"It’s a long way the sea-winds blow
Over the sea-plains blue,—
But longer far has my heart to go
Before its dreams come true."

Incredible selection by @riccardovillella of @truants

✢

MFIS LXII ✢ Villella

Delighted to welcome Utrecht’s Vand to The Observatory, one of our favorite artists <3

From falling in love with his collaborative EP Laren with Bas Dobbelaer, all the way through to his recently released Trialism EP on ISOTOOP (a collective now turned record label, which he’s at the helm of), Vand’s sound has truly captured our heart.

With lush ambient soundscapes coupled with driving grooves, this mix encapsulates everything we love about electronic music <3
~~
https://soundcloud.com/vandmusic
https://www.instagram.com/vandtor/
https://soundcloud.com/isotoop
https://isotoop.bandcamp.com/
https://www.instagram.com/isotoop/

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Vand

Next up on the GROOVE Podcast is Marco Shuttle (@marco_shuttle) with a set recorded at party PAX-ROMANA (@paxromana_xxi) at Radion Amsterdam (@radionamsterdam). Go to bit.ly/ShuttlePod for the interview.

bit.ly/ShuttlePod

GROOVE Podcast 463 – Marco Shuttle

◕ ‿ ◕
Recorded at Metropolis • June 8th (COOP, Brussels)

Thank you @ssouleimann

e25.orbit06 • souleiman

This is an excerpt from the full hour + live performance at the ACID HORSE Festival in Wiltshire in the UK, May 2025. Grab the full release here:
https://materialobject.bandcamp.com/album/alive03

Alive03

Alive03 - Live @ ACID HORSE '25

https://soundcloud.com/artefakt-official : "This recording came together for us imagining being in spaces of sonic isolation - conversing with each other and through this act of exchange, unfolding a dynamic landscape. This emerges as an auditory refuge where we become the waves. As we navigate this appearing structure, we re-anchor ourselves as listeners, embracing the ephemeral and reconciling with strangeness to find solace in deviation.

The mix also draws from a lifelong inspiration that runs as a thread through our own music - the contrasts between natural textures, organic decay and fractal blooming sounds set against the quantization, designed function and electric qualities of the built city and the futures they represent, captured in musical imagination. The mix invites listeners to dwell in this synthesis of spaces, discovering connection within isolation."

Tracklist:
01. Arovane & Hior Chronik - A Day, November 2013
02. Multicast Dynamics - Field of Dreams
03. Jake Muir - Twilight Transmissions
04. 2030 - Key to the Universe
05. Neel - Alchemy 
06. Stenny - Dew 
07. 1991 - High-Tech Love-Life
08. Imaginary Softwoods - Globe IV
09. Emika Elena - Reflection (Multicast Dynamics Remix)
10. BFTT - Enin
11. queniv - Viba
12. Hiver - Inner Motion 
13. Sven Weisemann - Cascading Lights
14. Imprea - In a Landscape
15. Purelink - Stadium Drive
16. The 7th Plain - Chords Are Dirty
17. Marianna Maruyama & Hessel Veldman - Softly, at first

isolatedmix 134 - Artefakt

Fresh off the release of his outstanding album ‘Berlin’ we welcome Felix K - a true purveyor of sophisticated, deep electronic music. His work explores the fringes of techno, jungle, dub, and ambient, building immersive sound worlds that defy easy categorization. Known for his meticulous approach to production and his ability to weave complex narratives through sound, Felix K has carved out a unique space for himself in the global underground scene.

For this marathon journey, Felix K delivers a masterclass in patience and precision, guiding listeners through a three-hour odyssey that is as introspective as it is rhythmically compelling. The mix is a testament to his expansive musical knowledge and his ability to connect seemingly disparate genres into a cohesive, flowing narrative.

In his own words: "The mix was recorded in my studio in Berlin. Beginning with slower Dub Techno, it slips into the early, minimalist 85/170 Drum-and-Bass era, showcasing plenty of those formative highlights before closing with authentic Amen Breaks combining with a sound design that actually anticipates the vibe of some of today’s darker techno productions."

Follow
https://soundcloud.com/flxk1
https://www.instagram.com/flxk1/
https://flxk1.bandcamp.com/album/berlin
https://nullpunktrec.eu/flxk1


MNMT 481 : Felix K

We’re excited to welcome back @zvrra, a gifted Haitian artist based in Illinois. After releasing their ‘Mica’ with us earlier this year, they are showing how to spin the decks properly for our 31st Herbarium episode. Their mix features hypnotising textures and patterns fully loaded with energy and drive. Zvrra chose White Pines (Pinus Strobus) as their inspiration. 
They say: “White Pines are my selection for the Herbarium mix series. I chose this plant, because of it's unique ability to grow in all seasons. Also I often spent many winter nights in Illinois and Wisconsin surrounded by these beautiful plants.”

--

About Zvrra
Zvrra is an American music producer and DJ known for her wide variety of techno, house, and experimental music. Zvrra has released projects on prominent labels such as Avian and International Chrome. After a successful run with her 2020 techno single "Dress" and 2021 LP release "Bizzaroland," the DJ Producer has been performing at venues worldwide and has been a regular on international radio.

--

Follow Zvrrahttps://zvrra.bandcamp.com/
https://www.youtube.com/@Zvrra
https://soundcloud.com/zvrra
https://linktr.ee/zvrra

--

Artwork by @polygonia

Herbarium No 031 - Zvrra - Pinus Strobus

Madrid's F-on is a much beloved figure within the Spanish scene, known for his elegant all-vinyl sets and curation behind the brilliant Alpenglühen label among so much more. We stayed in touch after his particularly beautiful set at 2017’s Paral·lel Festival, and I've been looking forward to one day sharing this episode of the series since. Alfonso’s mix is uncanny in its precision and demonstrates a prowess behind the decks that few can match, a soft palette built through veteran and timeless selection. Two hours in and out of focus like rippling dust through which the flow of time slows, a stasis in the stream. Thanks Alfonso!

@f-ondj

Artwork by Camille Ferdinandus.

Sure Thing Mix 145: F-on

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

Follow us on social media:

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Read

Delayed x Mostra: Robert Henke presents Dust

We had the Dawn of Fire but what of the Dawn of Dinosaurs? since when did they go extinct? And which other Primitive Creatures explore near this era of extinction?

Thanks for Reading! (and listening) :D

Monsterous Park

⚡⚡ AUDIO ARTIST ⚡⚡

Aliases + Collabs : 
No. Inc. (With Atom™)
Elektronik (With Pete Namlook)

Alive03 - Live @ ACID HORSE '25

Material ♕ Object

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