I have been doing this for 19 years now. I still love it. I still get inspired. I will do this forever. I coined the term "Lightpsy" to describe my "Grid-Harp" track a bunch of years ago. Since then it seems to have caught on. I still think it works to describe what I do Psy-music-wise.

pŞฯtrคຖ¢ē ຟith໐นt li๓itŞ
www.reversible-records.com

We are a crew of musicians, DJ's and designers spread around the globe working together to bring you hi quality psychedelic music. Follow our links bellow and become a part of this journey with us...!

For Info & Booking Please Contact: bashertoe@gmail.com

𝓘𝓯 𝔂𝓸𝓾 𝓭𝓸 𝓷𝓸𝓽 𝓭𝓪𝓷𝓬𝓲𝓷𝓰, 𝓱𝓸𝔀 𝓲𝓼 𝓵𝓲𝓯𝓮?

•••••••••
𝐈 𝐰𝐚𝐬 𝐰𝐡𝐞𝐧 𝐈 𝐠𝐨𝐭 𝐮𝐩 𝐭𝐡𝐢𝐬 𝐦𝐨𝐫𝐧𝐢𝐧𝐠, 𝐛𝐮𝐭 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐈 𝐦𝐮𝐬𝐭 𝐡𝐚𝐯𝐞 𝐛𝐞𝐞𝐧 𝐜𝐡𝐚𝐧𝐠𝐞𝐝 𝐬𝐞𝐯𝐞𝐫𝐚𝐥 𝐭𝐢𝐦𝐞𝐬 𝐬𝐢𝐧𝐜𝐞 𝐭𝐡𝐞𝐧.”
“𝐖𝐡𝐚𝐭 𝐝𝐨 𝐲𝐨𝐮 𝐦𝐞𝐚𝐧 𝐛𝐲 𝐭𝐡𝐚𝐭?” 𝐬𝐚𝐢𝐝 𝐭𝐡𝐞 𝐂𝐚𝐭𝐞𝐫𝐩𝐢𝐥𝐥𝐚𝐫, 𝐬𝐭𝐞𝐫𝐧𝐥𝐲. “𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐲𝐨𝐮𝐫𝐬𝐞𝐥𝐟!”
“𝐈 𝐜𝐚’𝐧’𝐭 𝐞𝐱𝐩𝐥𝐚𝐢𝐧 𝐦𝐲𝐬𝐞𝐥𝐟, 𝐈’𝐦 𝐚𝐟𝐫𝐚𝐢𝐝, 𝐒𝐢𝐫,” 𝐬𝐚𝐢𝐝 𝐀𝐥𝐢𝐜𝐞, “𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐈 𝐚𝐦 𝐧𝐨𝐭 𝐦𝐲𝐬𝐞𝐥𝐟, 𝐲𝐨𝐮 𝐬𝐞𝐞.” —𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝟓, 𝐀𝐝𝐯𝐢𝐜𝐞 𝐟𝐫𝐨𝐦 𝐚 𝐂𝐚𝐭𝐞𝐫𝐩𝐢𝐥𝐥𝐚𝐫

33.

madart111 

it's not how you hear, it's how you listen. 


Been playing acustic instrumensts since my early teens. Now having a fasination tp the dark and wierd electronica soundscape

Sigil, aka Andrew, expresses his inner self in sonic form. It turns out that his inner self is quite patient and elegant, unlike the clumsy meat-suited human that stumbles around Earth. 

He has enjoyed bleary moments waiting around airports in order to perform all over Europe at festivals such as Boom (Portugal), Ozora (Hungary), Anthropos (UK), Kosmos (Finland), Egodrop/Goa Dupa (Poland), SUN (Hungary), Sonica (Italy), Festival Harmonic (France) and of course Suti (though he drives to that one).
 
Andrew has two other musical projects - psy-techno "Unicorn Hunters" with Seb G, and experimental semi-improvised live act "AMP Project" with Patrick Ferreira (clarinet) and Marco Rosa (violin). He is also one of the main disorganisers of Suti Festival, a small gathering focused on cutting edge psychedelic music in Portugal. As "Sigil Audio" he works on sound design projects for digital artists. He lucked out in being welcomed into the epically good label Merkaba Music and rather lovely Portuguese chill collective "Moondance". 

Sigil lists his sense of humour among his strengths, while writing biographies for himself in the third person sits firmly on the side of his weaknesses. If you join his Patreon he will show you some ways to get a computer to make silly noises for you. 



Links:
Soundcloud www.soundcloud.com/sigilpsy
Facebook www.facebook.com/Sigilpsy
Patreon www.patreon.com/sigilmusic
Twitter https://twitter.com/SigilAudio
Bandcamp https://sigil23.bandcamp.com



Discography
EPs: 
In the Grain - Merkaba Music 
Symbiont Simian - Merkaba Music
A gnostic - Glitchy Tonic

Compilation tracks:
Ghatanko (with Kino Doscun) - Merkaba Music
Molecules - Patreon only
Portcullis - Merkaba Music 
Strictly Transpersonal - Kunayala 
Prayer - Merkaba Music
Syntropy - Electrik Dream
Fleeced - Pink Sheep Project
Digil Sippy (with Dirty Hippy) - Kupuri Music
Classification - Kupuri Music
Photosynthesis - Glitchy Tonic
Intro (Wunch of Bankers) - Glitchy Tonic
Epistemology - Maia Brasil
Utopia - Into This Wired Abyss
Storm - Into This Wired Abyss
Movements - Self-released
Intention - Self-released


Remixes: 
Inner Child - Theme 7 (Sigil remix) - Inner Child bandcamp only
Nanosphere - Exogenesis (Sigil remix) - Shanti Planti
Liquid Bloom & Pere - Azuma (Sigil remix) - Desert Trax
Cosmognostic - The Hierophant (Sigil remix) - Patreon only
Liquid Bloom & Tribone - Interbeing (Sigil remix) - Desert Trax
Lamb - Heaven (Sigil remix) - self-released
Lamb -Butterfly Effect (Sigil remix) - Glitchy Tonic
Sixis - Mycolinguistic (Sigil remix) - Into this Wired Abyss
Opaque - All About the Music (Sigil remix) - Drip Dry

Red Eye Jedi is a renowned psytrance producer hailing from Denmark, known for his versatile and dynamic approach to psychedelic music. His sound spans across various subgenres, including dark psytrance and forest psytrance, creating a unique blend of organic, funky, twisted, and serious psychedelic soundscapes.

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