Composer & Multi-Ethnic-Instrumentalist who plays on: Saxophones, duduk, bulgarian kaval, turkish ney, egyptian kawla, yarghul, flute, clarinet, ewi, bansuri, chinese hulusi, dizi & xiao flute, djembe, pandeiro, talking drum, berimbau, caxixi, african agogo bells, shekere ...  
If you'll ever need me for your projects you can contact me here via this page
http://www.sessionexchange.org/#!lucian-nagy/c16s3 or thru the other links bellow. 


I am a composer and computer geek in the cinematic realm. I have been composing for several years for Harpo productions, including the Oprah Winfrey Show, Dr. Oz and the rest of the OWN network.

My love and passion is creating pieces of music that reflect the various themes and genres used in hollywood's greatest films.  My goal is absolute realism in the sound, despite using sample libraries rather than a real orchestra.

My tool chest is, for the most part, the Composer Cloud from Sounds Online.

https://www.youtube.com/channel/UC20qFBnpRC7j2fofqOg8JvA
https://www.facebook.com/LuxZsigmondVagi/
http://sunsetlux.webnode.hu/
Küldj egy emailt a dalunk címével, és elküldöm neked mp3-ban 
fullankguitar@gmail.com

Lorenzo Visintin is a composer, producer and orchestrator from Trieste, Italy. He began studying piano at the age of 12 with private teachers, who introduced him to a range of genres encompassing classical to jazz music. After playing with local bands for a few years, he developed a strong interest in soundtrack music and started composing and studying orchestration. In 2008, he attended the Sacile School For Film Music, a course aimed at training professional score composers and scholars, led by Franco Piersanti (Il Caimano, Habemus Papam), Sergio Miceli and Roberto Frattini.
Throughout 2011, Visintin attended an orchestration class held by the Lizard School of Fiesole, near Florence, under the supervision of teacher Leonardo Pieri, while at the same time studying choral composition and choir direction at the Trieste conservatory "Tartini". He participated in two seminars given by the Norwegian conductor Sigmund Thorp between 2011 and 2012 to explore orchestral direction.

Márton Sipos is following