I extracted 6 parts from an old track of mine. These are initially exposed in sequence, subsequently the processing was done by altering exclusively the speed and duration of each part. The piece from which I extracted the 6 parts was built with csound, the subsequent reworking was also done with csound and then mixed with audacity.
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More on this 629th weekly Disquiet Junto project, Jigsaw Logic — The Assignment: Break a piece of your music and put it back together again — at: https://disquiet.com/0629/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0629-jigsaw-logic/

Cigolwas - Disquiet0629

disquiet junto 0637
adding to Andreas Kitzmann's beautiful track 0636short
===========================================================More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/


disquiet0637_shortly

I added to Repet by @ActorNetwork and @Caustic_Gates - just a few synth notes and part of a field recording (by @tuit). Many thanks for letting me work on this and to @disquiet for organizing this lovely project. Countless hours of fun - and a lot of interesting music!

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Disquiet0638 - Repet(ition) (with Actor Network and Caustic_Gates)

REEKYOD

This track was created for the Naviar Haiku Music Challenge in April 2024. The haiku is by Shinkei.

Autumn Streams

Autumn Streams (naviarhaiku537)

More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/

This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit60 years ago, back in 1964.

A Stone Aging (disquiet0643)

Recorded by DD on the night of April 25th to 26th 2024.
Samples, voices, cello, treatments.

For this junto:
https://llllllll.co/t/disquiet-junto-project-0643-stone-out-of-focus

ageless stone (disquiet0643)

‘coitus more ferarum’
Track created for the Disquiet Junto Project. http://www.disquiet.com
0645 = Speed Trap. Record something, slow it down, and then record over it.

Landing at Roissy.
The 'something' is a single note repeated by Loquelic Iteritas Percido.
The 'volte-face' is played by Basimilus and Pluck.

Tools :
Logic X > uMidi > Pam’s >> Marbles, SIG.
Loquelic Iteritas Percido > DSP.
Basimilus Iteritas Alter > Desmodus Versio.
Pluck > Data Bender > Monsoon.
Rnd Step, Batumi.
Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

****

More on this 645th Disquiet Junto project ("Speed Trap. Record something, slow it down, and then record over it") at:
https://disquiet.com/0645

More on the Disquiet Junto at:
https://disquiet.com/junto/

Project discussion takes place on https://llllllll.co/

Associated image : Petrus Major.

Volte-Face [disquiet 0645]

this orchestra is empty in several senses of the word, being made entirely out of morse code, MIDI, raw data, and human folly.

i converted the words "Disquiet Junto Project 0646" to morse code and used the resulting MIDI files to trigger a jazz kit in ableton: Disquiet (kick) Junto (hats) Project (snare) 0646 (toms). for "empty orchestra" i used archive.org to download an ISO file of a karaoke "Video CD" and imported it into audacity as raw data. confession: the first file i found was "The Hits of Barry Manilow Karaoke VCD" - so be it. his classic "i write the songs" provided the resulting screeches which i fed through neural dsp nolly for two channels of harsh noise.

i gave myself 60 minutes to complete this project, but came in at 80 minutes. in my defence, i had to do the laundry while audacity was converting manilow, so i think i ran up 75 minutes total. thanks, barry, you really do write the songs.

MORE DETAILS AT:

https://llllllll.co/t/disquiet-junto-project-0646-empty-orchestra/

[disquiet0646] empty orchestra

memories of concert walls

Long after the orchestra went from stage, the audience left the concert hall, the room has been cleaned: the walls still hold their musical resonances. Together with electricity, pipes, screws, wood and stone we listen to this phenomenon.

Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” 

More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

memories of concert halls

memories of concert walls (disquiet0646)

More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

The depicted theater in the cover image is the Teresa Carreño Cultural Complex in Caracas, Venezuela.

Orchestra Of Emptiness (disquiet0646)

Other sounds at http://ccmixter.org/people/softmartin
and on YT a synthesizer version of IN C
https://www.youtube.com/watch?v=Gx-5G1dvy3o

The Rigs involved cooperation with various musicians; in particular
Melanie Creighton ( steamengines & synthesizers)
Manuel Mario Celeste ( vcls, viola, gtr, synthesizers)
Mortimer Craddup ( bass, drums)
Carlos de Rimini : Drums, drum programming

disquiet0637_shortly

martinsea

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