Behold Finders Keepers, a British record label, 40 years in the making, introducing fans of psychedelic, jazz, folk, funk, avant-garde and whacked-out movie musak to a lost world of undiscovered vinyl artifacts from the annals of alternative pop history.

Catering to record collectors and DJ-producers alike with a huge emphasis on sample friendly soundscapes, rocksteady back-beats and primitive electronic experimentalism. Discerning purveyors of the bizarre and abnormal should expect the Japanese choreography records, space-age Turkish protest songs, Czechoslovakian vampire soundtracks, Welsh rare-beats, bubblegum folk, drugsploitation operatics, banned British crime thrillers and celebrity Gallic Martini adverts... presented on CD, 7" and traditional black plastic discs in authentic packaging.

Following in the very same footsteps as the mind boggling "Music To Watch	Girls Cry" and "Songs In The Key Of Death" mix CDs for Fat City Records and the original 5-star rated Finders Keepers compilation LP in 2001, Manc-based vinyl-vulture, recording artist and record producer Andy Votel enlists the skills of fellow B-Music DJ and Rare Disc Detective Doug Shipton to form a team of psychedelic librarians and cosmic-pop-quiz-elitists to run their new Twisted Nerve distant sister-label, leaving no progressive pebble unturned or record collection un-rifled.

Future compilations and re-issues will feature collaborative curators such as David Holmes, Cherrystones and Bob Stanley and further contributions from mystery A- / B+ pop-celebrity fanatics of outsider music and ultra-rare bakelite discs. Finders Keepers is an 'accidental world music label' with a punk aesthetic and DJ friendly ethos which allows the desperate listener to sit back while we deliver schizoid cultural channel-hopping compilations and rocking-horse-shit & hen's-teeth re-releases to the comfort of your psych-starved living room...

World Circuit Records has made its reputation by producing some of the finest albums of the past three decades. The label’s prestigious roster includes the Grammy-winning Buena Vista Social Club and associated solo artists (including Ibrahim Ferrer, Rubén González, Omara Portuondo and Orlando ‘Cachaíto’ López), Malian blues pioneer and Grammy-winner Ali Farka Touré, Malian divas and social activists Oumou Sangaré and Fatoumata Diawara, master kora player Toumani Diabaté, the illustrious Orchestra Baobab, musical iconoclast Cheikh Lô, and Fela Kuti’s legendary drummer and co-creator of Afrobeat Tony Allen. 
 
With reissues and brand new releases coming soon, World Circuit continues to bring diverse, genre-defying music to a wider audience.

Welcome to the ARCHIVE OF INDIAN MUSIC (AIM) – the repository of gramophone recordings of India!
AIM seeks to digitize and preserve for posterity the valuable slices of India’s cultural history and musical heritage. The Archive is a custodian of these treasures and makes these available for all through its different dissemination arms. 
Come, join us in this fascinating exploration of an era that has gone by, listen to some of the best voices and the most divine instruments of this country cutting across various genres- Hindustani classical, Carnatic classical, Theatre, Early cinema, Folk and the rest! 


https://soundcloud.com/atomathome
https://soundcloud.com/greem
https://soundcloud.com/dj-pfel
https://soundcloud.com/20syl

The four DJs’ dedication to their art has led them to make a clean sweep of the DMC World Champion title for four years in the row (2003 - 2006).

C2C consists of 20syl and Greem (from Hocus Pocus) and Pfel and Atom (from BeatTorrent). 

After a decade of teamwork, they dropped their debut EP, Down the Road in 2012. The success of this first project provided a strong foot forward for the anticipated release of their groundbreaking album Tetra the same year.

Critically acclaimed, the record was rewarded four “Victoire de la Musique” (French Grammys) and a Double Platinium Record. 

Features’ enthusiast, C2C has invited several artists on record (Gush, Jay Jay Johansson...) and has shared the stage with major acts such as French poly instrumentalist -M-, while working on iconic remixes (Bernhoft, Vitalic etc.).

Their original music videos F.U.Y.A. and Delta showcases C2C’s neat and eccentric visual esthetic. 

On stage, C2C’s impressive scenography discloses the band’s love for graphic design and visual arts. Their flawless identity and their original sound catapulted the quartet from European’s biggest stages to the Coachella music festival.

Savant mix of Hip Hop and electronic C2C’s has shaken the music landscape and has turned turntabilsm into a pop culture phenomenon. 

Management:
sam@verdigrismanagement.com

BOOKINGS: 
ed@freetradeagency.co.uk

North America, South America, Canada 
averymctaggart@gmail.com

DJ BOOKINGS:
UK, Europe, Asia
ali@warmagency.com

US & LATAM
bowen@paradigmagency.com
Press:

nikki@orienteer.us

Management:
thierry@blueventgroup.com

Demo:
demo@bakermatmusic.com

Music Management:
bob@bigtopamsterdam.com

Bookings North/South America:
cchapman@teamwass.com 
lchenfeld@teamwass.com

As one of Iceland’s most successful exports, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album, ‘Dýrð í dauðaþögn’, became the best-selling debut in Icelandic history, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017, ‘Bury The Moon’ in 2020, and ‘Time On My Hands’ in 2022’, earning praise from press and radio worldwide, including the likes of The Independent, MOJO, NME, The Line Of Best Fit, Clash Magazine, BBC 6 Music and Radio X.
 
In recent years, Ásgeir has embraced solo performances, playing nearly 70 intimate shows across Europe, the Nordics, and Iceland, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues, including small churches, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans.
 
Ásgeir is now back with his next album, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling, exploring themes of relationships, aging, hope, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon.
 
The album’s production was a hands-on process, with Ásgeir playing most of the instruments and collaborating with a select group of musicians, including Nashville cellist Nat Smith. Recorded both solo and with a band, the songs capture an organic, heartfelt energy. With this new chapter, Ásgeir continues to evolve, offering music that is as introspective and accomplished as ever as well as deeply resonant.

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