Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

The Soldier Thread is an indie pop-rock quintet hailing from Austin, Texas. Having been only patched together since late 2007, the ensemble has already undergone quite an alteration in style. Todd Abels (guitar, keyboard) and Justin McHugh (keyboard, guitar, backup vocals) set out from ambient origins to weave in the missing pieces. Close ties to Patricia Lynn (lead vocals, keyboard) and Drew Vandiver (drums) allowed for an easy joining of loose ends. With Chance Gilmore (bass) eventually completing the chain, the group began to play shows in and around Austin, as well as throughout Texas. The release of In Spades in 2010 marked a shift from true indie sound to more polished, pop-driven tunes. The band went on their first national tour in May 2011, opening for Blue October, and landed the 101X Staff Pick with self-released single "Anybody." The integration of producer Dwight Baker served as the anchor stitch to complete the composite the group currently finds themselves in. Rumors of this particular trend unwinding further are validated by TST's present live set.  Additionally, the band has new EP to be released in January 2012.

Contact: TheSoldierThread@gmail.com

Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

Martin Prambs is following