Music can B heartbeats and birds chripin'

&

My sounds may inspire, You!1

(Bless SoundCloud!)

https://open.spotify.com/artist/6wN3iRaDbCB3cdVasrz4VY

Sincerely Yours
Truly Yours
Blessed
Thyme
iL o v e

-=< ∆ >=-

Italian label run by @cosmic-garden-music and distributed worldwide by @clone-distribution

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Robert Dietz, a luminary in the world of electronic music, has carved an exceptional path through the industry, leaving an indelible mark on both the global stage and the artistic realm.

Rise to Stardom and Residency Highlights: During the exhilarating decade of the 2010s, Robert Dietz held the spotlight with a thriving DJ career that spanned continents. He stood at the helm of acclaimed residencies, notably in New York and at Robert Johnson in Offenbach, where his masterful sets captivated audiences with an enchanting blend of soundscapes. His name became synonymous with the vibrant pulse of Ibiza's nightlife as a resident at Pacha, a testimony to his command over the decks. Moreover, his longstanding collaboration with Gerd Jansons' Running Back Records solidified his stature as a musical trailblazer.

A Journey of Reinvention and Innovation: Around 2019, Robert Dietz embarked on a transformative journey, temporarily veering away from commercial stages to rediscover the essence of his artistry. Under a series of captivating aliases, including DJ Discipline, R10, and Hokaiido, he breathed life into a new sonic identity. Simultaneously, he unveiled Teiwas, a visionary sound design studio, a testament to his commitment to pushing creative boundaries.

A Synthesis of Sound and Brands: With an ever-evolving creative spirit, Robert Dietz ventured into uncharted territory. His musical prowess found a new canvas as he composed evocative soundscapes for distinguished brands like Mercedes Benz, Louis Vuitton, Rimowa, and Nike. This fusion of artistic sensibilities and corporate aesthetics showcased Dietz's ability to create sonic landscapes that resonate beyond the dancefloor.

A Return to Records and Future Horizons: Undeterred by his diverse pursuits, Robert Dietz returned to the studio with unwavering determination. Amid his multifaceted endeavors, he cultivated two forthcoming EPs that are poised to grace Nous’Klaer Audio from Rotterdam. These releases stand as a testament to his enduring dedication to the art of crafting music that defies conventions.

Robert Dietz's journey is a symphony of exploration, reinvention, and creative fusion. A name that resonates through iconic venues, global stages, and intimate studios alike, Dietz's legacy continues to evolve, leaving an indelible impression on the ever-evolving landscape of electronic music.

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I don't like cricket, i love it 🏏

En spellista på Spotify 
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James Webb is an artist, recognised for his site-specific interventions and installations. His practice often involves sound, found objects, and text, invoking references to literature, cinema, and the conceptualist traditions. By shifting objects, techniques, and forms beyond their original contexts and introducing them to different environments, Webb creates new spaces of tension. These spaces bind Webb’s background in religion, theatre, and advertising, offering poetic inquiries into the economies of belief and dynamics of communication in our contemporary world.

As Brandon LaBelle writes, “The works of James Webb circulate around a complex mixture of emotional and affective states; of longing and despair, of the ecstatic and of hopefulness, states of bodies and minds that move throughout his practice to raise questions of individuality and community, belonging and displacement, fragmentation and recuperation.” (Xenagogue, edited by Anthea Buys, published by the Hordaland Kunstsenter, 2015.)

Webb has had solo exhibitions at, amongst others, the Art Institute of Chicago, USA (2018); SPACES, Cleveland, USA (2018); Norrtälje Konsthall, Norrtälje, Sweden (2018); Yorkshire Sculpture Park, Wakefield, United Kingdom (2016); Hordaland Kunstsenter, Bergen, Norway (2015); CentroCentro, Madrid, Spain (2013); Johannesburg Art Gallery, Johannesburg, South Africa (2012); and mac, Birmingham, United Kingdom (2010).

Major group exhibitions include the 13th Biennial of Dakar (2018), 4th Prospect Triennial of New Orleans (2017), Documenta 14 (2017), 13th Biennial of Sharjah (2017), 12th Bienal de la Habana (2015), 55th Biennale di Venezia (2013), 3rd Marrakech Biennale (2009), Melbourne International Arts Festival (2009), and the 8th Biennale d’Art Contemporain de Lyon (2007). Other notable group shows include  those at spaces such as Wanås Konst and Historiska, Sweden; MAXXI Roma, Italy; Darat al Funun, Jordan; Théâtre Graslin, France; and the Tate Modern, London. 

Webb’s projects have been the subject of the two monographs, “. . .” (blank projects, 2020), and “Xenagogue” (Hordaland Kunstsenter, 2015). 

Impressum: All rights reserved. The copyright for these audio pieces and artworks  are reserved. Any replication or use of the content such as images, audio, and texts is not permitted without James Webb’s written consent.

Gallery representation: 
Galerie Imane Farès, Paris www.imanefares.com 
blank projects, Cape Town www.blankprojects.com

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