Des podcast sur l'actualité du football réalisé par des spécialistes dans leur domaine (foot anglais, espagnol, allemand, italien...)

Produit par Bruno Constant, journaliste, ancien correspondant de L'Equipe à Londres de 2007 à 2016, intervenant sur RTL et Rfi. Créateur et producteur du Podcast 100% foot anglais depuis 2013.

Made in 2013

Blur as we know it was born in 1989 when the band signed to Food/EMI. Debut album Leisure (1991) announced the arrival of a band with pop suss warped by an art-punk eccentricity. Yet Blur had more in them: namely, a revolution in the sound of English popular music. Second album Modern Life Is Rubbish reintroduced the idea that English rock music could be cool, and by the time their third album Parklife emerged in 1994, the rest of the UK had caught up. 

The Great Escape (1995) refined the sound palette of Britpop, but Blur were already moving on. 1997's Blur was an about-face - scuffed and noisy and un-English. Follow-up 13 was an even a more radical adventure in sound as William Orbit refereed a truce between organic punkpop and new-fangled technology.

Seventh album Think Tank (2003) was Blur’s first as a three piece after the temporary departure of founding guitarist Graham Coxon, featuring an eclectic variety of rhythms and textures and glorious melodies. 

In 2009 Blur reconvened as a four-piece to play a series of UK shows including two sold out dates at Hyde Park and a historic Sunday night appearance at Glastonbury. A film about Blur, No Distance Left To Run, was released in 2010.

Radio show for underground punk>>>Garage>>>Psyché>>>Rock>>>>
Folk>>>Pop
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Irish post-punk trio, Slow Riot return with the 'Cathedral' EP via Straight Lines Are Fine. Lead track from the clear vinyl 10" 'Demons' impresses with dark, swooning guitars and a driving beat. Taking the Slow Riot penchant for classic songwriting and blending it with new wave hooks and a layered, climatic build reminiscent of shoegaze luminaries Ride or My Bloody Valentine. These diverse, refreshing sounds span across the 'Cathedral' EP, channelling more of those beautifully dynamic, spacious soundscapes, heavy walls of feedback with pop sensibilities, with an aim to challenge any preconceptions, as is the bands mantra. 'Cathedral' was recorded at the Manic Street Preachers' Faster studio in Cardiff under the watchful eye of producer Kevin Vanbergen, whose back catalogue includes the likes of The Pixies, The Maccabees, Dinosaur Pile-Up, The La's and Biffy Clyro. Faster's in-house engineer Loz Williams and the Manics' James Dean Bradfield further extended a helping hand to the band, offering the use of their equipment and instruments, many of which were used in the making of past chart-topping records.  

Yuko Yuko is the Dutch nostalgic-psychpop solo-project of Elias Elgersma. Elias is just 19 years of age but has already a big catalog of records, made on taperecorders from the old days. Elias only uses old equipment before he was born. 

In 2012 Yuko Yuko's song we're noticed by Mexican bloggers. Before he even had anyone from the Netherlands to know his music he released two EP's on Badpop and RVRB Music. His second EP 'Cutlove' was catched up by Dutch media like Vice/Noisey, so it was time for Elias to perform his songs live in a 5 piece live-band.

Despite Elias is currently busy with entertaining his people with live performances and recording songs daily he always has a few unreleased record ready to share. A lot of material will be released on Purple Noise Record Cub (A label of Yuko and his friends). With albumtitles like 'Cry Along With Yuko' and 'Is Dick Home?' Elias wants to interpret his emotions with a tablespoon of salt to a enervating listening experience including a dripping tear on the lips of your smile.

$> Show Sum Cultlove <$

Hippy Trippy Music
Can you please stand up and listen?
Can you please open your mind? 
Do you want to try a new word? 
Embarquez, levez les blancs mouchoirs, le voyage pour l'esprit est sans retour.

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