Taken from the album, 'Mystery Machine'.

https://fanlink.to/MTRVPRLP003

Metro / Viper Recordings 2019.

Happy Alone (M&F's Cheap Thrills Mix)

Avid cyclist; avid listener to Anjunabeats. Especially the group therapy sessions…  I must have ridden 10,000 kms in 2024 with those beats in my ear!

Booking contact (international) / Remix requests
djkolly@gmail.com
0036 20 253 53 85

Cluse (Kolly McColeman, Gergő Kollár) is one of those DJs & music producers who make a new definition in the music scene. He produces in several styles like EDM, house with breakbeat patterns & flying strings and leads combined with piano. As Kolly McColeman he created the stuttering scratch and made a new style called Thrill hop several years ago. In 2006 he dropped himself in DJ'ing and got improved in scratching & special mixing techniques. His first mix session was "The Breaksessions" project as Kolly McColeman on beats.hu. Nowadays he is the official DJ of the Hungarian Beerpong Association (MSE - Magyar Sörpingpong Egyesület)...

------------------------------------------------

References as "Kolly McColeman"

Retropolis (Budapest) 
Club Cool (Budapest)
Chachacha (Budapest) 
Club Broadway (Budapest) 
Magic Music Pub (Budapest) 
Club 49 (Budapest) 
Club Corner (Budapest) 
Erika Kávézó (Nyáregyháza)
Viper Room (Budapest)
Fekete Paradicsom (Budapest)
Scarabeus Music Club (Budapest)
Bazaar Klub (Budapest)
Black Sheep Cafe & Bar (Budapest) [REZ]*
Publin Music Pub (Budapest)
Kinizsi Africafe Klub (Budapest)
Könyvtár Klub (Budapest)
Tonett Étterem (Budapest)

*REZ = Resident DJ

Etalonsport Általános és Sportiskola
Sztehlo Gábor Evangélikus Általános Iskola
Kondor Béla Általános Iskola
Pestszentlőrinci Közgazdasági SZKI
Eötvös Lóránd Tudományegyetem (BEAC)
Szinergia (Óbudai tagintézménye)
Gulner Gyula Általános iskola

200th Anniversary Of Nyáregyháza / Festival
Nyáregyháza falunapok / Village Days [2012]
XVIII. Bókay-kert - Jégkori pálya záró [2012]

More parties: Birthdays, Private parties, weddings, company events

Broadcastings:

Radio Oranzs (Budapest) [Guest DJ]
Beatbird FM (Békés) [DJ, Broadcaster, Spot & Cover Creator]


References as "Cluse"

Beac Büfé (ELTE)
Roman Coast (Római part)
 
----------------------------------------------

Contact: cluseofficial@gmail.com

Attention! We are searching for a Booking Manager!

At 17, Complex Theory embarked on a journey he never intended to take. In 1999, his mother gave him his first set of turntables, as an early graduation gift, what she really gave him was the gift of expression. Complex Theory aka Jonathan Reeves began DJing in Columbia, SC. His belief in DJing is, "Im always looking to take constructive criticism, and pointers from anyone. The one thing I learned early on was, if you dont listen to what people have to say, then you will get stale, lose the love, and never push harder." Keeping this in mind, Jonathan began branching out to many other clubs in Columbia, Rock Hill, and Myrtle Beach, SC. In 2003, Jonathan grew tired of the normal day to day college life and found he might be better suited for other endeavors in the US Army. "I was working full time, sitting in class, and DJing part time to stay afloat.Oh, and drinking. He enlisted, left DJing as a memory, sold his equipment, and immediately deployed to Iraq from Fort Bliss within 2 weeks of arrival as Military Police. Jonathan said "I was so lost. Here I am, just barely able to legally drink, and now I'm holding a rifle in the middle of Baghdad. I didn't know what to think, except just get home.".  In 2005, while stationed in El Paso, TX a chance meeting led Jonathan back to music. In 2005, while in a music forum, he ran into the former owner of Dust Traxx Chicago. Charles and Jonathan became close friends and encouraged Jonathan to begin DJing again with a mutual friend of his. After a 2 year break, Jonathan was once again drawn back into DJing. He began playing several different venues in El Paso, TX. He played anywhere and everywhere he could just to play. In 2006, Jonathan voluntarily deployed once again to Iraq and never touched the decks again. In 2011, after struggles from his combat experiences, a stressful job as a Recruiter, and no healthy outlets, he once again returned to music simply, as he puts it "to find the closest alternative to an adrenaline rush of combat that I get when I crush a set...except without all the explosions, rounds, and heavy ass gear..." He now resides in Columbia, SC, as a disabled combat veteran and married with his 15 year old son and 11 year old daughter...who is already getting the itch to learn. "My son, Mason, must be either standing next to me when I play at home, or directly behind me, or he's pissed...unless I drop a track he digs and then he's jamming and getting down to it..."  Contact Jonathan directly at (803) 261-6411 or through any links below!

Info: futurebound@viperrecordings.co.uk
Bookings: chris@uaagency.co.uk (UK/Europe)
Saleem@amodeagency.com(N.A)
geoff@logictouring.com (Australia / N.Z)

Individually and as part of a duo, Matrix & Futurebound have decades worth of experience in shaping the drum & bass landscape. Brendan Collins and Jamie Quinn possess one of the most impressive track records in the genre's history, boasting one hundred million combined streams, one critically acclaimed album 'Universal Truth' and multiple consecutive Top 40 UK records. Their expert song writing can be seen through cuts such as 'All I Know', 'Magnetic Eyes' alongside Baby Blue, 'Don't Look Back' ft. Tanya Lacey and the legendary silver certified 'Control' with Max Marshall, which reached number seven on the UK's Top 40 singles chart whilst representing their fourth consecutive track to be playlisted on BBC Radio 1. Matrix & Futurebound are set to capitalise on this success for 2019- their forthcoming second studio LP 'Mystery Machine' is a testament to the legacy which they've built throughout their career, as they've become one of the most influential figures for a colossal dance music export. 
2005 was the year which led to the collaborative project between Matrix & Futurebound; 'Strength to Strength' was a pivotal moment for both artists, who were already prolific through their individual pseudonyms and it's a relationship which soon developed with exciting results. Their debut album 'Universal Truth' in 2007, jointly released on Matrix's Metro Recordings and Futurebound's Viper Recordings, signified the beginning of their joint alias. With Futurebound already having a powerful stake in the Liverpudlian bass scene and with London-based Matrix becoming a staple in DJ sets across the city's major club spaces, they had laid the foundations to launch a critical production team. 
Since then, the pair have gone on to cross over the divide between the underground world of drum & bass and mainstream commercial achievements, with their music translating to both intimate clubs spaces and global festival audiences. 2018 saw the first steps towards 'Mystery Machine', with title track 'Mystery Machine', 'Tardis', 'Live Another Day' and 'Believe' signalling the dancefloor viability of their next historic addition to an already impressive back catalogue. Having debuted many of its ground-breaking new records on stages at EDC, UKF Buenos Aires, Reading & Leeds, Glastonbury, Creamfields, Exit Festival, Let it Roll and due to showcase their album at the first of their 'Matrix & Futurebound Presents' nights at XOYO, they helped define the year's taste making tracks. 
But it's not just their standalone tracks which have caught the ears of fans and trend setters alike; as two of the biggest drum & bass figures, they've also remixed the likes of Emeli Sande, Pendulum, Eric Prydz, Jess Glynne, Demi Lovato, Labrinth, Birdy, Tinie Tempah plus many more names of the same stature. Their Emeli Sande rework was one of the vocal drum & bass anthems of the year gaining huge support from daytime Radio 1, making its way into the A list and with extensive specialist play from Annie Mac. This culminated in a highly successful Live Lounge appearance where the duo performed 'Breathing Underwater' with Emeli at Maida Vale, with their remix closing the London NYE fireworks.
Their next single 'Got You There', penned by esteemed songwriter Becky Hill and featuring alt-pop newcomer Zelah on vocals, begins the New Year with a slab of stunning musicality. Released through Viper / Metro Recordings, the emotionally charged anthem received three consecutive weeks of Radio 1 support on Mistajam's Dance Anthems slot, as well as being featured on the Spotify UK and US New Music Friday playlist. It was a hugely successful offering from Matrix & Futurebound and it's another chapter which brings listeners closer to the reveal of 'Mystery Machine'.

Age 22

Email: dannythompson1997@hotmail.co.uk