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THE MASHUP KING HIMSELF
CREATOR OF BOOTLEGS IN ALL SILLY DANCE MUSIC GENRES
PASSIONATE SYNC BUTTON USER
AVAILABLE 4 BOOKINGS, DJ SETS, WEDDINGS, STRIP TEASES, COOKING YOU MY GRANDMA'S FAMOUS CHILLI 
Contact: mikeprlogan@gmail.com

He’s the modern-day Mozart — today’s leading talent in the ever-growing electronic dance music scene. He’s the pride of Moldova, known for his unique and very own sound. He is Andrei Rata, better known as Andrew Rayel.


Born on July 21st, 1992, his young age never stopped him from taking the lead amongst the next generation of electronic dance music’s finest producers. Developing strong musical skills, he studied orchestral music and kicked off his producing career at only 13 years of age. It didn’t take long for the passionate music lover to translate his ideas into sounds. He created a truly unique sonic signature – one of piano power, harmonic balance, and euphoric tales. And so, years later, his originals and remixes are praised by many and loved by more. But, rest assured, the Andrew Rayel story has only just begun.

“Trance was the perfect solution, as it is a combination of melody, harmony and energy, elements that I prefer the most”, says Andrew Rayel. With having several singles under his belt that has taken the dance world by storm “How Do I Know”, “Horizon” , “One In A Million”, “Dark Warrior”, “Tambores”, “EIFORYA” and much more more!

His tracks found a solid home on the A State of Trance and Armind labels, both part of the Armada Music family. With such impressive originals, it didn’t take long until the Rayel sound became its own nourishing label “inHarmony Music” with partnership of sister company Armada Music.

Andrew Rayel became a leading brand that has had the pleasure in collaborating and having the supports of names such as Armin Van Buuren, W&W, The Chainsmokers, Dash Berlin, Tiesto, Seven Lions and much more, as well as remarkable performances from headlining mainstages to selling out venues in worldwide cities and festivals such as Tomorrowland in Belgium, Electric Daisy Carnival in Las Vegas, Orlando, Tokyo, Ultra Music Festival in Miami, Sydney, South Korea , Electric Zoo in New York, A State Of Trance in The Netherlands, Creamfields UK and much more.

In 2018, the Find Your Harmony radio show experience has turned into a one of a kind live experience in which Andrew has taken the brand to selective world wide city debuts such as Montreal, New York, Jakarta, Kuala Lumpur, Chisinau, and a few more sold out stops, with last but not least a festival stage takeover at Electric Daisy Carnival , Las Vegas in 2019.

As a result of his hard work and dedication, fans voted him to become one of the Top 100 DJS in the world, as well as breakout DJ & Producer and highest climber in the poll voting, along side many world wide nominations such as the IDMA (International Dance Music Awards) which is hosted yearly in Miami during Winter Music Conference week.”.

Andrew Rayel is now an artist that has released 2 artists albums on his home label “Armada Music”. in 2014 “Find Your Harmony” was released as the first ever artist album, followed up by “MOMENTS”.

The road to success has just begun and Andrew Rayel is ready to take on the world in the years ahead.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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