Ama-Argi

luego es ahorA!!

2017

Mathew Jonson Presents the Decompression Remixes

Mathew Jonson

The Upload

Boiler Room x Crosstown Rebels w/ Mathew Jonson (LIVE), Totally Enormous Extinct Dinosaurs, Damian Lazarus & Francesca Lombardo (LIVE).

[Broadcasted on 18th July 2013]

Tracklist & video at boilerroom.tv

Mathew Jonson LIVE in the Boiler Room

This is the new digital re-mastered version of "Typerope" on ITISWHATITIS Recordings. Enjoy!

Typerope

Download: http://www.xlr8r.com/mp3/2014/07/elevator-song-ulrich-schnauss-re

Download

Keaton Henson - Elevator Song (Ulrich Schnauss Remix)

*License free when used for any Youtube/Twitch/Vimeo productions. Just please try and give credit and link to this page.

Buy on Bandcamp

Gulf Coast

Get the whole compilation here: https://gergaz.bandcamp.com/album/beat-garden-compilation-5

Dedicated to JK

Artwork by Daniela Olejnikova 
www.facebook.com/danioleillustration 
www.behance.net/danielaolejnikova 
www.studiolimb.com

Mastered by Gargle & Expel 
www.gaex.org

Owla Three

ABAUNZ -Eraikuntza berriak posible izateko-

You Don't Own Me (feat. Hanna Benn)

Undone

Stranger Forms

Redone (feat. Olga Bell)

In this offering by the Berlin-based and made in the Middle East label Disco Halal, we bring you something fresh from Tel Aviv. Following Naduve‘s releases on Rothmans and Cocktail d'Amore, it’s time for him to come back home. This release comes tastefully spread with Saturn Memories (Marius of Coma) special Tahini remix.
We shook hands with one of them. The handshake is thought by some to have originated as a gesture of peace by demonstrating that the hand holds no weapon. This ancient, short ritual took place several times, here, with some limited success. Does this ritual hold any meaning anymore? The race is long, far from being close to it’s end. It’s a race for a handshake.
This record is one of many efforts to make this race be heard. It may sound naive now, or even pathetic, but what are we to do? When cousins meet at family dinners they might fight each other for the chance to raise the cup “The Father’s name”. This battle is soaked with the music of their family, they know each other by its fabric. We wish to take them to the dance floor and play them music to shake hands to.

PREMIERE : Naduve - Ready Set Go

A new track I've done for Dark Energy, Shur-i-kan on remix duties on the flip.

Milton Jackson M.L.A

Taken from my debut album 'the Invention of Loneliness' out 24/2/17
Pre-order: https://Sailorandi.lnk.to/TheInventionOfLonelinessSo

'There's something on your mind, I can see it in your eyes
That's telling me to leave without saying anything 
If you cannot break the ice, walk away from me 
Cause the things you cannot tell, will only hurt you in the end'

Written & produced by Alexander Sjödin
Mixed by Chris Allen
Mastered by Matt Colton

Follow Sailor & I:
Facebook: https://www.facebook.com/sailorandi
Twitter: https://twitter.com/sailorandi
Instagram: https://www.instagram.com/sailorandi

The Invention of Loneliness

Pre-Order Album

Sailor & I - Black Swan

Included in my new album "Disconnect". Premiered by Erol Alkan in his Boiler Room Residency. Hope you dig it!

Buy: https://factorcity.bandcamp.com/album/disconnect

Disconnect

Disconnect L.P

Acid Prophet

@autarkic 
Everybody needs an amazing love story to blow up in their face and destroy everything they are, it's a must for every artist and human that wants to get to his core of understanding, the center of the pain, the middle of his earth, we hate to say it, but sometime that's the best thing that could happen to a person, especially A Talent like Nadav Spiegel, going back home was by far the second best thing he did , first of course, being this album. describing music is useless, emotionless, you just need to put the needle at the beginning, and listen, and as the story unfold, so will your heart, it's over now you know.

I Love You, Go Away

PREORDER

Autarkic - Warmth (How Mean is Mean?) // Disco Halal

@Simple-Symmetry - Plane Goes East (12” + Digital)
Winter 2017

In this offering by the Berlin-Based made in the Middle East label Disco Halal, We are more than excited to introduce you our new family members, Sasha & Sergey Lipsky AKA Simple Symmetry , AKA The Russians. Since our first incredible adventure in khazar khaganate, we were hooked and we wanted more, send us music, that was the only message we sent them and they responded gracefully, after working back and forward together, listening to music and planning the future, the time has come, here is Simple Symmetry's first release for Disco Halal in 2017, and to top it all an amazing remix 12” is coming up just a couple of weeks after the release that but more on that soon!

Plane Goes East

Simple Symmetry Plane Goes East (OST version)[Disco Halal]

Autarkic - Violence [Disco Halal]

der putsch

Decompression - Mathew Jonson (Ambient Pressure Mix)

Decompression - Mathew Jonson (dB's Raw Edit)

Decompression - Mathew Jonson (Konrad Black's Decompresha Remix)

Mathew Jonson - Decompression - Nathan Jonson's Rewind to 96 mix

Beginning Anew

To begin anew is to look deeply and honestly at ourselves, our past actions, speech and thoughts and to create a fresh beginning within ourselves and in our relationships with others. When a difficulty arises in our relationships and one of us feels resentment or hurt, we know it is time to Begin Anew. The practice of Beginning Anew helps us develop our kind speech and compassionate listening. Begin Anew is a practice of recognition and appreciation of the positive elements for the people within our community. Recognizing others positive traits allows us to see our own good qualities as well.
The health and happiness of the whole community depends on the harmony, peace and joy that exists between every member.
(inspired by: https://plumvillage.org/mindfulness-practice/beginning-anew/)

Having moved to Berlin, this is kind of the Beginning of Anew for me. Inspired by the tracks that have been guiding me since I arrived, I put together this melodic, melancholic mix with some summer vibes here and there. Alongside, there are also a few messages, which I think are worth spreading. Best is you discover them yourself.
A smile.

Tracklist:
1. Natureboy Flako - Gelis [Five Easy Pieces]
2. Modulo - Mountain People [NIE WIEDER SCHLAFEN]
3. Tantsui - No Mercy [Nopassport]
4. BLANCAh - Learning To Fly (Kris Davis Groove Remix) [Steyoyoke]
5. Trikk - Wardance Dub [Innervisions]
6. Dinky - Casa (Axel Bomann Dub Mix) [Crosstown Rebels]
7. Lee Burridge & Lost Desert - Botanic [All Day I Dream]
8. Shiffer - Drunk On Hope [Siamese]
9. Himbrecht - Anything Else [NIE WIEDER SCHLAFEN]
10. Innellea - Saladin [Musica Autonomica]
11. Patrice Bäumel - Engage [Afterlife]
12. Ruede Hagelstein - Flash Balls [Watergate Records]
13. Efdemin - Parallaxis (Traumprinz' Over 2 The End Remix) [Dial Records]

For more good music visit https://soundcloud.com/niewiederschlafen

Sets

Beginning Anew

Yellow Elephant EP

Bandcamp

Ahtram Eid

Hilarrixe

Mathew Jonson - Marionette

Mathew Jonson ‎-- Walking On The Hands That Follow Me
Label: Wagon Repair ‎-- WAG 050
Format: Vinyl, 12" 
Country: Canada
Released: Jun 2009
Tracklist:
A. Walking On The Hands That Follow Me 
B. When Love Feels Like Crying

When Love Feels Like Crying

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne
