Mathew Jonson ‎– Decompression EP
Label: M_nus ‎– MINUS24, M_nus ‎– minus24
Format: Vinyl, 12", 33 ⅓ RPM, EP 
Country: Canada
Released: 26 Jul 2004

Tracklist:
A. Decompression	
B. Ultraviolet Dream

Decompression

Purveyor Of Electronica & Original Headz - since 1997  : : : Dj : : :

Pushing phat, driving Analog Waves & grabbing dance music by the heart for three decades. Timeless.

Electronic Music for the Mind. Body + Soul.

Music is life, Life is emotions, Emotions is love... Forever Love! Spread the love!!!

: : : Spread it like the Wind Spreads...things. : : : 

it all began way back in the early 90s on a cold gloomy day, while listening to a 12'' Funky House record by the one and only legendary pioneer, Junior Jack I had dug through that day at the local record store(I think it was a white label back then and I had no clue who the record was written by at the the time!) and then the feeling took over, never left and kept evolving into a whole a lot in the magikal Electronica spectrum...uplifting & emotional Trance, Tech Trance, Progressive Trance, Club Trance, Progressive House, Electro House, House...this is all after my Funkmaster Flex era, but that's another story for another gloomy busy day....

These are some of my vintage and current DJ mixes from my 25+ years on the frontline trenches and recordings I've done from the "backstage" : : : ''bunker" sessions - just a cool spot (an expressive, creative sanctuary)I was lucky enough to hammer some wax and put together a few mixes where Black Sabbath and The Offspring used to jam in their early days. A true underground mecca, located right next to an old military base, a bunker where smoke machines, laser lights, heavy hitting line-arrays (this was before breaking over many circuits and over 20-30 pairs of speakers :/) and floor shaking//spine tingling bottoms lead the night and guide you into those blissful oceanic sunrises...creating some of the most blissful memories for me! Eventually, ended up owning and running the place, which was a nightmare on itself dealing with all the bands and artists!! 😅
Something about a small space dark room with a solid pounding sound system and blinding strobe lights....

Underground genres: Techno, Dub Techno, Dub House, Deep Techno, Melodic Techno, Tech House, Electronica, House, Deep house, Deep Tech,  Classic Progressive House, Deep Melodic, Hypnotic, Ambient, Deep Tech House, Indie dance/nu disco...doesn’t matter what genre it is, if it rocks, it rocks!!!



Exploring the beautiful, emotional and melancholic, melodic shades of, Progressive House, Techno and uplifting euphoric trance...''Underground lives forever baby - we're like roaches!''

All mixes mixed old skool analog on vinyl using XONE:92 & DB4 and are made with a whole a lot of love and a bit of grass or maybe a lot :) -atila 

Knee Deep In Sound - no hypes, no trends, just pure techno, progressive, trance energy & distinctive four to the floor sounds. 


MÚSICA del FUTURO
S E L E C T O R

Strictly Dancefloor Business
100% Hyper Pleasure
☎ Connect ☎
Music is the sound track to your life it’s always there wether you’re sad or happy it connects us all 
Chasing & catching those magikal rollercoaster of euphoric feelings
Stay Fast and remember “The imaginary is what tends to become real, so make it an overdose mission.”

For promos and demos please send downloadable links:
Contact: info@Karenthemanager. io

Practice makes perfect, but nobody's perfect, so why practice?

if you dig it, do not forget to enjoy when listening Friends :) x 🕊️

"He who knows the secret of sound, knows the
mystery of the whole universe." ✨✨🪐

THE MIND
Imagined By Please Do Not Enter 

"I guess your state of mind is not yours to design And all you need is time To find your space in false light". 

"The world is a looking glass. It gives back to every person a true reflection of their own thoughts. Rule your mind or it will rule you."

Unnecessary Necesseties - If You Need It, We Don't Sell it! 👽
imaginative soundscapes with no boundaries 

The fun machine took a shit and died. - no it wasn't a brain fart!

🎶 𝑀𝑢𝑠𝑖𝑐 𝑖𝑠 𝑡ℎ𝑒 𝐴𝑛𝑠𝑤𝑒𝑟 and the strongest form of Magik...eat sleep rave on REPEAT 🔈⚡️ "You are the universe, expressing itself as a human for a  little."

I know you are.. But what am I? 
Let's go on a deep exploration into the sound of modernity & the finest in electronic music from the finest djs.

THE EFFECT WILL LAST FOREVER
===========================
So ya thought ya might like to go to the show
and feel that warm fuzzy thrill of space cadet glow?
Rhythm. Melody.
If you are here just close your eyes and enjoy
➣ Classified information of those who brought sound to a silent planet. 

MUSIC TO AROUSE CURIOSITY : : : We drift deeper into the sound, As THe Rush Comes On.....

➣ I am currently operating from a remote and undisclosed location. I am here - you are there. maybe. not really. - it's classified.

➣ And on that note we drop the needle of the turntable into space, Interrupt This Programme and return back to Sound and Electronics : : : Politics of Dancing! 🕊️⚡️🌪️🛸

Forever listening out for the candy. 
Drifting in and out of a fever dream.

Go ahead and disagree

Melodic Incidents In An Irrational World....
Shake it! Ride the midnight city grid and break its endless horizons with your glitchy moves.
Shake it! Like a storm of life that surrounds your metallic skeleton, and takes you across the vapor screen of dreams.
Shake it! And duplicate an infinite version of you!


"We don't stop playing because we grow old, we grow old because we stop playing." Keep on groovin' & playing!...

"What I have understood is wonderful, from this, I conclude that the rest of what I have not understood is also wonderful."

WHO'S IN DA HOUSE ¿

REALITY IS FOR THOSE WHO ARE NOT STRONG ENOUGH TO CONFRONT THEIR DREAMS

“I was born with music inside me; it’s a part of me, like my heart, my ribs, my blood. I need it as much as I need water and food. You must love to be able to play! Music is the best way to endure time; it defeats loneliness. Music is the only promise kept, and music is the only bet won. Music is everything; it is the beginning and the end of the journey.”

“Road : a wide way leading from one place to another.”
Roads are where humans have fulfilled the purpose of their existence. As the monk follows God’s road, the merchant follows the road to wealth, and the artist that to inspiration. We, Mind Travellers, walk the Road to Nowhere. Electronica is our journey...Z3ro Gravity State Of Mind!
Straptight, Enjoy The Trip & Aural Finesse Traveling The World With The Speed Of Sound as you embark on an unforgettable journey into the heart of electronic euphoria.

Freaks Only! 

'Reality you can rely on' – since 1997

May the Funk be with you! 

\ software
\ .engineer( 'noise cancelling headphones' )
0x............
Sensations & feelings
    Lollipop & Chips 🎶

🫡 Commander Tom l Agentic Overide Enabled

https://linktr.ee/unit55music 

UNIT55 is a collective of producers, DJ s and Creative people ! We stand for House, Techhouse, Deep, Melodic, Raw, Techno and Acid. Whether it's peak time, sunset warm up or afterhour sound, we know exactly what a good party should sound like. 

For inquiries you can reach us at UNIT55@gmx.de

https://linktr.ee/unit55music

https://m.youtube.com/@DruckLounge-Music



First Date:
22.9.23 BLACKBOX SIMMERTAL / Michael Stritzke BDAY
1.12.23 Freitag Tanzen ! Gold Bad Kreuznach 
2.12.23 Live Stream , Unit55 meets Drucklounge/Koblenz
27.01.24 Live Stream , UNIT55 meets Drucklounge/Koblenz CLUBNIGHT
15.03.24 DEJAVU/ BadKreuznach UNIT55 Black and White/ Night of the Collective B2B
16.03.24 Unit55 @ RadioRheinwelle / Wiesbaden
04.05.24 ClubDejavu/ Bad Kreuznach NIGHToftheUNIT
25.05.24 ClubDejavu/ Bad Kreuznach 
WePlayVinyl
15.06.24 LIVESTREAM/Drucklounge 
BDAY Clash
21.12.24 TechnoClassics/ palaciogranada/ Idar-Oberstein
29.03.25 Unit55 meets Drucklounge/Koblenz
09.06.25 Unit55 meets Nightclubbing Events/Nußbach

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


Jaissooo .....🦋
Musik war schon immer mein Rückhalt – auch in Zeiten voller Niederschläge und Enttäuschungen. Nichts konnte mich davon abbringen, meine Leidenschaft zu leben. Meine Sets sind geprägt von der Liebe zu House, Techno und elektronischen Klängen – ein Sound, der Herz und Tanzfläche verbindet☀️🫶





Music has always been my support – even in times full of setbacks and disappointments. Nothing could ever stop me from living my passion. My sets are shaped by a love for house, techno, and electronic sounds – a vibe that connects the heart and the dance floor ☀️🫶







 





 https://on.soundcloud.com/JCb2uaiS5pCcXQzKA

★ ★ ★

come explore emotional depth in different ways

ig @heyyylaraa