LIVE clip version available on youtube:
www.youtube.com/watch?v=WT9-mt7cNwk

A song about respecting that you are always learning to grow and evolve so you should never dismiss the fact that somebody has likely been there before. It's about acknowledging your predicament with good humour.

Released 09 December 2013
Music, Raps & Mix: Mathas
Recorded by Lewis Ryan at Real2Reel Studio
Mastered by James Newhouse at Real2Reel Studio
The Community Records 2013 

Doctorshopping

SONG RELEASED ON THE 6TH OF MAY 2011

Bubble Boy is the first tune that i wrote, produced, mixed and mastered myself. I took it offline from 2012-2015 while i tried to re-record a newer high quality version in a studio. It was one of those projects where the "demo-itis" just never goes away. I spent far too many years on this song until eventually i realised that i was fine with the original. So here it is.. back online, in its original form, with all its errors... i still love the fucking thing.. but it's time to move on :) 

Bubble Boy

Grumbleguts

"One day in 2003 i sat by myself on the top deck of a boat on the Hawkesbury River in NSW, after the passing of someone very close to me. I was chain-smoking Marlboro Reds. There was a brief moment of vivid hallucination where for a few minutes it felt like i could see the world's blueprint, as if in wireframe. It was the most calming sensation I have ever experienced. Like a wash of understanding. A moment of intense pain progressed into an affirmation of just how remarkably small i was in context to the universe and how happy i felt that it had even let me grow to be a part of it." - Mathas

The instrumental for Stone Cold Sober, originally named "Sometimes the Straightest Route is the Quickest" was produced by Brian Kruger (aka Empty) for a 5 track ep called E M P T Y B A R S Vol.2 you can find here:
emptysounds.bandcamp.com
lyrics
I’ve been holdin' off the ache now for years watching their collars pop
gossip blabber gods,
forever flapping their box.
I’m studying their movements with a vitamin D vibrance,
imagining how they’d look if they were lying lifeless,
but every skerrick of my being hates hate and loathes violence
and its an insult to insist when life is time priceless.
Back in 03 my planet poked a bit of fun,
turned the tragic handle,
when half these fucking camels couldn’t even hold a candle to him.
Gave me a dead leg.
Learnt to let it sink in.
Magnetism blinking.
Etchasketch on hyper in my head,
trying to dry-wretch a mention from the earth of why he ended up dead.
Pack of human parasites still clinging to the surface,
nurtured little virus on a cell inside the vein humming a resonance I've only found inside an 808.

Crushing on my planet’s hum,
hand-drumming on it,
think I might’ve learnt to understand it some,
or something.
Nobody’s opus, a buddy moment de-muffled its tongue.
Said something… I swear it said something..

Crushing on my planet’s hum,
cold-lamping on it,
think I might’ve learnt to understand it some,
and I was stone cold sober, technicolor cloak,
at one with adding to it til my species time to go.

That’s my pearly gates mate,
strings plucking the plasma,
illustrating the universe,
dwarfs whatever you're worth.
Little and weakly made,
either the prick or the lame claim pick of the fetal,
planet muzzled in that self-worth bubble.
When a nucleus is nutrient, DNA’s a maze,
dubious and indescript slowly come of age,
in that indefinite certain,
clapping through the curtain close,
10 years to the marker now I first stared at its code.
I saw the hills as mesh and the river a wire-frame,
its respiratory system huffing waves to wake and break.
That memory is interlinked with smoke, a bit of heartache,
me and Norah Jones wailing top deck of the boat,
with a soaked packet of Marlboro red top pocket of coat
willingly looking in limited intervals into the riff of the keynote.
I was 19, red gum sapping out the opens,
lucid, hallucinating, understanding motion.

Crushing on my planet’s hum,
hand-drumming on it,
think I might’ve learnt to understand it some,
or something.
Nobody’s opus, a buddy moment de-muffled its tongue.
Said something… I swear it said something..

Crushing on my planet’s hum,
cold-lamping on it,
think I might’ve learnt to understand it some,
and I was stone cold sober, technicolor cloak,
pulsing off the orb hum, encompassing its glow,
at one with adding to it til my species time to go.

And I'm ok with that.
credits
released 15 September 2014
Music & Background Vocals: Empty
Raps: Mathas

Mixed by Tom Mathieson & Brian Kruger
Mastered by William Bowden

The Community Records 2014 

Stone Cold Sober (ft: Empty)

Just a little muckaround over a beat by Apollo Brown.
Used without his permission but in the highest of respect and admiration.
Beat from the album "Clouds" (Mello Music Group 2011)

P.s: Also badly recorded on my shitty home microphone.

Grief (Mathas x Apollo Brown)

“…there’s a pretty impressive art in keeping us involved. Procuring and nurturing a consumer from the youngest age possible by whatever means necessary. From neurological study on infant reactions to sound and colour, to hosting brand-specific children’s birthday parties at the company’s expense, there are clever ways to warm our hearts to a brand’s “message” as a youngster and keep it relevant for the entirety of our lives.
Perhaps what a brand endeavours to be is something like an imaginary friend, that blanky you cuddle for comfort before all else. And what better way to secure trust in the relationship.. than to give you that free shit first?” – Mathas


Music: Ylem
Raps: Mathas
Vocals: Mei Saraswati
Mixed by Ryan Burge
Mastered by William Bowden @ King Willy Sound



Free Shit (ft Ylem & Mei Saraswati)

“Once upon a time the Troll would hide under the bridge and threaten you on your way to the greener grass on the other side. Little has changed.. only his intentions are a little less obvious."

The song was written on a 1979 Yamaha Electone C-35 Organ, recorded through a single stage microphone and then beefed up with electronic components. 

Written & Produced by Tom Mathieson
Mixing & Additional Programming by Nathan Jamieson
Mastering by William Bowden @ King Willy Sound

Bravo Troll (Single Version)

In late 2017 I did a series of 5 workshops at the Wadjak Northside Aboriginal Resource Center with kids ranged 8-13 years old. Here's the final track they made. The kids made everything, all the percussive instruments were played live except the drum sounds they drummed out on a pad system. The synth sound is a single recorded note on the didgeridoo, played across a keyboard. Two of the kids freestyle rapped, one recorded the chorus and their mentors added some singing and a field recording of crows outside the center. Incredible result.

Wadjak Workshop Song

This is my debut album from 2009:
10lb Hairless Sasquatch

All tracks are available to purchase.

P.L.R.T

Desensitised

For fans of acclaimed Perth wordsmith Mathas, the last four years have been a quiet time. Tumbleweeds-through-a-ghost-town kinda quiet. His writing periods seem to go on forever, his releases miles apart. But for anyone who understands the study and depth that goes into writing a single Mathas song, they’re willing to wait. Mathas has always presented quality over quantity, as clichéd as that rings out on paper.

Mathas tends to create conversation starters instead of hard-edged declarative mic-drop moments of finality. His new single Airing Out, however, delivers a touch more directness than you may expect from him.

Airing Out is the first solo single Mathas has released in four years, since the drop and subsequent remix project for his song Bravo Troll in 2016.

In his own words:
“What started as a comedic and autobiographical song about frustrations with my own artistic process ended up as a rant of sorts about how tiresome a lot of the language and humour in rap music has become. I don’t believe in dismissing past art & humour because the world’s changing, nor do I have any arrogant illusions of my own authority in speaking about hip hop from any other country. I do however think it's important for me, in my birthplace, to speak on adjusting our present and future behaviour in support of voices calling for that necessary evolution to happen. We can mouthpiece about being progressive and anti-establishment all we want, but oppressed groups, en masse, are asking for support and we’re still using them as punch-line fodder.”

Airing Out

Music, Raps & Mix: Mathas
Vocals: Abbe May
Mastering: William Bowden

The Community Records 2013

"There’s no denying Australia’s lack of a cultural food identity. I don’t know many meals or ingredients that are uniquely Australian. Most are adopted from English heritage or American influence. There are a plethora of native edibles that we know little about and are hardly used other than in a few modern restaurants, primarily due to how little contact we have or respect we demonstrate to the Indigenous peoples of our country. I believe sharing food is important to human social and evolutionary development and.. maybe.. just maybe we eat too many burgers by ourselves."

Nourishment Ft  Abbe May

Guy from Perth, Western Australia who makes rap songs.

mathas

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