Nice mix of experimental and melodic style. Great soundtrack

Cycle "Pour ne plus taire" (2e pièce)

Je marche sur des sentiers battus
C'est plein.
Plein de vide et de mots non dits.
C'est là.
Et tu n'entends pas comme c'est.

Cette pièce s'inscrit comme le second volet, électroacoustique, de la pièce documentaire "Pour ne plus taire les jours où". Elle entre en résonance avec une série de paroles de femmes écoutées et collectées autour de l'incorporation du sexisme et de la culture du viol. Elle cherche à faire entendre les strates de silence accumulés depuis des années, à les creuser jusqu'à ce qu'elles percent et laissent jaillir les colères enfouies.

Concert sur acousmonium à la Cité de la Musique de Marseille, Tintamarres#17, 17 janvier 2022
Diffusion au Café de la loire, programmé par Kiosk et Ultra Sonore, Label Fair Play, 18 juillet 2021

Pour ne plus taire / https://auderabillon.wordpress.com/pour-ne-plus-taire/

image©Aude Rabillon

C'est. Et tu n'entends pas comme c'est

•••sunnken eyes••• [sunnk •weak brace• zensphere mbc13.1 edit]

Mythologies

Circular

https://rimetrails.bandcamp.com/album/spaces-of

Spaces Of

No Land

Two tracks of Sequential Trigon-6, running through the upcoming ValhallaRoom update. 

The bass/chord track is using ValhallaRoom's new Space parameter to create a rhythmic echo, by routing feedback around the predelay and early reflections. As the track progresses, the Space parameter is turned up to increase the feedback, the Depth control is increased to add more reverb, and the new Low Cut parameter is turned up to thin out the lower frequencies in the reverb/echo.

The lead track is running through ValhallaRoom, with Space turned up high and a longer Early Size, to create a reverb based solely around the Early Reflections. The Depth parameter is set at 0%, which means we are only hearing the Early section of the reverb.

Valhalla Room Space Demo

Dreams

untitled

AWARDS:

- FIRST PRIZE DESTELLOS FOUNDATION 2019 [Argentina]
- PRIZE FESTIVAL EXHIBITRONIC 2018 [France]
- LAUREAT BANC D'ESSAI 2018 | INA-GRM [France]
- HONORARY MENTION MÉTAMORPHOSES 2018 [Belgium]
- TERESA RAMPAZZI PRIZE | ASSOCIAZIONE DI INFORMATICA MUSICALE ITALIANA | XXII CIM 2018 [Italy]

Astérion

Astérion [2018]

Original composition by Martin Stig Andersen

From 'Control' developed by Remedy, published by 505 Games, 2019

Sound artists: Nicolas Becker, Katrine Amsler, Daniel Porcelli and Emilie Søgaard

Vapour (from Control)

Observer (from Control)

Counterfeit (from Control)

Martin Stig Andersen is a composer and game audio specialist, with his background in electroacoustic composition influencing his approach to game audio development and implementation.

Martin created and directed the audio for LIMBO and INSIDE, followed by focusing on interactive composition when scoring titles such as Wolfenstein II: The New Colossus, Control, and the recent release Back 4 Blood.

He was involved as an ambient music designer on Shadow of the Tomb Raider and has recently remastered the audio for Thekla’s upcoming Braid, Anniversary Edition.

Martin’s work has earned him several international awards, including two D.I.C.E. awards for Original Composition and Sound Design, respectively, and a Game Developers Choice Award for Best Audio.

Counterfeit (from Control)

Martin Stig Andersen

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