This is why i love the MS-20. :) Another world and so damn good sounds.

Chaotic auditory exploration without any clear direction.

Recorded with a Moog Sub 25, Subharmonicon, and DFAM.

Sketch 5 - Sleep Paralysis

Childhood Friend by Keri Johnson

Photo credits: Annie Spratt

Seemed so simple then
we became fast friends
were we wiser then before life set in?

Thru the twists and bends
broken hearts to mend
every moment spent with you made me believe

And I won't let these moments be forgot 
my childhood friend

And let's not let these memories be forgot
my childhood friend

All those letters you sent
one day I'll read them again
hope one day we're looking back in our golden years

I wonder how you've been?
picture the street we lived
never thought that we'd be here saying "remember when"

Keri Johnson's Album

Childhood Friend

A (mostly) rather cheerful 5/4 composition, hope you enjoy it!

Longer, Bluer Suns

20 8 16

Abandoned Cities VI

A life melted in the dewfall deep

Amidst the big city streets there's an ear festival of noises...
Depending on where you're at & what time it is this track just depicts some select or odd noises that one may encounter on their outing!

Sounds All Around

Street Hustle

You waited till I wasn’t home to dump boxes of shit you didn't want to my front door! #wickedsisterannie



Produced in the ARAPA Music Studio,
Sydney - Australia
21.6.2021

Happened Yesterday

Video demo: https://youtu.be/E1hRMwSYrqc

Instruments:

Cherry Audio: Voltage Modular (custom patch)
Synapse Audio: The Legend (Cinematic Strings preset)

Effects:

iZotope: Trash2, Neutron 3 Elements, Ozone 9 Elements
U-He: Satin
Valhalla: Delay, Supermassive
Aberrant DPS: Sketch Cassette 2
Baby Audio: Smooth Operator
Melda Production: Auto Dynamic EQ, Dynamics MB, Turbo EQ

Voltage Modular patch:

Arpeggiator synced to DAW (1/16, 111bpm).
Chord progression provided by DAW.
The bassline is created by 2 8-step sequencers that modulate the HPF cutoff.
3 other 8-step sequencers and an 8-way switch modulate the LPF cutoff and accentuate the lead.
MS-20 VCO and VCF, amplitude envelope, pan modulated by pitch and lfo.
4 clock dividers (2, 3, 15, 16) provide different references for the sequencers and switch to create variations.

Massimo Fasciano (2021)

One Volt Per Octave

i exist for as long as you think about me

To be free: to dance,
To contribute. Our birthright
"Comes out to show them"*

*Title of early recording by contemporary classical composer, Steve Reich

::

Original music & haiku poetry by Bob Weathers

To Be Free

Patch Notes:

Sequencing a pair of MCOs from the ASQ-1 with woody arpeggios from the Tonesum additive voice and a bright modulated lead line from the Digiwave wavetable voice.

The 2 ‘step-time’ pitch sequencer tracks of the ASQ-1 are patched to the V/Oct and trigger inputs of a pair of MCOs. The first MCO produces a woody vibraphone style bed of sound using the ToneSum additive voice. The second MCO is mixed in on top, using the DigiWave voice to produce a bright modulated wavetable lead. With both sequences playing, the ASQ-1 keyboard is used to transpose the melodies simultaneously by pressing a key with the ‘Mode’ button held, creating interesting evolution to the simple sequences. Finally, the feedback and mix of the MFX’s Tape-Tech Echo are increased creating a washy ambience.

For more info on the MCO visit: busycircuits.com/alm046/



Dual MCO

I love film scores, electronic and ambient music. I gravitate towards electronic and ambient simply because I love creating cool sound textures.
Please follow me on Spotify, Apple Music, Youtube Music. It really helps. Links in my profile.

One Volt Per Octave

Massimo Fasciano

Recent comments

PutPoleCat

Marco Intranuovo

Gregory Blank

Marco Intranuovo

Related tracks