Name: Nyx - Waltz in Db Major, Op. 1 No. 1 by MassJr in Piano Works
Duration: 3 min 25 s
Description: A piano waltz I wrote in 2012 and recently recorded again, based on my admiration for the Romantic era.

bravo👏🏼🌠☢🌠☢🌠☢🎵🦋🎵🦋🎵🦋🎵🤝🔥💫☕

This is such a beautiful piece! Love your piano skills!!

Excellent piano piece!!! Nice work!!!👍🙂

Piano Works

Vidéo : https://youtu.be/i4KdemSkMDQ

P'tit Paul.  (Translated after the French text )
Texte : Sarada
Chant : Liora
Musique : Alain Illos

Il est pas fou, P'tit Paul,
Y fait l' guignol !
Quand on dit qu'il est fou,
Ca me rend folle.
L'est pas timbré, y fait exprès.
C'est pour me faire rigoler.
Il n'est allumé pour de vrai
Que quand je ris à ses côtés.
Comm' rien ne peut plus l'arrêter,
Faut qu'ils lui pass'nt la camisole.
Il continue s'il m' voit pleurer
Parce que ça me désole. P'tit Paul.
Il est pas fou, P'tit Paul,
Y fait l' guignol !
Quand on dit qu'il est fou,
Ca me rend folle.
Il se rebelle, il est farouche,
Il n'aime pas quand on le touche.
Moi seule, j'ai le droit du sol,
J’appuie  ma têt' sur son épaule
Alors, il sourit, ses yeux louchent
en les relevant vers le ciel.
J’ lui pose un bécot sur sa bouche
Et il se fait tout miel. P'tit Paul.
Il est pas fou, P'tit Paul,
Y fait l' guignol !
Mêm' qu'on dit qu'il est fou,
Je l'aime comme une folle.

P'tit Paul

He's not crazy, P'tit Paul,
He's a clown!
When they say he's crazy,
It drives me crazy.
He's not crazy, he does it on purpose.
It's just to make me laugh.
He's only turned on for real
When I'm laughing with him.
Like nothing can stop him,
They've got to put him in a straitjacket.
He goes on if he sees me crying
Because I'm sorry. Little Paul.
He's not crazy, P'tit Paul,
He's a clown!
When they say he's crazy,
It drives me crazy.
He rebels, he's fierce,
He doesn't like to be touched.
I'm the only one with a right to land,
I rest my head on his shoulder
So he smiles, his eyes squint
as he raises them to the sky.
I put a kiss on his mouth
And he's all honey. P'tit Paul.
He's not crazy, P'tit Paul,
He's a clown!
Even though they say he's crazy,
I love him like crazy.

P'tit Paul avec Liora

"The nice thing about HOPE is that you can give it to someone else, someone who needs it even more than you do, and you will find you have not given yours away at all."  
- Maya Angelou

An improv piece about hope...Something that we can hold onto when times are tough, and something we can give away to others in order to make a difference in their lives.

A companion piece to "Always Love".

Always Hope

Mister heartbreak

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:

 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made

We Got It Made- Jonathan Beckenstein/ Eclectic Collective

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

4-5-25

Photo: pantry mural-bainbridge,in   
July 4,2025

Recorded at Old Man Yells at Cloud Studios 
Coldheart: rhythm guitar and vocals
Casio CTK-611: everything else 
91 Bluegrass 120 bpm
Key of G

new day coming 

There’s a new day coming 
It’s been following you 
There’s a new day coming 
It’s been following you

Ready 
Steady 
Go
Like freshly fallen snow

There’s a new day coming 
It’s been waiting for you
There’s a new day coming 
It’s been waiting for you 

Ready 
Steady 
Go
Every footprint yer own

There’s a new day coming 
It’s been following you
There’s a new day coming 
It’s been waiting fer you

new day coming

A piano waltz I wrote in 2012 and recently recorded again, based on my admiration for the Romantic era.

The Folly and the Swans

Nyx – Waltz in D-Flat Major, Op. 1 No. 1

Nyx - Waltz in Db Major, Op. 1 No. 1

Improvised this one with no plan... just followed where the notes wanted to go.
It’s called "As It Went". A moment, caught and gone.

🎥 Full video on my IG: @ masssjr

Sandlight

A reimagination of Robert Schumann's First Piano Concerto in A minor, Op. 54, with my small contributions and added melodies ;)

Vetr in A Minor

12 Etudes, Op. 8: XII. Etude in D-Sharp Minor

An original nocturne for solo piano, composed in 2021 as a tribute to Venus. Inspired in part by Chopin. Recorded in 2024.

Venus - Nocturne in E Major Op. 1 No. 4

When Love Begins

Hey…. Glad you dropped by. This is a simple, fun banjo song, with an instrumental break that has some mandolin, recorder, homemade percussion, and guitar-bass. It also has some vocal shenanigans. The song is about my time in graduate school, 40 years ago, when I lived off campus in a harmonious hippie house. I lived in the attic with my wife, and there were 4-6 roommates downstairs at any one time. We were all university students, peace loving, free-thinking, socio-environmentally conscious free spirits who became a family of sorts. There were potlucks, guitar jams, gardening, all sorts of ecological endeavors, helping our neighbors out, sharing meals, peace protests, shows and concerts and of course, studying for our classes, among other things. It was a time that helped shape who we would become. There was Joan, who became a professional wildlife photographer, Jack, an environmental engineer, Tim, a social worker, who built a farmhouse and had a large family with the love of his life. Andrea, a founder/owner of a community composting and recycling business, Delilah, an ecological research scientist and me, a laid back science teacher. We’ve kept in touch over the years, and now we are all old people. A lot of that lifestyle, ideology and sense of peace and freedom has stuck with me to this day. Hope you like the song. Mark

Our Harmonious Hippie House

Music, lyrics, vocal & mix  : UK Man

Electric guitars : Little Man

Shan

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8 - Phat Phrog Studio - Firebound Odyssey - Emberwind

Busy with developing my first video game -- it's why I'm less active here.

Self-taught orchestral and electronic composer.

Pianist/Composer for Amidst The Withering

Nyx - Waltz in Db Major, Op. 1 No. 1

MassJr

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