Taken from Notebook Album #19 "The Sleeping City" around 1995 (?) - (Piano/Organ: Joseph Beckitt, one take jam // Other noises: mjc) 

Matt Charles - "Never Let Go" (Circa 1995, 4 Track Cassette Demo)

SUPPORT & SHARING THE GOOD VIBES TO ALL
A Group Of Supportive People And NOT BOTs Or Taker. Please Feel Free To Have A Look, Listen: From Those That Support Playlists. Message Them, Drop A Follow, Like, Or Just Talk To The People That Feature. (You May Find Support And A Great Set Of People In Your Genre) Best Of Luck, Many Thanks & Thank You For Taking The Time To Read

Matt Charles is old school – no fads, no fashion.
The Tasmanian-born singer songwriter’s debut album, Java Tsunami, chases down a classic rock sound that’s fueled with honest and achingly powerful songs.
Steeped in the rock sensibility of his musical heroes, the album’s lean and tight arrangements add weight and depth to Charles’ writing, while inspired playing from lead guitarist Andrew Gatenby adds just the right amount of muscle.
The band rocks; all are old friends, they’re having a good time and it shows. They help make songs like Sacred Heart gleam and shimmer, while Ashes, with its seductive rhythm and understated melody twists around the lyrics to help draw out the song’s dark truth.
Matt Charles writes songs that are honest and clear, in the way that neither the music nor the lyric gets in the way of the other. Its themes are universal, and tips its hat to the tradition of folk and blues, where life, love and loss strikes the chord in each of us, regardless of what musical fashion dictates.
Java Tsunami is a rich seam of light and shade, a song set that is uplifting and hopeful, dark and truthful. It’s a conversation Charles invites you to join – come in and sit down for a while.
[Rob McGlynn – Freelance Journalist]
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# General DEMO 
Excuse Disclaimer #
- Most of these songs are old home demo tracks -- just rough notebook references for me.
- When possible, soon after writing a song, I record a solo/live version –so I don’t forget the basic idea.
- Sometimes, with the help of a few drinks I might start layering up some other tracks – the catch being, I don’t use click tracks etc,
and if it turns out the original guide vocal/guitar track was a bit out of tune,
or has me wailing a pretend guitar lead with my voice in the back ground…I’m stuck with it in the mix.
- And sometimes the songs are quite long as I’m just exploring the idea a bit on the fly //
- So – not polished studio recordings or 100% finished songs even – just sharing for your interest.
Thanks for listening / matt