Body Of Content

Rats

Written by BEA1991 and Sega Bodega, produced by Sega Bodega.

Tranquility (Part 2)

A remix of 'Years' off of Mas Ysa's debut EP 'Worth.'
http://smarturl.it/masysaworth
http://bit.ly/WorthVinyl

Years (Dutch E Germ Remix)

we found love phase

ssaliva - no

Taken from 'Delete Beach', Mica Levi’s original soundtrack to an animé by acclaimed artist and Turner prize nominee Phil Collins, released on Demdike Stare’s DDS label. 

Following on from the maverick pop auteur and film composer’s European Film Award-winning score to 'Under The Skin', and her 'Jackie' soundtrack, this is Mica’s first musical accompaniment for animation, by revered designer Marisuke Eguchi, animated by STUDIO4ºC.

Delete Beach

Mica Levi - Interlude 2

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — Trespasses (PAN 86)

Casey MQ - Glossy Lips

Berlin-based events organisers and label Creamcake are pleased to announce their latest online release, Casey MQ's Nudes EP (released September 28)with lead single Between Waters out September 7.

The Canadian singer, songwriter, musician and producer blurs the borders between ambient production and melancholic soul, distorted club music and electronic pop. A classically-trained pianist, Casey has scored original music for a number of films that have screened at TIFF, SXSW and Hot Docs Film Festival, while producing for other artists including Zaki Ibrahim, TiKA and Cadence Weapon.

Most notably, the Toronto-based artist released a collaborative EP with Paris’ oklou called For The Beasts on Parisian label Permalnk in December last year. A reimagining of pop-star vocal samples in mutated form, Casey MQ carries this preoccupation with dance hooks and synth melodies into Nudes. Five singles swagger through the RnB influences of an updated lounge music for the internet era, similar to contemporaries Dan Bodan and serpentwithfeet, while focussing on delicate, sometimes odd, harmonies not unlike anohni. Lead single “Between Waters” is the more epic of the bunch, where a prancing synthline and crisp kick sustains Casey MQ’s luscious voice on an unyielding EDM high.

The “Between Waters” music video and single release precedes the Nudes EP, which drops on September 28, and Casey MQ will be performing 3hd 2018’s “Energy Exchange” — along with QT, Bob Vylan, and Golin — at Säule on October 25.

Written & Produced by Casey MQ 
Additional Saxophone: Matthew Woroshyl

@casey-mq

Order: creamcake.bandcamp.com/album/nudes

CC08

Nudes

Casey MQ - The Constant

written, produced and recorded by Lyra Pramuk 
additional mixing and mastering by Ben Pramuk
artwork by Helin Sahin

Download:
https://lyrapramuk.bandcamp.com/album/scrytch

Scrytch

A Circle, A Spiral

Eartheater - Phoenix: La Petite Mort Édition 
Format: DL
Cat.No. PAN 112-R
Release Date: 26 February 2021
Purchase: pan.lnk.to/LaPetiteMort

Last year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.Eartheater is now sharing a fully reworked version of the album, Phoenix: La Petite Mort Édition, out February 26, 2021 on PAN. Originally conceived as a “sleep” mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.” - Eartheater

Years (Dutch E Germ Remix)

MAS YSA

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