Franco Venturini graduated in Piano, Composition and Electronic Music at the Conservatory of Bologna. Afterwards he got the diploma at the Accademia Santa Cecilia in Rome with I. Fedele and a Master's Degree in composition in Paris 8 University. He attended Composition Master Classes in various international contexts, as the Centre Acanthes in Metz, the Internationale Ferienkurse für Neue Musik in Darmstadt and in the university domain in Paris.
As a pianist, he improved his competences in performance mostly with M. Campanella and the Trio di Trieste, getting the Diploma of Merit at Accademia Chigiana in Siena.
He dedicates himself to the composition of instrumental works and also with use of electronics. He has been performed in various international contexts: Biennale Musica in Venice, Milano Musica Festival, MITO in Milan, Festival Traiettorie in Parma, Parco della Musica in Rome, Radio Suisse Romande in Genève, Internationale Ferienkurse für Neue Musik in Darmstadt, Pharos Arts Music Festival in Cyprus, musikprotokoll in Graz, Mixtur in Barcelona, Musica para el tercer milenio in Madrid, Suona Italiano and Suona francese in Paris and Strasbourg, Lee Foundation Theater in Singapore, College of Music Seoul National University. Among the interpreters of his music are Quartetto Prometeo, Trío Arbós, the ensembles Klangforum Wien, Proxima Centauri, Das Neue Ensemble, Divertimento, l'Imaginaire, FontanaMIX, Icarus, the Orchestre National de Lorraine. Some of his works and performances were broadcast on radios (Radio France Musique, Radio Österreich 1, RaiRadio3). He gave lectures-concerts on the contemporary piano music in conservatories and universities (Roma Tre, Université de Bourgogne, etc.). He received commissions by Biennale Musica of Venice, Arena di Verona, the Universal Expo 2015 of Milan, Festival Traiettorie of Parma, ensemble l’Imaginaire. 
As a pianist he collaborates with various ensembles, as the French Soundinitiative and Accroche Note and in the Italian FontanaMIX and Icarus, mainly devoting himself to the interpretation of contemporary repertory. He played in concert for various societies and festivals: Italy (Ravello Concert Society; Accademia Filarmonica in Bologna; Bologna Festival; Biennale Musica in Venice; REC/APERTO Festival in Reggio Emilia; Nuova Consonanza in Rome; Trieste Prima; Villa Romana in Florence; Festival Nuove Musiche in Palermo; Filarmonica Rovereto in MART;  France (Paris – Salle Cortot; Manifeste IRCAM; Théâtre Adyar; Centre Pompidou; Orléans - Matinées du piano; Strasbourg – L'imaginaire; Festival international de Wissembourg; Orléans Concours International in FRAC centre), Spain (Museo Nacional Centro de Arte Reina Sofía, Festival Mixtur), Austria (Schönberg Center in Wien, Bludenzer Tage zeitgemasser Musik), Croatia (Biennale Musica of Zagreb), Slovenia (Festival Slowind in Ljubljana), Sweden (Connect Festival – Malmö), Australia (Bendigo International Festival of Exploratory Music, Brisbane Festival), Singapore (Yong Siew Toh Conservatory).
Among the prizes he won, are The modern recorder project – Composition Competition of Musikinstitut Darmstadt, the Leibniz' Harmonien – Internationaler Kompositionswettbewerb in Hannover, the prix A. ROUSSEL and the PRIX SACEM in the 8ème Concours International de piano d’Orléans,  the 9ème Forum de la Jeune Création Musicale in Paris, the Premio Trio di Trieste – Coral International composition award, the Sofia Soloists Prize in Bulgaria, the Premio Farnesina sonora by the Federazione CEMAT in Rome.
He was pianistic collaborator in theaters and teacher in the Scuola dell’Opera of the Teatro comunale di Bologna. He taught piano, musical theory and analysis and he is teaching the piano contemporary repertory in the Conservatory of Bologna. At the same time he is supervising various workshops on improvisation and electronic music in some conservatories in the Parisian region. He actually lives in Paris.

Italian composer currently based in Stockholm.

GRANATO

Francesco Bianco, Alessandro Cicala

Singer and performer with extreme attention to contemporary and experimental music

Matteo Tundo is an Italian composer of acoustic and electroacoustic music. His compositional research focuses on the perception and cognition of sound events, investigating the neural mechanisms underlying the signification of sound. His work centers on the integration of neuroaesthetics into musical composition, employing innovative technologies to enhance the listener’s perceptual engagement and sensory experience.
After his initial guitar studies, he devoted himself entirely to composition and new technologies, studying at the conservatories of Florence, Parma, and Lugano, and at the Accademia Nazionale di Santa Cecilia. He studied composition with Ivan Fedele, Giorgio Colombo Taccani, Javier Torres Maldonado, and Nadir Vassena, and electronic music with Marco Ligabue, Alfonso Belfiore and Michelangelo Lupone. He also attended specialized courses with Salvatore Sciarrino, Yan Maresz, Beat Furrer, Franck Bedrossian, Marco Stroppa, Mark Andre and others. 
In 2024 he was composer in residence for the Divertimento Ensemble. In the same year, together with guitarist Pierpaolo Dinapoli, he founded the h[t] DUO, a guitar and live electronics duo, for which he is active as an electroacoustic performer
His compositions have been performed in Italy, Germany, England, Portugal, France, Spain, Greece, Switzerland, Austria, United States, Iran, Korea, Japan, Hong Kong, and Australia. He has participated as composer in international festivals.
He teaches computer music at the Conservatory of Brescia, Italy. After his initial guitar studies, he devoted himself entirely to composition and new technologies, studying at the conservatories of Florence, Parma, and Lugano, and at the Accademia Nazionale di Santa Cecilia. He studied composition with Ivan Fedele, Giorgio Colombo Taccani, Javier Torres Maldonado, and Nadir Vassena, and electronic music with Marco Ligabue, Alfonso Belfiore and Michelangelo Lupone. He also attended specialized courses with Salvatore Sciarrino, Yan Maresz, Beat Furrer, Franck Bedrossian, Marco Stroppa, Mark Andre and others. 
In 2024 he was composer in residence for the Divertimento Ensemble.
His compositions have been performed in Italy, Germany, England, Portugal, France, Spain, Greece, Switzerland, Austria, United States, Iran, Korea, Japan, Hong Kong, and Australia. He has participated as composer in international festivals.
He teaches computer music at the Conservatory of Brescia, Italy.

MAURIZIO BARBETTI won the  International Darmstadt Prize and the "Iannis Xenakis International Prize of Interpretation" in Paris. He played  as contemporary music soloist in the most important concert halls of the world: Teatro alla Scala in Milan; Berlin Philharmonic; Berlin Radio (playing “Mixtur” by Karlheinz Stockhausen at the presence of the composer); Salzburg Mozarteum; Opéra de Nice; Venezia Biennale; Gulbenkian Foundation; Hamburg (Staatsoper); Cochrane Theatre London; Darmstadt; Köln (Wdr); Witten, Frankfurt; Hannover; Heilbronn; Rottenburg (Südwestfunk); Wurzburg; Bonn; Bremen (Radio Bremen); Dresden; Leipzig; München (Konzerthaus) (Bayerisher Rundfunk); Freiburg; Baden Baden; Belfast (Bbc); Paris (Radio France); Strasbourg (European Parliament); Lyon (Grame); Orléans (Semaines Musicales Internationales); Lille; Siena (Accademia Chigiana); Milan (Triennale of Contemporary Art); Rome (Teatro Nazionale); Venice ( Sonopolis Teatro La Fenice); Turin; Madrid (Centro Bellas Artes); Conservatory of Milan; Oporto; Mexico (Festival Internacional Cervantino); Rottherdam (Igic); Tel Aviv; Jerusalem; Bucharest (Ateneum); Innsbruck (Konservatorium); Finland (Time of Music); Vienna; Sapporo; Tokyo and many others He played as soloist with prestigious ensembles like Ensemble Köln (where he was principal soloist viola from 1992 to 1996); Ensemble Recherche Freiburg; Concorde Ensemble Dublin; Icarus Ensemble; Roma Sinfonietta and with important orchestras like Orchestre de l'Opéra de Nice, Rte Dublin Concert Orchestra; Orchestra Internazionale d'Italia; Euroasian Philharmonic Orchestra of Seul. He performed the first Irish performance of Chemins II by Berio for viola and orchestra with the Radiotelevision Concert Orchestra of Dublin conducted by Friedrich Goldmann. (The conductor of Luigi Nono’s “Prometeo”). The concert was broadcasted live by BBC Radio3. Composers from all over the world dedicated to him many works among them Luis De Pablo, Horatiu Radulescu, Paul Mefano and Ennio Morricone of whom he performed and recorded in world premiere the  concert for viola. He collaborates with the “Living Theater” of New York. Maurizio Barbetti has given master classes in important institutions: Irino Foundation Prize of Tokyo; Kunitachi College of Music (Tokyo); Tokyo Gakugei University; Toho Gakuen College of Drama and Music (Tokyo); Vitasaari Summer Academy (Finland); Centro Nacional de Bellas Artes of Mexico City; Accademia Internazionale della Musica of Milano; Lucero Master Class in Paris. He recorded for the German, French, Swisse; English, Irish, Italian, Mexican, Rumanian, Austrian and Israeli radio and television broadcasting. He teached in many Conservatories: Mantova, La spezia, Matera and Reggio Emilia. He records cd for Col Legno (Vienna), Neos (Germany), Stradivarius (Milano) and Mode (New York). His latest CD dedicated to Kurtag has been reviewed with 5 stars by "The Irish Time" and "The Independent" London.

Gabriele Corti is an Italian dj and sound designer born in Rome in the early 90’s proposing himself as MA\E . He moved to Berlin in 2015 attracted by the world of electronic music and began chasing his creative satisfaction. He has been enlarging his vinyls collection ever since and djing in several clubs of the city like Void, Griessmühle and KitKat.  His sound is characterised by intricate textures and rhythmical dislocation. He moved back to Rome in 2019 where he attended a degree course in Electronic Music at the S.Cecilia Conservatory. Nowadays various expressions of electronic music characterise MA\E’s selection, keeping the listener curious and intrigued by the path proposed every time.

Experimental Music
No Hype
No fake
Experimental Noise Music , Abstract IDM, Ambient Music



I am a researcher and producer of sound spaces ranging from acousmatic to post industrial sounds.
The approach to sound comes from the desire to discover in a completely natural way the vast sound world of which we are all part. The sound project itself constitutes in giving sounds to any existing sound spaces. Each place has its own sound and noise to give society a new way of imagining sound environments and spaces; The goal is to give the world a completely new sound alphabet, an acoustic image to the world.
Formulate proposals, conceive the processes of orchestration of relationships to prepare empirical environments. Music as space, space as environment, environment as event, event is life.

Massimo Massimi is following