Worldwide Bookings: bookings@yorkartists.com
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"No one can know for sure what Nox Vahn has brought with him from the past, and certainly, we’ll need more time to understand how it is possible for someone to convey so much emotion and intensity with instrumental electronic music alone. 

One will often find themselves being drawn into his music - bristling with anticipation as dark and ancient soundscapes begin to reveal their timeless secrets. Thunderous basslines brimming with tension are felt lurking underneath a sky of meticulously orchestrated and sparkling percussion. 

Distant primal drums and tribal rhythms beckon the listener to dance, while an enchanting melody invites them to escape their reality for a few moments - to wander and to dream in this new musical landscape that is devoid of judgment. Yes, Nox Vahn’s emotionally charged masterpieces can evoke such overwhelming feelings as these - both euphoria and unease, in a way that very few have been able to achieve. 

One thing we do know is that whispers of his name are beginning to be heard around the world once again, and it's clear he has returned to share another chapter of the story. Another piece of the universal puzzle 🌒"
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Nox Vahn (formerly known as Fairchild) is an American electronic-music-producer, musician, and DJ who has been supported by some of the biggest names in dance music history, including the likes of Kaskade, Pete Tong, Above & Beyond, Paul Oakenfold, Solomun, Hernan Cattaneo, Sander Van Doorn, Henry Saiz, Eelke Kleijn, Jeremy Olander, Cid Inc., and many more. 

He has performed at some of the most legendary venues in the United States including The Gorge Amphitheatre, Red Rocks Amphitheatre, and the Brooklyn Mirage in New York; while supporting names like Kaskade, Above & Beyond, and Lane 8 on tour; and continues to see highly successful releases such as his single, 'Brainwasher' and his recent collaboration with Marsh, 'Come Together’ on London based powerhouse label, Anjunadeep.

www.noxvahn.com

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

Raised among music and arts, Kled Mone's involvement with music seemed inevitable.
Defined by dark and melancholic chords, his sound is balancing between vulnerable details and emotional intensity while maintaining a certain range of electronic elements.
As a remixer, Kled Mone has worked on well known Greek acts like Monsieur Minimal, Dusk, Papercut, as well as international ones like KADEBOSTANY, MOBY,  Leona Lewis, Bastille, Julia Stone, Duke and more. 
With 2 personal albums in his assets (Feeling Good, Chapters Of Life) with his tracks  included on world wide known music compilations such as Buddha Bar ,Select 9 
and with over 80 million views on Youtube and million streams on Spotify, 

Kled Mone is clearly an upcoming music genius.


Press Inquiries & Bookings: kledmoneproductions@gmail.com

Selector and collector, born in Estonia, matured in the UK and currently residing in North America. Heavily influenced by the UK, French, Dutch, German, Romanian and Ukrainian house/techno music scene.

Amateur Audio Engineer with a unique style sound.
Instrumental producer and sound designer.
Guitarist and songwriter.

I AM A PROJECTION 
THEREFORE
MY EXPERIENCE IS SEE THROUGH.


Listen to Jay_O
-MAITREYA-
 <3RIP

BOOKING:
Entourage

+55 11 3891-1441
bookings@entourage.com.br

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