Out The Blue ft. Alice Gold

Matrix & Futurebound - Control feat. Max Marshall. Out 29th Dec. 2013. Buy on iTunes: http://smarturl.it/MFcontrol // Buy remix bundle: http://smarturl.it/MFctrlrmx // Buy on Beatport: http://btprt.dj/1ehacdj

Coming off back-to-back Top 40 hits 'All I Know' and 'Magnetic Eyes', Matrix & Futurebound are back with their new single 'Control' featuring Max Marshall on vocals. Check the official video here: http://youtu.be/CWYeGHETCSI

M&F Online: 
http://www.facebook.com/matrixandfutubound
http://twitter.com/matrixandfuture
http://www.youtube.com/MatrixFuturebound

http://www.facebook.com/metrorecordings
http://www.facebook.com/viperrecordings
http://www.facebook.com/3Beatmusic

Buy on iTunes

Matrix & Futurebound - Control (feat. Max Marshall)

Release

Release (Fred V Remix)

Andy C & Fiora ‘Heartbeat Loud'

Lyrics:

Her headstone reads: “Where is she?”
An empty grave to hold the ache.
Her mama calls at 3:13,
praying for a sign to break.
A porch light burns the whole town white,
the wind repeats her name—
it knocks on windows, counting nights,
but nothing answers back the same.

I mark the days on kitchen tile,
with trembling hands and borrowed faith.
The river keeps its secrets close—
I listen anyway.

A storm is comin’
she’s been gone for days.
My daughter’s missin’
there is hell to pay.
Every mile,
every memory stays—
but broken roads
still take her away.

Where is she… where is she… (wind replies: “no one knows”)

I warned you: Run—don’t trust their light,
I told you: Hide—avoid their eyes.
The milk carton smile, the church bell’s cry,
the sheriff’s pen runs out of lies.
A ribbon on a fence grows thin,
a candle drowns in wax and rain,
I trade my sleep to hear a hint—
her name inside the windowpane.

Every turn I take feels wrong,
every road a mouth of stone.
The world keeps moving forward fast—
I walk it back alone.

A storm is comin’
she’s been gone for days.
My daughter’s missin’
there is hell to pay.
Every mile,
every memory stays—
but broken roads
still take her away.

Blue lights bruise the gravel lane,
wild dogs argue with the rain.
A map of footprints tears in half—
the lines all end where shadows laugh.
I hear her bracelet in my dreams,
a tiny bell in iron weeds;
the night collects our debts in full,
and writes receipts my heart can read.

Your cup by the sink.
Your coat by the door.
I keep your room ready like a lighthouse floor.
If the devil keeps a ledger,
then let the devil bleed—
I’ll mortgage every breath I own
to bring you back to me.

There is hell to pay.
There is hell to pay.
For every name the darkness takes—
there is hell to pay.
For every door that would not break—
there is hell to pay.
For every false and silver tongue—
there is hell to pay.
’Til every bell is fully rung—
there is hell to pay.

A storm is comin’
I can feel the quake.
My daughter’s missin’
I won’t let it fade.
If time’s a thief,
then time must pay—
I’ll tear the night
until it gives her name.
A storm is comin’
I won’t look away—
the sky can break,
but I won’t break.

Her headstone reads: “Where is she?”
The wind replies: “Bring her home.”
Porch light on.
I wait alone.
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Track: Hell To Pay
Lyrics: NTENSEIFIED
Music & Vocals: NTENSEIFIED, Daniel Espinoza
Produced By: NTENSEIFIED

Hell to Pay - Feat. Daniel Espinoza

Metrik - Want My Love (feat. Elisabeth Troy)(Club Mix)

The Workout Mix 2017

Sweet Lies (feat. Karen Harding)

Taken from Sub Focus' eagerly anticipated sophomore album, 'Tidal Wave' hits you exactly the way the title would suggest. A huge washing sonic wave of a record, this bass music masterpiece is packed with trademark Sub Focus energy. Bursting melodies and stunning vocal hooks from Alpines lead the way to a huge drumstep drop that will have clubs and festival tents jumping. Another hands in the air breakdown offers some breathing space before Sub Focus switches to full on drum & bass for the second drop. This is undoubtedly the anthem of late summer, a sure-fire dance floor filler.

Digital bundle includes remixes from Chuckie, KillSonik, Flosstradamus and Shadow Child.

Buy vinyl - https://shop.ramrecords.com/vinyl/ramm123

Sub Focus - Tidal Wave feat Alpines

Good to Me

Friction - Good to Me

Endorphins

Endorphins (Sub Focus Vs. Fred V & Grafix Remix) [feat. Alex Clare]

Pre-order

Air I Breathe

Download / stream

Info: futurebound@viperrecordings.co.uk
Bookings: chris@uaagency.co.uk (UK/Europe)
Saleem@amodeagency.com(N.A)
geoff@logictouring.com (Australia / N.Z)

Individually and as part of a duo, Matrix & Futurebound have decades worth of experience in shaping the drum & bass landscape. Brendan Collins and Jamie Quinn possess one of the most impressive track records in the genre's history, boasting one hundred million combined streams, one critically acclaimed album 'Universal Truth' and multiple consecutive Top 40 UK records. Their expert song writing can be seen through cuts such as 'All I Know', 'Magnetic Eyes' alongside Baby Blue, 'Don't Look Back' ft. Tanya Lacey and the legendary silver certified 'Control' with Max Marshall, which reached number seven on the UK's Top 40 singles chart whilst representing their fourth consecutive track to be playlisted on BBC Radio 1. Matrix & Futurebound are set to capitalise on this success for 2019- their forthcoming second studio LP 'Mystery Machine' is a testament to the legacy which they've built throughout their career, as they've become one of the most influential figures for a colossal dance music export. 
2005 was the year which led to the collaborative project between Matrix & Futurebound; 'Strength to Strength' was a pivotal moment for both artists, who were already prolific through their individual pseudonyms and it's a relationship which soon developed with exciting results. Their debut album 'Universal Truth' in 2007, jointly released on Matrix's Metro Recordings and Futurebound's Viper Recordings, signified the beginning of their joint alias. With Futurebound already having a powerful stake in the Liverpudlian bass scene and with London-based Matrix becoming a staple in DJ sets across the city's major club spaces, they had laid the foundations to launch a critical production team. 
Since then, the pair have gone on to cross over the divide between the underground world of drum & bass and mainstream commercial achievements, with their music translating to both intimate clubs spaces and global festival audiences. 2018 saw the first steps towards 'Mystery Machine', with title track 'Mystery Machine', 'Tardis', 'Live Another Day' and 'Believe' signalling the dancefloor viability of their next historic addition to an already impressive back catalogue. Having debuted many of its ground-breaking new records on stages at EDC, UKF Buenos Aires, Reading & Leeds, Glastonbury, Creamfields, Exit Festival, Let it Roll and due to showcase their album at the first of their 'Matrix & Futurebound Presents' nights at XOYO, they helped define the year's taste making tracks. 
But it's not just their standalone tracks which have caught the ears of fans and trend setters alike; as two of the biggest drum & bass figures, they've also remixed the likes of Emeli Sande, Pendulum, Eric Prydz, Jess Glynne, Demi Lovato, Labrinth, Birdy, Tinie Tempah plus many more names of the same stature. Their Emeli Sande rework was one of the vocal drum & bass anthems of the year gaining huge support from daytime Radio 1, making its way into the A list and with extensive specialist play from Annie Mac. This culminated in a highly successful Live Lounge appearance where the duo performed 'Breathing Underwater' with Emeli at Maida Vale, with their remix closing the London NYE fireworks.
Their next single 'Got You There', penned by esteemed songwriter Becky Hill and featuring alt-pop newcomer Zelah on vocals, begins the New Year with a slab of stunning musicality. Released through Viper / Metro Recordings, the emotionally charged anthem received three consecutive weeks of Radio 1 support on Mistajam's Dance Anthems slot, as well as being featured on the Spotify UK and US New Music Friday playlist. It was a hugely successful offering from Matrix & Futurebound and it's another chapter which brings listeners closer to the reveal of 'Mystery Machine'.