion fills out the mix, with a simple but beautiful vocal hook anchoring the humanity of this mix.

Rounding out the package is a remix of Acid Mating Call from Ultrastation, the new techno collaboration between Cosmic Force and Nuno Dos Santos. Their remix puts the Acid in this Mating Call, a late-night techno stomper with swirling dubbed-out reverbs and delays layered over staccato synth stabs, and a trippy synth breakdown that breaks into pieces just before returning to a potent, powerful groove.

Follow: @m-o-n-r-o-e @adisynmusic @atjazz @ultrastation
Like: www.facebook.com/manjumasi
Cover art by Nathan Kanner: www.instagram.com/nkanny/

Acid Mating Call EP

m.O.N.R.O.E. + Adisyn - Acid Mating Call

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.