this is beautiful work,great work on the vocals and guitar

this song would be cool with a guy talking about marijuana  propaganda voice

It's beautiful song. Flute is good. Low voice is good too.

B E L L I S S I M O ❤️❤️❤️❗❣️❣️👏🙏

MUSICIANS WITH VISION ON SOUNDCLOUD 2 @pangaeas_people

"Blue Sea" is a song written by Reins (music and lyrics) and Marzio Pelu (music).
Vocals, guitar and bass: Marzio Pelu
Backing vocals: Reins
Reins' SoundCloud: https://soundcloud.com/reinsing
Cover pic by Linda Xu from Unsplash.com
https://unsplash.com/@rhindaxu

Blue sea

an indie alternative rock tune about a girl called Violet and her struggles with mental illness and psychosis.
Sometimes life just plays games with your mind and you end up somewhere and dont really know how you got there. This is a song about what it feels like when that happens and the uncirtanty of life it self.

I have used both acoustic and electric guitars on this one and my new audient soundcard and I have to say that I'm very impressed with the final result!

The song was originally a singersongwriter piece, it still is only a few things happened in the studio which made it so much more interesting and this is the outcome of that #session 

hope you enjoy this track, much more music coming soon!!

Rain (Violet Talks To White Walls)

The high-pitched, ethereal vocals on Chance Meeting transforms an everyday situation into a dream-like state where the difference between reality and illusion is impossible to discern...

Chance Meeting

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Voyage

"teach" is a self-confident, upbeat rap track about not needing to flex or be flashy with what you have

teach

Littii x Vision Marine - The Last Ones

Cowone - The Other Song With Vocals

Poem: Emily Jane Brontë 

Oddrun Eikli: vocal and vocal composition https://soundcloud.com/oddrun-eikli
Torbjørn Vagle: Instrumental composition, piano, bass, synth, drums&percussion https://soundcloud.com/tobbenv
Arne Hiorth: Trumpet and trumpet arrangement https://soundcloud.com/arnehiorth
Photo: Oddrun Eikli
Cover: Vetle Vagle
Mix: Torbjørn Vagle
Mastering Njål Frode Lie https://www.nflproduksjoner.no/

The mist and the landscape evoke memories of the poet's childhood, and she longs to return to the time when she felt safe and happy under her father's roof. There is also an acknowledgment that a time has passed, and the melancholy that something will never be the same.
Thank you from heart Torbjørn and Arne for this collaboration. 

Mild the mist upon the hill
Telling not of storms tomorrow;
No, the day has wept its fill,
Spent its store of silent sorrow.

O, I'm gone back to the days of youth,
I am a child once more,
And 'neath my father's sheltering roof
And near the old hall door

I watch this cloudy evening fall
After a day of rain;
Blue mists, sweet mists of summer pall
The horizon's mountain chain.

The damp stands on the long green grass
As thick as morning's tears,
And dreamy scents of fragrance pass
That breathe of other years.
Emily Jane Brontë
Emily Jane Brontë (30 July 1818 – 19 December 1848) was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. She also published one book of poetry with her sisters Charlotte and Anne titled Poems by Currer, Ellis and Acton Bell with her own poems finding regard as poetic genius.

Upon The Hill. Torbjørn Vagle. Oddrun Eikli. Arne Hiorth.

Bean Radio Mix 114: Marc Homer

Piano/instrumental composition, and piano: Debra Buesking @debra_buesking
Melody composition for the voice, photo and voice: Oddrun Eikli
Studiowork: Arne Hiorth
Poem: Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Lee Frost (født 26. mars 1874 i San Francisco i California, død 29. januar 1963 i Boston i Massachusetts) var en amerikansk poet. Han ble tildelt Pulitzerprisen fire ganger, henholdsvis i 1924, 1931, 1937 og 1943.

Stopping by Woods on a Snowy Evening. Debra Buesking and Oddrun Eikli.

Lyrics:
Let the Earth spin faster, if it must, 
While I seek refuge in stillness,
Where time turns to dust.

🌍💨♾
Earth's changing spin is threatening to toy with our sense of time, clocks and computerized society in an unprecedented way — but only for a second.

For the first time in history, world timekeepers may have to consider subtracting a second from our clocks in a few years because the planet is rotating a tad faster than it used to!

Let The Earth Spin Faster

Breeze (Last forever) prod.IanoBeatz

Accepting relationships end and letting go.

Undone

Don't let the MUSIC INDUSTRY FOOL YOU, the best tunes around today are #UNSIGNED, #INDEPENDENT & #UNDERGROUND!
>
UNDERGROUND MUSIC IS ABOUT DOING IT YOUR WAY
>
Don't let anyone tell you what music to make or how to make it...JUST MAKE IT!

THE LINCOLN PROJECT

Originally released at the end of 2000, the first and only studio album from Missoula's Bob Wire & the Fencemenders comprises 14 tracks. Seven originals and seven covers, it captures the energy and spirit of one of Missoula's most beloved bands.

Waiting For Dark

Cold Cold Heart

HERE ONLY REAL LISTENERS!

I'm a songwriter, self-taught musician, dj
and journalist (anyhow composin' !)

ALONE ...born in 1970, I began early to play piano, takin' cello lessons too. Then I left, but I reprise to study music when I was sixteen: piano, guitar and bass, mainly self-made. At the same time, I began to compose music: initially electronic and instrumental, then rock songs with lyrics in English, all alone.

THE BIKES. In my first band, The Bikes, torward the end of the '80, I played guitar: we did covers (mainly Pink Floyd and Deep Purple) and we practised in the back of keyboard player's bicycle shop (here the name of the band!) ...then we changed name in Alter Ego and finally, I left the band.

CRYSTAL BELL. In 1990, I reached the band Saskatchewan: I played bass and we did covers (mainly Doors and Rem) in the singer's home garage. Then the singer left and the rest of the band (me, the guitarists Marco Catarinolo and Federico 'Chicco' Intaglietta and the drummer Matteo Balloni) found another band: Crystal Bell. We did covers (Doors, Jimi Hendrix, Clash and Gary Moore) and some of my compositions like "Hurry up!" ...we tried two singers but finally I began to sing, playin' the bass, and Marco Catarinolo left the guitar for the keyboards. We practised in another garage with other bands and we performed some concerts too. Then, after few months, the band broke.

TRAUMA. I continued to play in that garage with the keyboard player and we played - me on guitar and voice, him on keyboards - my new songs: "One life movie's final frame", "Chinese trip" and "Moonish". For a while, the drummer Salvatore 'Toda' Corrao was with us. Then, Matteo Balloni returned and the bassist Gabriel Del Sarto arrived too but he couldn't play often with us, so finally we found another bassist: Matteo Bernabucci (then, the two bassists always alterneted). We decided to call the band Trauma. I wrote new songs, in Italian too ("Verso l'altrove" - "To the other side" in English -  and "Un fuoco e il buio" that is the italian version of "Moonish"), and I began to collaborate with the guitarist and songwriter Franco Rossi: together we wrote "La meta", "L'attimo" and "Cresce la tua idea" and he played lead guitar with us. We recorded all our songs in the  Music Hill Records studio at Ortola, in Massa (Tuscany - Italy). After a while, the band had a new lead guitarist: Alberico 'Chicco' Baldini.  We re-arranged all original songs and we added to our "playlist" italian covers too: Vasco Rossi, Litfiba, Timoria. We began an intense live activity, In 1993, we won the first edition of "Montignoso Music Festival". In the same year, the band recorded a new session in the Music Hill Records studio and after a while recorded the re-arranged original songs at the hotel Villa Mercedes, closed during the winter. The live activity continued and in the beginning of the 1994 I began to project a rock opera for the theatre, "Inseguendo un sogno", composing new songs. Then the band recorded two new songs "Rabbia" and "Inseguendo un sogno" (the main theme of the rock opera) at the Crystal studio in Montignoso (Tuscany - Italy). In '94 and '95 the live activity was very intense and the band was selected for one of the most important music contest in Italy, "Rock Targato Italia".  We re-arranged "Un fuoco a il buio" and I wrote new songs, "Eutanasia" and "Il cielo d'inverno", then we did the last recording session at the Loading Zone Studio in Frangola (Massa - Tuscany - Italy). Finally, the band broke in 1996 except for a reunion for the festival "Rock for Amnesty" at Baraonda (Massa - Tuscany - Italy) in '96.

DJ. As a deejay, I worked in some discos (The Crocodile, Baraonda and The Cave in Tuscany, Italy) and radios (RadioMilano5 and RadioStudioVersilia in Tuscany, Italy) 'til 1996 when I started my career in journalism.

ALONE AGAIN. From 1996 to today, while workin' as journalist, I continued to write songs, instrumental music, atmospheres. And I'll continue!

Anyone seeking authenticity, imagination & personality, in creativity should explore unsigned music; that's where my faith in the future of music lies!

UNSIGNED MUSIC isn't inferior to SIGNED by any stretch of the imagination! Look past the illusion, find out what you're missing!
>
REALITY CHECK! Most LIKES are FAKE, no LISTEN took place! Only FEEDBACK that in some way describes the substance of the tune proves that it was actually played and HEARD!!! #SatiricalStevenSays #SixFootUnderground #MusiciansWithVision

FEEDBACK FAMILY: REPOSTS no longer work and LIKES make no difference whatsoever; ONLY positive FEEDBACK makes a difference, a BIG difference. Feedback makes your account more VISIBLE so it brings MORE TRAFFIC, MORE LISTENERS—it also serves as GENUINE HYPE, visitors see the amount of feedback you receive and that arouses their curiosity to listen, and when they listen, seeing all that genuine hype influences the way they listen—they hear your music through POSITIVE EARS. 

The ABSENCE of feedback has the reverse psychological effect, it KILLS CURIOSITY, and those who do listen, listen with NEGATIVE EARS. Potential listeners rarely find your page in the first place because the LACK OF FEEDBACK means your music posts don’t appear in THE FEED, quickly disappearing from view. The music of those who DO enjoy feedback REMAINS in the feed, visible to viewers, and the visibility of their latest post is far greater than those who don’t receive feedback. 

The result, some of best music on Soundcloud goes UNNOTICED, which is why I propose the idea of a FEEDBACK FAMILY as a way of raising the profile of all those who joined this initiative. Twitter is a good place to coordinate such a project and I have an account set up on there specifically for that purpose. 

If you are interested in joining contact me on here or on Twitter and I will fill you in on how the whole thing works. FEEDBACK BEGETS FEEDBACK! https://twitter.com/Feedback_Family

MUSICIANS THAT HAVE A DIFFERENT ATTITUDE TO THE REST, TEND TO MAKE MUSIC THAT IS DIFFERENT TO THE REST!
It is common practice for musicians to click the like button on #Soundcloud without ever listening to the tune! There is no proof it was listened to, so it's impossible to know who genuinely likes a track! Only actual #feedback proves it's been heard!

I use to follow musicians back that clicked the like button, but it becomes very obvious that only 10% actually listen, when you receive five times as many likes as listens. This has made me extremely wary about being the first to leave feedback, and that kind of wariness spreads like wildfire!

Because of this, I only follow musicians back that leave feedback, or share one of my posts; and I will only leave feedback once if the favor isn't returned. it is better to keep searching for musicians who have enough #class and #humility to return the #respect!

#Musicians that have those qualities clearly have depth, creating tunes for the love of it, rather than simple to fuel their own ego, and fatten their bank accounts!

MUSICIANS THAT HAVE A DIFFERENT ATTITUDE TO THE REST TEND TO MAKE MUSIC THAT IS DIFFERENT FROM THE REST!

SUPPORT: I’ll show you mine if you show me yours!!! FAIR EXCHANGE!

FAIR EXCHANGE: Listen 4 Listen, Comment 4 Comment, Share 4 Share!

Blue sea

Marzio Pelù

Recent comments

luCiA

Negative Headphone

B.Moth

Marzio Pelù

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